Zhang hanlu (13 risultati)

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. pp. 112.

Softcover with dustjacket, 266 pages, Chinese and English, very good condition, clean and crisp; no internal marks. (White spine) Foreign shipping may be extra.

Taschenbuch. Condizione: Neu. Accident or Movement | A Conceptual Analysis of Chinese Conceptual Photography of the 1990s | Hanlu Zhang | Taschenbuch | 112 S. | Englisch | 2014 | LAP LAMBERT Academic Publishing | EAN 9783659529290 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu. …

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book regards the emergence of 'guannian sheying' (conceptual photography) in China as a result from two factors: contact with external sources of influence and internal impulses. First, I demonstrate that between two possible translations for the term conceptual as in Conceptual Art introduced from the West, the choosing of the word guannian reflects a local psychology in the historical context: the pursuit of an autonomous voice. Second, I illustrate certain patterns and forces in the history of contemporary photography in China and elaborate two aspects which most directly triggered the birth of conceptual photography: photographers dissatisfaction with documentary approach and the position of photography in documenting performance art in the 90s. My main argument is that rather than attributing its characteristics and significance mainly to the Western influence and isolated events, we ought to see 'guannian sheying' as a phenomenon intrinsically rooted in the historical progression of Chinese photography. 112 pp. Englisch.…

Condizione: New. Print on Demand pp. 112 2:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on Creme w/Gloss Lam.

Condizione: New. PRINT ON DEMAND pp. 112.

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book regards the emergence of 'guannian sheying' (conceptual photography) in China as a result from two factors: contact with external sources of influence and internal impulses. First, I demonstrate that between two possible translations for the term conceptual as in Conceptual Art introduced from the West, the choosing of the word guannian reflects a local psychology in the historical context: the pursuit of an autonomous voice. Second, I illustrate certain patterns and forces in the history of contemporary photography in China and elaborate two aspects which most directly triggered the birth of conceptual photography: photographers dissatisfaction with documentary approach and the position of photography in documenting performance art in the 90s. My main argument is that rather than attributing its characteristics and significance mainly to the Western influence and isolated events, we ought to see 'guannian sheying' as a phenomenon intrinsically rooted in the historical progression of Chinese photography.…

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Zhang HanluHanlu Zhang is a writer, translator, and independent curator based in New York. Graduated from the School of Art Institute of Chicago with a MA degree in Art History, Theory and Criticism, Zhang is interested in cultural e.…

Taschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -This book regards the emergence of 'guannian sheying' (conceptual photography) in China as a result from two factors: contact with external sources of influence and internal impulses. First, I demonstrate that between two possible translations for the term 'conceptual' as in 'Conceptual Art' introduced from the West, the choosing of the word guannian reflects a local psychology in the historical context: the pursuit of an autonomous voice. Second, I illustrate certain patterns and forces in the history of contemporary photography in China and elaborate two aspects which most directly triggered the birth of conceptual photography: photographers' dissatisfaction with documentary approach and the position of photography in documenting performance art in the 90s. My main argument is that rather than attributing its characteristics and significance mainly to the Western influence and isolated events, we ought to see 'guannian sheying' as a phenomenon intrinsically rooted in the historical progression of Chinese photography.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 112 pp. Englisch.…