Editions vernet (12 risultati)

Couverture souple. Condizione: Comme neuf. 328 p., bibliogr., 22 cm. «Livre systématique où sont analysés tour à tour les causes religieuses (où plus exactement antireligieuses) du cataclysme, les lois de persécution et leurs effets, la victoire finale de la foi.».

Couverture souple illustrée. Condizione: Bon. Editions Vernet (collection « Cimetières de Paris et d'ailleurs ». Paris, 1988. Etat d'usage, Couverture un peu défraichie. Intérieur frais. Plats illustrés en couleurs et en noir et blanc. Accompagné d'un plan situant les tombes des personnalités au Père Lachaise.…

Couverture souple. Condizione: Bon. Edition originale. in-12 broché (19x14cm) couverture illustrée, 78 pages. Non coupé. Édition Originale sur Bouffant Calypso, exemplaire numéroté. Envoi de l'auteur à Jean-Dominique Guelfi. Plats piquetés de rousseurs. Très bon état intérieur. Dédicacé par l'auteur.…

Couverture souple. Condizione: Très bon état. In-8 broché 20,5 cm sur 13,2. 294 pages. Très bon état d'occasion.

sd, broché, couverture illustrée, 80pp avec des illustrations de Robert Bullion, Robert Mazuel et Robert Mermet; exemplaire non coupé sur papier bouffant Calypso, numéroté ( un des 1000 ex. ); bel envoi de l'auteur - très bon état.

Soft cover. Condizione: Very Good. 1st Edition. Original colour etching on japon by Bryen. 290x385mm. Folding sheet.

Soft cover. Condizione: Very Good. 1st Edition. Original etching on japon by Philippe Lepatre, signed and numbered 5/25 by the artist. 290x385mm.

Hardcover. Condizione: Very Good. 1st Edition. Éditions Lazar-Vernet, Paris, 1962. Hardcover. Limited edition of 250 numbered copies (N. 169). This complete portfolio features 14 original etchings by renowned artists including Chagall, Magnelli, Zadkine, Gilioli, Ubac, Bissière, Jacobsen, Fiorini, Max Ernst, Bona, Braque, Dufour, Lepatre, and Vieillard. Each etching is accompanied by an unpublished poem, written specifically to complement the corresponding artwork, by poets such as Arp, Mandiargues, Follain, Aragon, Paulhan, and others. Ref: Vallier 183, Kornfeld 121, Spies / Leppien 85. …

Condizione: Good. Folio. 385 x 288 mm. (15-1/8 x 11-3/8 inches). Sheets loose as issued in original cloth chemise and slipcase. One of 150 numbered portfolios on Johannot paper. With 15 original etchings (dont 10 en couleurs) by M. E. Vieira da Silva (1908-1992), A. Giacometti (1901-1966): "Deux sculptures dans l'atelier" (Lust 187; Kornfeld, 425), J. Serpan (1922-1976), M. Vesserau (1915- ), C. Bryen (1907-1977), R. Wogensky (1919- ), Alechinsky (1927- ): "Rectangles et noeuds," (Rivière, 242), J. Deyrolle (1911-1967), W. Lam (1902-1982), H. Arp (1886-1966): Arntz, 419, K. Sugaï (1919-1996), E. Zañartu (1921-2000), Enrico Baj (1924-2003), Wessel, J. Fautrier (1898-1964). L'eau-forte de J. Fautrier est sa dernière ?uvre (Mason, 281.1) .…

Condizione: Good. Folio. 385 x 288 mm. (15-1/8 x 11-3/8 inches). Sheets loose as issued in original cloth chemise and slipcase. One of 150 numbered portfolios on Johannot paper. With 14 original color etchings by Chagall ("Granada" Cramer, 51; Kornfeld, 121); Braque ( "Oiseaux" Vallier, 183); Max Ernst (Spies/Leppien, 85) Magnelli, Zadkine, Gilioli, Ubac, Bissière, Jacobsen, Fiorini, Bona, Dufour, Lepâtre, Vieillard.…

Paris, Éditions O. Lazar-Vernet, 1965 e 1967, Edizione originale. Esemplari numero 120 (volume II) e 109 (volume III) appartenenti alla tiratura di 150 copie numerate da 51 a 200 su carta Jahannot in ottimo stato di conservazione. Un dialogo tra versi e opere grafiche attraverso coppie di poeti e artisti. Questo sono i 5 volumi «Paroles Peintes», impressi a partire dal 1962 dalle Éditions O. Lazar Vernet in differenti tirature limitate. Elegantemente e riccamente confezionati, i bifogli sciolti accolgono componimenti in lingua originale e in traduzione francese e una tavola, come nei volumi II e III qui presentanti che vedono, rispettivamente, quindici poesie inedite e quindici acqueforti originali tra cui «Ricordi» di Ungaretti con l'opera firmata Jean Fautrier; Raymond Queneau con Enrico Baj; Octavio Paz con Zanartu; Édith Boissonnas con Alberto Giacometti e sette poesie con altrettante incisioni (tra cui quella di Jean Miró per André Pieyre de Mandiargues). 2 voll., in 4°, astuccio in tela avorio con titoli al dorso, cartella in cartoncino beige con titolo verde (vol. II) e marrone (vol. III) al piatto anteriore, cofanetto editoriale in tela color tortora, volume II: 31 bifogli sciolti e 15 tavole protette da velina; volume III: 17 bifogli sciolti e 7 tavole protette da velina. Edizione originale. Esemplari numero 120 (volume II) e 109 (volume III) appartenenti alla tiratura di 150 copie numerate da 51 a 200 su carta Jahannot in ottimo stato di conservazione. astuccio in tela avorio con titoli al dorso, cartella in cartoncino beige con titolo verde (vol. II) e marrone (vol. III) al piatto anteriore, cofanetto editoriale in tela color tortora.…

Mandiargues eroto-surrealist poem 'Dalila Exaltée' paired with Bona's extraordinary etched plate, in the first volume of this important series whose aim was to create a dialogue between contemporary poetry and modern printmaking.Published under the direction of Odette Lazar-Vernet, the Paroles Peintes series was dedicated to the presentation of otherwise unpublished poetry and original etchings by an international roster of modernist artists. It ran to five volumes between 1962 and 1975. This is the first volume and presents the work of Bona and André Pieyre de Mandiargues alongside the work of Chagall, Ernst and Braque, among others.This copy is number 193 copies of 200 copies (there were also 58 hors commerce copies). The texts are 14 poems by Aragon, Arp, Albert-Birot, Follain, Guillevic, Joyeux, Laude, Lescure, Liberati, Mandiargues, Paulhan, De Solier, Tapié and Tardieu paired with 14 plates by Chagall, Magnelli, Zadkine, Gilioli, Ubac, Bissière, Jacobsen, Fiorini, Ernst, Braque, Dufour, Lepatre and Vieillard.Bona de Mandiargues, or simply 'Bona' (1926-2000) remains one of the most intriguing women of the French Surrealist movement. Best known for her fabric collages (she cut up her husband's clothes and called them ragarts) she also illustrated a number of books, including several with etched plates issued in limited editions. A frank memoir of Bona's childhood in an Italian villa, Vivre en Herbe (Gallimard, 2001), recalls the early inspiration of her flamboyant artist uncle, Filippo de Pisis, but also episodes of disturbing abuse and the terrors of the Second World War. In Paris in the 1940s she met the poet Pierre de Mandiargues (she married him, twice) and was drawn into the circle of André Breton. Taking inspiration from journeys to Mexico, the world of the Surrealists and her own 'inner eye', she pursued a singular artistic vision. She notably took the motif of the snail as an emblem (admiring its wholeness, its hermaphroditism and its self-sufficiency). Though her work was exhibited regularly, her first institutional retrospective was held at the Nivola Museum in Sardinia (2022). Folio (376 × 280 mm), pp. [6] plus etched plate by Bona, included in a complete volume comprising 14 texts and 14 intaglio printed plates. Uncut. Preserved in modern red half morocco.…