Atticus press san diego (27 risultati)

Soft cover. Condizione: Fine. A clean, crisp, limited edition (98/100) softcover in fine condition. SIGNED by the author.

Paperback. Condizione: Very Good. First Edition. Yellow wraps illustrated, clean & unmarked; pages unmarked. Small Press/Poetry; 8vo - over 7¾" - 9¾" tall.

Paperback. Condizione: Very Good. First Edition; First Printing. Typed letter, signed by Walsh laid in. First trade edition, limited to 224 copies (26 special, signed copies also noted in colophon. ) Very Good with light wear to covers and no marks to text. Poetry Annex; 8vo 8" - 9" tall.

Plate Planche. 13 of a limited run of 57. Broadsheet, [8.5 inches/ 21.5cm by 11 inches/ 27.75cm], Impressed on heavy white stock with red, blue, and black inks. Photos on request In exceptionally good condition.

Soft cover. Condizione: Near Fine. No Jacket. Limited Edition. One of 250 copies. 12mo. volume in paper wraps, stapled. Condition: wraps slightly sunned; else near fine.

Plate Planche. Condizione: In quite good condition. First Impression. Broadside, [28.5cm/11.25in], orchid colored silk screen on white card stock with deckled lower edge. Signed by Rothenberg on verso. . Rothenberg has continued to be a prolific poet into the present, publishing over seventy books of poetry, translation, and assemblage since 1970. In that year the first version of his selected poems appeared as Poems for the Game of Silence (2000), and soon after that he became one of the poets published regularly by New Directions. Provoked by his own ethnopoetic anthologies, he began, as he wrote of it, "to construct an ancestral poetry of my own in a world of Jewish mystics, thieves, & madmen." The first work to emerge from that, both thematically and formally, was Poland/1931 (1974), described by the poet David Meltzer as Rothenberg's "surrealist Jewish vaudeville." Over the next two decades Rothenberg expanded this theme in works such as A Big Jewish Book and Khurbn & Other Poems, the latter an approach to holocaust writing, which had otherwise been no more than a subtext in Poland/1931. He also reexplored American Indian themes in A Seneca Journal (1978), and the relation of his work to Dada and Surrealism culminated in a further cycle of poems, That Dada Strain, in 1983. A merger of experimental sound poetry and ethnopoetics was the basis in the 1970s and 1980s of works composed by an approach that he was calling "total translation," most notably "The 17 Horse Songs of Frank Mitchell" translated from Navajo with a privileging of sonic effect alongside strict or literal meaning. Compositions such as these became centerpieces of Rothenberg's expanding performance repertory and underlay his critical writings on the poetics of performance, many of which were gathered together in Pre-Faces & Other Writings (1981). During this time and beyond it, he also engaged in a number of collaborations with musicians Charlie Morrow, Bertram Turetzky, Pauline Oliveros, and George Lewis, among others and took part, sometimes performing, in theatricalizations of his poetry: Poland/1931 for The Living Theater and That Dada Strain for Westdeutscher Rundfunk in Germany and the Center for Theater Science & Research in San Diego and New York. His New Selected Poems 1970-1985, covering the period since Poems for the Game of Silence, appeared in 1986. In 1987 Rothenberg received his first tenured professorship at the State University of New York in Binghamton, but returned to California in 1989, where he taught for the next ten years as a professor of visual arts and literature at the University of California, San Diego. The works published since 1990 include over fifteen books of his own poetry as well as four books of poetry in translation from Schwitters, Lorca, Picasso, and Nezval and a book of selected translations, Writing Through, which extends the idea of translation to practices like collage, assemblage, and appropriation. In 1994 he published Gematria. In 1995 and 1998 he published, in collaboration with Pierre Joris, the two-volume anthology-assemblage, Poems for the Millennium: The University of California Book of Modern and Postmodern Poetry, and in 2000, with Steven Clay, A Book of the Book: Some Works & Projections About the Book & Writing. Waiting for publication in 2008 is volume three of Poems for the Millennium, co-edited with Jeffrey C. Robinson as a nineteenth-century prequel to the first two volumes, and a new book of selected essays, Poetics & Polemics 1980-2005. Numerous translated editions of his writings have appeared in French, Spanish, Dutch, Swedish, Portuguese, and other languages, and a complete French edition of Technicians of the Sacred appeared in 2008. Charles Bernstein has written of him: "The significance of Jerome Rothenberg's animating spirit looms larger every year. [He] is the ultimate 'hyphenated' poet: critic-anthropologist-editor-anthologist-performer-teacher-translator, to each of which he brings an unbridled exuberance and an innovator's insistence on transf.…

Paperback. Condizione: Very good. Paperback. 250cc. Very good in publisher's stapled wraps.

Limited Edition of this poetry, 70 copies hand-numbered and SIGNED by the author, this is number 19. -- Softcover, string binding, 8 pages. Condition: fine.

Softcover. Limited Edition, one of 100 numbered, hand-printed copies SIGNED by the author. Very Good plus in sewn wrappers, moderately foxed.

Paperback. Condizione: Near Fine. First Edition. 1000 printed. Corners show extremely minor wear, else fine. International shipping billed at cost. Photos upon request.; 8vo 8" - 9" tall; 76 pages. 6 B/w Illustrations (chiefly Photographs); B/w Decorative Initials (illustratore).

28p., 7.25x8.5 inches, foldout poem on broadside signed in-plate by the author laid-in, trade edition personally inscribed and signed by Norse on inside front cover, very good in stapled, marigold pictorial wraps.

28p., 7.25x8.5 inches, foldout poem on broadside signed in-plate by the author bound-in, trade edition signed by Norse on title page, very good in sewn, marigold pictorial wraps.

Broadside. Broadsheet, [29cm/11.375inches by 18.5cm/7.25inches] Poem printed on heavy white stock with deckled lower edge and lavander abstract design. Signed by Rothenberg on verso. Please feel free to inquire as to particulars and/or additional photographs. Jerome Rothenberg is noted for his work in the fields of ethnopoetics and performance poetry. He attended the City College of New York, graduating in 1952, and in 1953 he received a Master's Degree in Literature from the University of Michigan. He did further graduate study at Columbia University, finishing in 1959. He lived in New York City until 1972, when he moved first to the Allegany Seneca Reservation in western New York State, and later to San Diego, California, where he lives presently. Please feel free to inquire as to particulars and/or additional photographs.…

28p., 7.25x8.5 inches, personal inscription to Paul [Mariah] signed by Norse on title page, foldout poem on broadside signed in-plate by the author bound-in, trade edition signed by Norse on title page, very good in sewn, marigold pictorial wraps.

Paperback. 28p., 7.25x8.5 inches, foldout poem on broadside signed by the author laid-in, one of 100 copies numbered and signed by Norse, very good in sewn pictorial wraps.

Soft cover. Condizione: Fine. 1st Edition. Signed by Harold Norse in ink under his name on the title page. First American edition. Softcover, 76 pages. Frontis, five full page illustrations. A fine copy. Ships in box.

Cream wrappers, sewn, designed in silver and lettered in black. Faint bumping to corners, fine condition. Limited to 100 numbered copies signed by Ferlinghetti, this is copy #68.

Softcover. Condizione: Fine. Condizione sovraccoperta: Fine. First edition. Tall octave. Corners very slightly bumped, else fine in wrappers and fine dustwrapper with a faint stain on the front wrap. One of 50 numbered copies printed on Canson and Signed by the author.

Condizione: Near Fine. 1st Edition. 8vo, illustrated wraps. With a foreword by William S. Burroughs, one of the dedicatees of the book. Very small faint stain to back cover, else a fine copy.

Original Wraps. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. LIMITED TO 100 COPIES. THIS IS No. 26. SIGNED BY LAWRENCE FERLINGHETTI without personalization. (6)pp. bound in stiff beige paper wraps decorated in silver, lettering black; a fine copy. Now quite scarce on the market.

Soft cover. Condizione: Near Fine. No Jacket. Limited Edition. No. 40 of 70 copies, signed on the limitation page by the author. This octavo-sized pamphlet contains two folded sheets of paper (the poem is short) and inserted into a slightly larger sheet of textured blue paper, also folded in half. Condition: near fine. Signed by Author(s). …

First edition. 8vo. [6] pp. No. 77 of 100 numbered copies, signed by Ferlinghetti. Softcover, printed wraps, very good copy. (42696).

Softcover. Condizione: Fine. First edition. Fine in fine wrappers. One of 100 numbered copies Signed by the author.

Paperback. Condizione: Fine. First Edition, First Printing. Octavo, [14], 76pp, [2]. Publisher's original illustrated paperback wrappers, brown and white cover illustration, title and author printed on front cover, title on spine. Newspaper clipping previously laid in, discoloring two leaves. From the colophon, this first edition consisted of 1900 paperbound copies, and 100 specially bound and signed by the author. This copy is inscribed on the half title: "For Charles Whaley / and the interesting meetings at the Macondo. / Best Wishes, Harold Norse / 20 November 1993 / San Francisco." Harold Norse wrote this experimental novel while living at the Beat Hotel in Paris in 1960, along with William S. Burroughs and Allen Ginsberg. It first appeared in German translation by Carl Weissner from Maro Verlag in 1975, before its English-language publication by Atticus Press in 1983. The recipient of this copy, Charles Edward Whaley (1928-2025) was a Kentucky journalist and critic whose seven-decade career centered on education, books, theater, and the arts. Whaley worked for The Louisville Courier-Journal for most of his career. The first edition of Beat Hotel by Harold Norse, inscribed by Norse to Kentucky journalist Charles Whaley. Includes a foreword by William S. Burroughs. (illustratore). Signed.…

dj. First, Limited Edition. No. 18 of 100 signed, cloth-bound copies, from a total edition of 2000. Octavo. Maroon cloth hardcover; dustjacket; [8] [1]-78,[2]pp. Fine - apparently unread. In the original pictorial dustwrapper, completely unworn - fine. A new-appearing copy. Signed by Morse at the colophon. Norse's great, weird novella, set among the Beat residents of the nameless fleabag Paris hotel on the Rue Git-le-Coeur that, during the decade of the Fifties, was home-from-home to an amazing array of American expatriate writers and lovers: Bill Burroughs, Jack Kerouac, Brion Gysin, Allen Ginsberg, Harold Norse himself and innumerable other casual participants. Genuinely scarce in this limited issue. Signed.…

Uncorrected proof copy, inscribed by the author on the front wrapper, "For Allen Milkerit good tidings Harold Norse SF 26.II.83". This early inscription was to a San Francisco bookseller, the co-proprietor of Tall Stories and Valhall books. Beat Hotel was first published in German in 1975, translated by Carl Weissner, with collages by Norman Mustill. Octavo. Original spiral-bound white wrappers, titles to front black, ISBNs and Probable Publication Date completed in manuscript black ink, photographic illustration (used as frontispiece in first edition) to rear. Loosely inserted is the publisher's promotional sheet, yellow stock. A little toned with a few trivial marks to wrappers, else a near-fine copy, fresh and sharp. …

First English edition, signed limited issue, number 30 of 100 clothbound copies signed by the author. Beat Hotel was first published in German in 1975, translated by Carl Weissner, with collages by Norman Mustill. Tthis, the first edition in English, includes a nostalgic foreword by Burroughs. Octavo. Photographic frontispiece. Original maroon cloth, titles to spine gilt. With dust jacket. A fine copy. …