Center for curatorial studies (75 risultati)

Trade Paperback. Condizione: Used - Very Good.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Very Good. Signed. signed/inscribed by the author - NICE! - may have remainder mark or previous owner's name Standard-sized.

Paperback or Softback. Condizione: New. Ending Poverty: Jobs, Not Welfare. Book.

Paperback. Condizione: Fine. 1st. 108 pages, illustrations (chiefly colour); 22 x 25 cm. Catalogue of an exhibition held June 25 to September 3, 2000 at the Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, New York. Firm binding, clean inside copy. *** "Ranging from 1969 through the early 1990s, the works in this volume have been rarely or never seen before in this country. Ilya Kabakov's installations are complex environments, which he calls 'total installations,' that immerse viewers in other worlds: communal Soviet apartments, the studio of an untalented artist, or an old Russian school. Humorous and often melancholy narratives in the form of texts on paintings or drawings add to the poignancy of his work." - Publisher. Size: Oblong. Collectible.…

Paperback. Condizione: New. BRAND NEW, Perfect Shape, No Black Remainder Mark,Fast Shipping With Online Tracking, International Orders shipped Global Priority Air Mail, All orders handled with care and shipped promptly in secure packaging, we ship Mon-Sat and send shipment confirmation emails. Our customer service is friendly, we answer emails fast, accept returns and work hard to deliver 100% Customer Satisfaction.…

First Edition. First edition and first printing. Softcover. 108 pages. Published in conjunction an exhibition that ran June 25 through September 3, 2000. Features an essay by Amei Wallach. Includes numerous illustrations. A fine copy in wrappers. As new and still in the publisher's shrinkwrap.

Pictorial Softcover. Paperback. Condizione: Near Fine. Condizione sovraccoperta: No Jacket, as Issued. A bright, clean, tight copy sans tears, stains, discoloration, etc with all text and illustrations clear/unmarked. Book published in conjunction with the 2003 exhibition entitled 'Theory and Observation: New Work by Slater Bradley,' Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, NY. PROLIFICALLY ILLUSTRATED in Bradley's full-page, full-color plates. GK2.…

Hardcover. Condizione: Very Good. n. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Hardcover.

Hardcover. Condizione: Very Good. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condizione: Very Good. No markings.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. Edging to dust jacket (shelf wear to edges).

Condizione: Very Good. Hardcover without dustjacket as issued, 312 pages; small indents to front cover; otherwise as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover, 88 pages; as new condition, clean and crisp; no internal marks.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condizione: Like New. First Paperback Edition. Publisher: Center for Curatorial Studies Museum, Bard College, Annandale, 2001. FINE in illustrated/pictorial wraps, as issued. First Softcover Edition, First Printing. As new. Pristine.

Softcover. Condizione: Very Good Plus. [ART]. Liam Gillick, Tom Eccles. "From 199A to 199B." Annandale-on-Hudson, NY: The Center for Curatorial Studies at Bard College and CCS Bard Hessel Museum of Art, 2012. English language. Softcover. Text with black and white photos. 7 x 5 inches. 5 oz. 82 pp. Shelfwear. Text clean. Very Good Plus. ISBN: 9781936192229. "'Liam Gillick: From 199A-199B' revisits a formative period of the artist?s career in France, Germany, Italy, and England, prior to his move to New York in 1998. This period took place during the recessionary years of the early 1990s, a dynamic period of artistic change, during which artists from the United States were exposing the workings of the gallery and institution while challenging the traditional status of artistic persona. In Europe, artists were turning their attention to the matrix of cultural production within the context of fading public funding and a new freedom to travel following the fall of the Berlin Wall. Considering the relationship between the artist, the institution, and the audience to be mutually co-dependent in the creation of meaning, Gillick created situations where the outcome of the work was incomplete without involving the institution and the exhibition visitor.". …

Soft cover. Condizione: Very Good. 1st Edition. Paperback, 10.5 x 8.5 in. / 112 pgs / 30 color. Light corner wear. Essays by Amada Cruz and Russell Ferguson. Best known for his childlike drawings, which have appeared in books and British newspapers, Glasgow-based artist David Shrigley also creates sculptures, photographs, and paintings, all employing black humor as a strategy for getting along in an absurd world. This publication accompanies an exhibition organized by the Center for Curatorial Studies Museum, Bard College.…

Softcover exhibition catalog, 112 pages, very good condition, clean and crisp, no internal marks.

Hardcover. Condizione: Very Good. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Hardcover.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. Book is as new, very clean and sharp all around. Dust jacket has some light edgewear, but is otherwise looking as new, clean and sharp and now protected in a clear cover.

hardcover. Condizione: As New. Used hardcover like new. No underlining, tears, highlighting, or marginalia. A clean sound and serviceable copy.

Soft Cover. Condizione: Very Good.

Softcover, 78 pages, very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover. Condizione: Good. Covers are rubbed. ; Approx. 9" wide by 11 3/4". ; 64 pages.

paperback. Condizione: Very Good. Light edge rubbing, some scuffing, pen name front endpaper. All orders packed with care, most dust jackets protected by Brodart sleeve, independent bookseller since 2011.

First Edition. First edition and first printing. Oblong softcover. 64 pages. Published in conjunction an exhibition that ran June 24 through September 9, 2001. Features an essays by Amanda Cruz, Eliazabeth A.T. Smith, and Douglas Rushkoff, and the text of a conversation between Sze and Cruz. Includes numerous illustrations and biographical information. A fine copy in wrappers. As new and still in the publisher's shrinkwrap. …

Softcover. Condizione: VG. Quarto. Softcover. Grey and silver illustrated wraps. 2 volumes, 224 and 62 pages : illustrations (some color) ; 30 cm. "Center for Curatorial Studies at Bard College inaugurates the new 17,000 square-foot Hessel Museum of Art with Wrestle, an exhibition of over 150 representative works from the Marieluise Hessel Collection. This compelling overview of the Hessel Collection focuses on works that challenge notions of self and others, offering connections in form and content among works from diverse artistic and social positions. We have tried to be sensitive to the context and intentions of the artists, Tom Eccles states, but we have also tried to craft an exhibition that is contentious, provocative, and faithful to the character of the collection as a whole and the collectors bold and passionate choices over the past 40 years. An innovative two-volume catalogue, also titled Wrestle, continues the curatorial play of suggestive juxtapositions. All works in the exhibition are illustrated along with three specially commissioned artist projects."--Gallery website.…

Paperback. Condizione: Very Good. Unmarked text. Catalog for June 25 through September 3, 2000 exhibition. 108p. Measures 9.5x8.5 inches. Color plates. Essay by Amei Wallach. Ilya Kabakov (1933-2023) was a Soviet and American conceptual artist.

Softcover, 120 pages, very good condition; light rubbing and yellowing to covers; no internal marks. Foreign shipping may be extra.