Bierke verlag (106 risultati)

Condizione: Very Good. 2nd. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Very Good. 2nd. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Trade Paperback. Condizione: New. First Edition. New! 'Making less may seem contradictory considering climate change, turbo-capitalism and political gridlock. Yet for Rirkrit Tiravanija, it is a crucial practice that has shaped him for many years and has rarely seemed as relevant as it does right now: using fewer resources; intervening less and observing more; looking less at results and more at the process. It can also mean collecting fewer objects in museums or accumulating fewer artworks in galleries and instead using these spaces for cooking, playing table tennis or spending the night. For Tiravanija as an artist, it can even mean deciding not to make art at all and instead renting a rice field to collectively test methods of sustainable energy production. Or it can mean simply waiting to see what happens. In this book, Rirkrit Tiravanija compiles various ideas and approaches to this method on 128 pages, including an essay from the 1970s about "Do-Nothing Farming" by Masanobu Fukuoka, a pioneer of today's organic farming. He also shares a fast recipe for a Negroni, a slow recipe for fish sauce and instructions for composting, and provides insights into his process-oriented work.' ~ Publisher.…

Paperback. Condizione: Acceptable. Slight wear. Satisfaction 100% guaranteed.

Paperback. Condizione: As New. Brand new, still in original shrinkwrap.

Paperback. Condizione: As New. Brand new, still in original shrinkwrap.

paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Paperback. Condizione: As New. Brand new, still in original shrinkwrap.

Condizione: New. In English.

Condizione: New. 2026. paperback. . . . . .

Condizione: New.

Condizione: New. 2026. paperback. . . . . . Books ship from the US and Ireland.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: New. 2026. paperback. . . . . . Books ship from the US and Ireland.

Condizione: New. 2025. paperback. . . . . .

Condizione: as new. Wie neu/Like new.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New. 2026. paperback. . . . . .

Condizione: New. 2025. paperback. . . . . . Books ship from the US and Ireland.

Condizione: New.

Condizione: New. 2026. paperback. . . . . .

Condizione: New. 2026. paperback. . . . . . Books ship from the US and Ireland.

Taschenbuch. Condizione: Neu. Neuware - For Gabriele Stötzer, as part of the artistic underground in the GDR, seeking refuge in the public eye was always a subversive practice. Being in the public eye meant protection from isolation and state repression: through witnessing, friendship and solidarity. Stötzers experimental photographs, Super 8 films, performances and actions in public spaces were often created collaboratively and in self-organised spaces. At the same time, they are an expression of radical subjectivity and tell of vulnerability and desire. In this book, new drawings are superimposed over the artists photographic archive and traverse a conversation that revolves around the relationship between the underground and the public, her beginnings as an artist and the continuation of her work. Confronted with growing authoritarian forces, Stötzers artistic strategies demonstrate individual and collective forms of action that can be a model for us right now.…

Taschenbuch. Condizione: Neu. Neuware - A reissue of one of Buchanans artist zines with the Haus am Waldsee. In these simple, self-produced publications, Buchanans humorous yet incisive view of both the urban art world and her immediate surroundings in the rural American South comes to the fore. Through comic-like sketches and hastily scribbled text fragments, she creates brief, anecdotal stories of everyday life. While Buchanan is best known for her sculptures of shacks and her architectural fragmentations, she always kept a deep practice producing various forms of printed matter. Personal not Elektronisches Buch, journals, scrapbooks, artist statements, clippings, photographic materials, illustrations, business cards and various zines, all were integral in her multi-layered oeuvre and are essential in understanding how she navigated between the various elements of impermanence, control, and the monumental. They also show how she used wit and fragility as a method or even a force of emotion. …

Taschenbuch. Condizione: Neu. Neuware - A reissue of one of Buchanans artist zines with the Haus am Waldsee. In these simple, self-produced publications, Buchanans humorous yet incisive view of both the urban art world and her immediate surroundings in the rural American South comes to the fore. Through comic-like sketches and hastily scribbled text fragments, she creates brief, anecdotal stories of everyday life. While Buchanan is best known for her sculptures of shacks and her architectural fragmentations, she always kept a deep practice producing various forms of printed matter. Personal not Elektronisches Buch, journals, scrapbooks, artist statements, clippings, photographic materials, illustrations, business cards and various zines, all were integral in her multi-layered oeuvre and are essential in understanding how she navigated between the various elements of impermanence, control, and the monumental. They also show how she used wit and fragility as a method or even a force of emotion. …