Zolli daniel (50 risultati)

Hardcover. Condizione: VG. Black & illus. boards, black & illus. dust jacket, 200 pp., many color illus. Issued in conjunction with a 2015 exhibition that "offers a close look at the genesis of the early Renaissance in Florence. Focusing on a group of works made in the first half of the fifteenth century for Florence Cathedral (the Duomo), this volume highlights the ingenuity and spirit of competition that drove this multi-faceted project. Sculpture gave expression to new humanist ideas, and Donatello, one of the most influential and versatile sculptors of the Renaissance, was a main innovator. This engaging account places Donatello's major early works alongisde those of his contemporaries -- masters such as Lorenzo Ghiberti, Nanni di Manco, and Luca della Robbia." (dj) With thematic illustrated essays by Timothy Verdon, Daniel M. Zolli, Amy R. Bloch, and Marco Ciatti. The annotated and illustrated catalogue addresses 23 specific items. Verdon also provides a visit to the present-day Duomo.…

Hardcover. Condizione: New. NEW in plastic. Professional book dealer since 1999. All orders are processed promptly and carefully packaged with tracking.

Hardcover. Condizione: Clean & Unmarked. Condizione sovraccoperta: Very Good. A very clean and straight copy in like dust jacket. 200 pp.

hardcover. Condizione: very good(+). Condizione sovraccoperta: very good. Profusely illustrated in color and b/w. 199 pages. 4to, matte pictorial boards, pictorial d.w. (both boards and wrapper with some dents and scratches). London: Giles, (2015). A very good(+) copy in a very good dust wrapper, internally fine. Donatello (illustratore). …

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Hardcover. Condizione: new. New Copy. Customer Service Guaranteed.

Condizione: New.

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Hardcover. Condizione: As New. Like new, illustrated boards in excellent shape, pages are bright white and crisp.

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Condizione: New.

Condizione: New.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

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Taschenbuch. Condizione: Neu. Neuware - The concepts of purity and contamination preoccupied early modern Europeans fundamentally, structuring virtually every aspect of their lives, not least how they created and experienced works of art and the built environment. In an era that saw a great number of objects and people in motion, the meteoric rise of new artistic and building technologies, and religious upheaval exert new pressures on art and its institutions, anxieties about the pure and the contaminated - distinctions between the clean and unclean, sameness and difference, self and other, organization and its absence - took on heightened importance. In this series of geographically and methodologically wide-ranging essays, thirteen leading historians of art and architecture grapple with the complex ways that early modern actors negotiated these concerns, covering topics as diverse as Michelangelo's unfinished sculptures, Venetian plague hospitals, Spanish-Muslim tapestries, and emergency currency. The resulting volume offers surprising new insights into the period and into the modern disciplinary routines of art and architectural history. Provides a novel perspective on the art and architecture of early modern Europe and its colonial territories by focusing on the opposing analytical categories of purity and contamination, while also paying attention to their extraordinary theoretical and historical variety. Offers new readings of works both canonical (e.g., Michelangelo's unfinished sculptures, Dürer's Italianate influences) and less so (e.g., Vermeyen's tapestries of the Conquest of Tunis). Models a new approach to an important epoch in the history of art, architecture, and culture, bringing together the close study of objects (e.g., tapestries, sculpture, and coins) and materials (e.g., cosmetics, dyes, stone) with wider topics such as global exchange and economics. Inspires broader questions about the ideological underpinnings of early modernity, while also offering new insights into the implications of the current material turn and global turn in the humanities. Features twelve essays by leading scholars of the art and architecture of southern and northern Europe, the colonial Americas, and southeast Asia, with correspondingly broad geographical and chronological coverage.…

Condizione: New. Lauren Jacobi is the Clarence H. Blackall Career Development Associate Professor of Architectural History in the History, Theory + Criticism section of the Department of Architecture at the Massachusetts Institute of Technology. Daniel M. Zolli is Assistant.

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Condizione: New. In English.

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Condizione: New. 2020. Hardcover. . . . . .

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Hardback. Condizione: New. Fifteenth-century Italy witnessed sweeping innovations in the art of sculpture. Sculptors rediscovered new types of images from classical antiquity and invented new ones, devised novel ways to finish surfaces, and pushed the limits of their materials to new expressive extremes. The Art of Sculpture in Fifteenth-Century Italy surveys the sculptural production created by a range of artists throughout the peninsula. It offers a comprehensive overview of Italian sculpture during a century of intense creativity and development. Here, nineteen historians of Quattrocento Italian sculpture chart the many competing forces that led makers, patrons, and viewers to invest sculpture with such heightened importance in this time and place. Methodologically wide-ranging, the essays, specially commissioned for this volume, explore the vast range of techniques and media (stone, metal, wood, terracotta, and stucco) used to fashion works of sculpture. They also examine how viewers encountered those objects, discuss varying approaches to narrative, and ponder the increasing contemporary interest in the relationship between sculpture and history.…

Condizione: New. 2020. Hardcover. . . . . . Books ship from the US and Ireland.

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HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condizione: Brand New. 444 pages. 11.25x8.75x1.00 inches. In Stock.

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Hardcover. Condizione: new. Hardcover. The concepts of purity and contamination preoccupied early modern Europeans fundamentally, structuring virtually every aspect of their lives, not least how they created and experienced works of art and the built environment. In an era that saw a great number of objects and people in motion, the meteoric rise of new artistic and building technologies, and religious upheaval exert new pressures on art and its institutions, anxieties about the pure and the contaminated distinctions between the clean and unclean, sameness and difference, self and other, organization and its absence took on heightened importance. In this series of geographically and methodologically wide-ranging essays, thirteen leading historians of art and architecture grapple with the complex ways that early modern actors negotiated these concerns, covering topics as diverse as Michelangelos unfinished sculptures, Venetian plague hospitals, Spanish-Muslim tapestries, and emergency currency. The resulting volume offers surprising new insights into the period and into the modern disciplinary routines of art and architectural history. Provides a novel perspective on the art and architecture of early modern Europe and its colonial territories by focusing on the opposing analytical categories of purity and contamination, while also paying attention to their extraordinary theoretical and historical variety. Offers new readings of works both canonical (e.g., Michelangelo's unfinished sculptures, Duerer's Italianate influences) and less so (e.g., Vermeyen's tapestries of the Conquest of Tunis). Models a new approach to an important epoch in the history of art, architecture, and culture, bringing together the close study of objects (e.g., tapestries, sculpture, and coins) and materials (e.g., cosmetics, dyes, stone) with wider topics such as global exchange and economics. Inspires broader questions about the ideological underpinnings of early modernity, while also offering new insights into the implications of the current material turn and global turn in the humanities. Features twelve essays by leading scholars of the art and architecture of southern and northern Europe, the colonial Americas, and southeast Asia, with correspondingly broad geographical and chronological coverage. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…