Zucconi benedetta (32 risultati)

Condizione: As New. Unread book in perfect condition.

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Condizione: As New. Unread book in perfect condition.

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Hardcover. Condizione: Brand New. 480 pages. 9.17x6.69x1.34 inches. In Stock.

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Gebunden. Condizione: New. InhaltsverzeichnisIntroduction Staging And Performing Sounds: A Glance Through The Last Theatrical Work - Angela Ida De Benedictis, delving into Bruno Maderna s Satyricon: the looking glass world of storytelling, .

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Paperback. Condizione: New.

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brossura paperback. Condizione: Very Good. 2018. Copertina editoriale in brossura pieghevole. 282 p.; 21 cmST.937. Book.

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Hardcover. Condizione: new. Hardcover. This edited volume offers a new perspective on the new objectivity movement in music during the interwar period, challenging the view of it as a solely German or Berlin-based movement. Unlike architecture or visual arts, musicology has rarely applied the term beyond Germany. Yet, new objectivity in musicspanning composition, performance, and listeninghad significant European expressions. Key features included a rejection of expressionism, interest in mechanical reproduction (radio, gramophone), and objective performance styles. Through historiographical analysis and diverse case studies from several European countries, the book presents the movement as a broader, locally rooted phenomenon reflecting a shared Zeitgeist. It explores how these ideas emerged independently across national contexts, offering new insights into the cultural and political dynamics of the period. By examining aesthetic, institutional, political, and performative dimensions, the book invites a rethinking of new objectivity as a transnational and multifaceted phenomenon, and proposes its relevance as a tool for historiographical inquiry in music studies. This edited volume offers a new perspective on the new objectivity movement in music during the interwar period, challenging the view of it as a solely German or Berlin-based movement. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condizione: new. Hardcover. This edited volume offers a new perspective on the new objectivity movement in music during the interwar period, challenging the view of it as a solely German or Berlin-based movement. Unlike architecture or visual arts, musicology has rarely applied the term beyond Germany. Yet, new objectivity in musicspanning composition, performance, and listeninghad significant European expressions. Key features included a rejection of expressionism, interest in mechanical reproduction (radio, gramophone), and objective performance styles. Through historiographical analysis and diverse case studies from several European countries, the book presents the movement as a broader, locally rooted phenomenon reflecting a shared Zeitgeist. It explores how these ideas emerged independently across national contexts, offering new insights into the cultural and political dynamics of the period. By examining aesthetic, institutional, political, and performative dimensions, the book invites a rethinking of new objectivity as a transnational and multifaceted phenomenon, and proposes its relevance as a tool for historiographical inquiry in music studies. This edited volume offers a new perspective on the new objectivity movement in music during the interwar period, challenging the view of it as a solely German or Berlin-based movement. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. 2025. hardcover. . . . . .

Buch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - This edited volume offers a new perspective on the new objectivity movement in music during the interwar period, challenging the view of it as a solely German or Berlin-based movement. Unlike architecture or visual arts, musicology has rarely applied the term beyond Germany. Yet, new objectivity in music spanning composition, performance, and listening had significant European expressions. Key features included a rejection of expressionism, interest in mechanical reproduction (radio, gramophone), and objective performance styles. Through historiographical analysis and diverse case studies from several European countries, the book presents the movement as a broader, locally rooted phenomenon reflecting a shared Zeitgeist. It explores how these ideas emerged independently across national contexts, offering new insights into the cultural and political dynamics of the period. By examining aesthetic, institutional, political, and performative dimensions, the book invites a rethinking of new objectivity as a transnational and multifaceted phenomenon, and proposes its relevance as a tool for historiographical inquiry in music studies. …

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Condizione: New. 2025. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condizione: Brand New. 300 pages. 8.27x5.83x8.27 inches. In Stock.

Hardcover. Condizione: new. Hardcover. This edited volume offers a new perspective on the new objectivity movement in music during the interwar period, challenging the view of it as a solely German or Berlin-based movement. Unlike architecture or visual arts, musicology has rarely applied the term beyond Germany. Yet, new objectivity in musicspanning composition, performance, and listeninghad significant European expressions. Key features included a rejection of expressionism, interest in mechanical reproduction (radio, gramophone), and objective performance styles. Through historiographical analysis and diverse case studies from several European countries, the book presents the movement as a broader, locally rooted phenomenon reflecting a shared Zeitgeist. It explores how these ideas emerged independently across national contexts, offering new insights into the cultural and political dynamics of the period. By examining aesthetic, institutional, political, and performative dimensions, the book invites a rethinking of new objectivity as a transnational and multifaceted phenomenon, and proposes its relevance as a tool for historiographical inquiry in music studies. This edited volume offers a new perspective on the new objectivity movement in music during the interwar period, challenging the view of it as a solely German or Berlin-based movement. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Buch. Condizione: Neu. Neuware - Zäsuren der politischen Geschichte bestimmen das Bild, das wir uns von der Musikgeschichte machen. Die Jahreszahlen 1933 und 1945 wurden mit guten Gründen auch zur musikhistorischen Periodisierung der Oper herangezogen. Das Musiktheater der Weimarer Republik und die Situation der Oper im Nationalsozialismus sind ebenso klar konturierte wie intensiv erforschte Themen, und dass die »Stunde Null« im Selbstverständnis der Avantgarde nach 1945 auch ein Ende der Oper bedeutete, ist zu einem musikgeschichtlichen Topos geworden. Andererseits ist immer wieder auf die vielen Kontinuitäten von »Weimar« zum »Dritten Reich« und von hier in die frühe Bundesrepublik hingewiesen worden. Die Fallstudien dieses Bandes problematisieren die damit gegebene Alternative. In ihrer Vielfalt machen sie die historische Komplexität der Gattung Oper im 20. Jahrhundert greifbar, ausgehend von einer ihrer großen Blütephasen, in der sich neue Werke gegenüber dem Angebot der aufkommenden Massenmedien und einem zur Erstarrung tendierenden Repertoire bewähren mussten.…

Condizione: New. Innovativer Blick auf die Geschichte des deutschen Musiktheaters im 20. JahrhundertZaesuren der politischen Geschichte bestimmen das Bild, das wir uns von der Musikgeschichte machen. Die Jahreszahlen 1933 und 1945 wurden mit guten Gruenden auch zur musikh.

Buch. Condizione: Neu. Dis/kontinuitäten | Oper und Operngeschichte zwischen Weimarer Republik und früher Bundesrepublik | Tobias Janz (u. a.) | Buch | 344 S. | Deutsch | 2025 | Campus Verlag | EAN 9783593518794 | Verantwortliche Person für die EU: Beltz Verlagsgruppe GmbH & Co. KG, Werderstr. 10, 69469 Weinheim, info[at]campus[dot]de | Anbieter: preigu. …

Paperback. Condizione: New.

Condizione: new. Questo è un articolo print on demand.

Buch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This edited volume offers a new perspective on the new objectivity movement in music during the interwar period, challenging the view of it as a solely German or Berlin-based movement. Unlike architecture or visual arts, musicology has rarely applied the term beyond Germany. Yet, new objectivity in music spanning composition, performance, and listening had significant European expressions. Key features included a rejection of expressionism, interest in mechanical reproduction (radio, gramophone), and objective performance styles. Through historiographical analysis and diverse case studies from several European countries, the book presents the movement as a broader, locally rooted phenomenon reflecting a shared Zeitgeist. It explores how these ideas emerged independently across national contexts, offering new insights into the cultural and political dynamics of the period. By examining aesthetic, institutional, political, and performative dimensions, the book invites a rethinking of new objectivity as a transnational and multifaceted phenomenon, and proposes its relevance as a tool for historiographical inquiry in music studies. 332 pp. Englisch.…

Buch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -This edited volume offers a new perspective on the new objectivity movement in music during the interwar period, challenging the view of it as a solely German or Berlin-based movement. Unlike architecture or visual arts, musicology has rarely applied the term beyond Germany. Yet, new objectivity in musicspanning composition, performance, and listeninghad significant European expressions. Key features included a rejection of expressionism, interest in mechanical reproduction (radio, gramophone), and objective performance styles. Through historiographical analysis and diverse case studies from several European countries, the book presents the movement as a broader, locally rooted phenomenon reflecting a shared Zeitgeist. It explores how these ideas emerged independently across national contexts, offering new insights into the cultural and political dynamics of the period. By examining aesthetic, institutional, political, and performative dimensions, the book invites a rethinking of new objectivity as a transnational and multifaceted phenomenon, and proposes its relevance as a tool for historiographical inquiry in music studies.Springer-Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 348 pp. Englisch.…