Hansjorg mayer germany (36 risultati)

95 pp.; 22.9 x 20.1 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Illustrated catalogue of the Studies, stage and final Proofs from the Graphic Works of Richard Hamilton, 1952 - 82, published by Edition Hansjorg Mayer in association with Waddington Graphics in London. Text by Richard S. Field. Very Good. Light rubbing and bumping of cover edges and corners. Light yellowing and handling of pages, 7 mm. indent to textblock edge, contents otherwise clean and unmarked. Includes price list from 1979. Due to size and weight of this publication additional shipping charges will be required for international orders.…

Hardcover. Condizione: fine. Condizione sovraccoperta: fine. First Edition, Limited edition. NOT an ex library book. Original numbered and initialed block print laid in. Clean interior pages. Dust jacket has no chips or tears. Slipcase has few soil spots, no splits.

Soft cover. Condizione: As New. 1st Edition. Softcover, French fold wraps, unpag. (approx. 48pp). 8x9". Color illus. Text in English. As new.

47 pp.; 22.9 x 20.1 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Complete illustrated catalogue of Richard Hamilton's editioned prints from 1984 - 1991, designed by the artist, published by Edition Hansjorg Mayer in association with Waddington Graphics in London. Text by Richard Hamilton. Includes addenda, bibliography, and selected exhibition history. Very Good. Light rubbing of cover edges and 3.5 cm. bumping to bottom edge of verso. Yellowing of paper, 6 mm. handling dent to first 4 pages, contents otherwise clean and unmarked. Includes single page black-and-white flyer advertisement for the publication. Due to size and weight of this publication additional shipping charges will be required for international orders.…

Paperback. Condizione: Near Fine. First Paperback Edition, First Printing. Small quarto. 8 x 9 in. 130 pp. Fully illustrated with black & white and color reproductions of photographs. With laid in signed card by Dieter Schwarz. Published in correlation with the exhibitions September 15, 1990- April 4, 1991 at Kunstmuseum Winterthur, Kestner-Gesellschaft (Hannover) and IVAM-Centre Julio Gonzalez (Valencia). Near fine in original pictorial wrappers. Signed.…

Hardcover. Condizione: VG. Condizione sovraccoperta: G+. Hardback with very clean, bright gray cloth covers; one minor soft crease on first free endpaper; DJ worn with creasing, one-inch tear on rear panel, nicks. No slipcase. Not library discard. Illustrated, text in English. Consists of 9 color plates, 41 b&w plates, essay by Karl Gerstner, biography, bibliography, one-man shows, group shows. .…

Soft cover. Condizione: Good. 1st Edition. First edition of this important early survey of Tom Phillips' work, published in 1975 by Edition Hansjörg Mayer. Works Texts to 1974 documents Phillips' multidisciplinary practice across painting, text-based work, photography, and conceptual projects, including material related to A Humument. The book captures a formative period in postwar British conceptual and visual art, with strong connections to experimental publishing and artist's book traditions. This copy bears the Nathaniel Tarn bookplate on the front endpaper, linking it to the library of the poet, anthropologist, and translator (born Edward Michael Mendelson, also published as E. Michael Mendelson). Tarn's collection is especially rich in avant-garde, small press, and cross-disciplinary artistic works, making this a highly appropriate and desirable association copy. Softcover as issued. Covers show light wear and handling, including mild edge wear and some surface rubbing, with a small crease visible. Interior is clean and well preserved, with no markings noted beyond the Tarn bookplate. A solid example of a sought-after Mayer publication. A desirable title for collectors of conceptual art, artist's books, and postwar British art, with added provenance appeal. Author: Tom Phillips Publisher: Edition Hansjörg Mayer Year: 1975 Special attributes: First edition, illustrated, Nathaniel Tarn provenance bookplate Topic: Conceptual art, artist's books, postwar British art Subject: Tom Phillips, A Humument, experimental publishing, visual text Keywords: Tom Phillips, Hansjörg Mayer, A Humument, conceptual art, artist book, Tarn library, British art, 1970s art Condition: Good. Light cover wear and handling, interior clean with Tarn bookplate Location: Nt-b110. Yes, illustrated. (illustratore). …

Soft cover. Condizione: Very Good+. First Edition. First Edition. VG+. Softcover, pictorial stiff wraps, 284 pp, color and b&w illustrations, minimal edgewear, otherwise a crisp, clean and tight copy.

Paperback. Condizione: Fine. Jimmie Durham: Poems That Do Not Go Together, the second part of Durham's collected poems from 1966-2012. He is widely known as a visual artist. 120 pages, paper with stiff cover. Fine Condition.

Paperback. Condizione: Good in wraps. First Edition. 17 x 23cm good paperback, name of the owner neatly written on the title page: 'Tim Hilton, London 1970'. Black and white reproductions throughout with English text.

Hardback. Condizione: As new. 25 x 32cm 352pp as new, shrinkwrapped hardback with dust jacket. Dieter Roth was a Swiss artist who gained recognition for his diverse body of work, which included artist's books, editioned prints, sculpture, and creations from found materials, including rotting foodstuffs. He was also known as Dieter Rot and Diter Rot.A very heavy book, may need extra postage.…

Unbound. Condizione: Near Fine. First edition. Broadside; single large folio sheet opened measuring 25" x 18", folded horizontally and vertically to form eight (large octavo) panels, printed on recto only. A fine copy. Poems by Jonathan Williams, including biographical and bibliographical information by the author; "these polycotyledonous poems are the response to a call by Ian Hamilton Finlay for a one word poem anthology issue of his magazine poor old tired horse." [from 'a note' by Jonathan Williams at conclusion of text]. Issued as Futura 15 [Jaffe A40/ Jonathan Williams: A Bibliographical Checklist].…

Condizione: Good. First edition. 4to. 368 pp. Illustrated with 712 full colour and b/w plates of textiles, ceramics, jewellery, clothing, metal work, weapons, architecture, paintings, drawings, sculptures, books, and maps. German text. Front flyleaf detached. Bump to the upper right corner has created a mild bend to the text block. Pages bright and clean. Binding strong and square. Wrap lightly shelf worn along the edges. Softcover: illustrated paper wrap with French flaps.…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. 1st Edition. Original light blue cloth. First and Limited Edition: 1 of 1000 copies in slipcase with an original etching by Rainer. The etching by Rainer is signed and is No. 209 of 250 copies. Fine in Near Fine Dust Jacket in Fine Slipcase. Signed by Illustrator(s).…

Trade Paperback. Condizione: Very Good. No Jacket. None Stated. An autbiography of the poet, performer, painter, and printmaker. Light soilng to the covers. A very good copy.

Hardback. First Edition. 13 x 17cm near fine hardback in dust jacket, a tiny nick at corner edge. Colour reproductions of Richard Hamilton taken by many different artists including Peter Blake, Ian Drury, Derek Jarman, John Baldessari Near fine in near fine dustjacket.

Paperback. Condizione: Good in wraps. 17 x 24cm good paperback, some slight browning to pages. In 1969 Roth began planning Collected Works, a self-published twenty-volume catalogue raisonnÈ that would contain, collect, classify, organize, and document much of the work he had made to date. A testament to his ongoing impulse toward accumulation, Collected Works shows the duality of his approach, both chaotic and organized. The books were not issued sequentially (Volume 15 was published first), nor did they present the artist s work chronologically, but all were the same trim size, allowing for the economical reuse of material at the printer. He took the opportunity to review, and in some cases, amend the original artworks, and also issued deluxe editions of each volume, creating special covers that pertained to their contents including a croissant-encrusted cover for Volume 6. Dieter Roth was a Swiss artist who gained recognition for his diverse body of work, which included artist's books, editioned prints, sculpture, and creations from found materials, including rotting foodstuffs. He was also known as Dieter Rot and Diter Rot.…

Softcover. Condizione: Very Good+. No Dust Jacket. Signed and inscribed, dated, on title page. ; B and w photos; 8vo 8" - 9" tall; np pages; Signed by photographer.

17 x 24cm 256pp very good paperback. In 1969 Roth began planning Collected Works, a self-published twenty-volume catalogue raisonnÈ that would contain, collect, classify, organize, and document much of the work he had made to date. A testament to his ongoing impulse toward accumulation, Collected Works shows the duality of his approach, both chaotic and organized. The books were not issued sequentially (Volume 15 was published first), nor did they present the artist s work chronologically, but all were the same trim size, allowing for the economical reuse of material at the printer. He took the opportunity to review, and in some cases, amend the original artworks, and also issued deluxe editions of each volume, creating special covers that pertained to their contents including a croissant-encrusted cover for Volume 6. Dieter Roth was a Swiss artist who gained recognition for his diverse body of work, which included artist's books, editioned prints, sculpture, and creations from found materials, including rotting foodstuffs. He was also known as Dieter Rot and Diter Rot.…

Paperback. Condizione: Very good in wraps. 17 x 24cm 524pp very good paperback. In 1969 Roth began planning Collected Works, a self-published twenty-volume catalogue raisonnÈ that would contain, collect, classify, organize, and document much of the work he had made to date. A testament to his ongoing impulse toward accumulation, Collected Works shows the duality of his approach, both chaotic and organized. The books were not issued sequentially (Volume 15 was published first), nor did they present the artist s work chronologically, but all were the same trim size, allowing for the economical reuse of material at the printer. He took the opportunity to review, and in some cases, amend the original artworks, and also issued deluxe editions of each volume, creating special covers that pertained to their contents including a croissant-encrusted cover for Volume 6. Dieter Roth was a Swiss artist who gained recognition for his diverse body of work, which included artist's books, editioned prints, sculpture, and creations from found materials, including rotting foodstuffs. He was also known as Dieter Rot and Diter Rot.…

Paperback. Condizione: Good in wraps. 17 x 24cm good paperback, blue covers slightly creased and worn. In 1969 Roth began planning Collected Works, a self-published twenty-volume catalogue raisonnÈ that would contain, collect, classify, organize, and document much of the work he had made to date. A testament to his ongoing impulse toward accumulation, Collected Works shows the duality of his approach, both chaotic and organized. The books were not issued sequentially (Volume 15 was published first), nor did they present the artist s work chronologically, but all were the same trim size, allowing for the economical reuse of material at the printer. He took the opportunity to review, and in some cases, amend the original artworks, and also issued deluxe editions of each volume, creating special covers that pertained to their contents including a croissant-encrusted cover for Volume 6. Dieter Roth was a Swiss artist who gained recognition for his diverse body of work, which included artist's books, editioned prints, sculpture, and creations from found materials, including rotting foodstuffs. He was also known as Dieter Rot and Diter Rot.…

272 pp.; 23 x 17 cm.; sewn bound; black-and-white; edition size 1000; unsigned and unnumbered; offset-printed Artist's book of the artist's texts, drawings, sculptural work, and more. Includes notes by the artist. Texts in German. References : "Dieter Roth : Books + Multiples" by Dieter Roth, Dirk Dobke, Thomas Kellein, Bernadette Walter, Tanja Maka, Friedhelm Döhl, Gerhard Rühm, Edith Jud, Stefan Ripplinger. London, United Kingdom : Edition Hansjörg Mayer, 2004, pp. 230. No. 52 in "Gesammelte Werke Band 20 : Bücher und Grafik (1. tiel) aus den jahren 1947 bis 1971 / Collected Works, Volume 20 : Books and Graphics (Part 1) from 1974 until 1971" by Dieter Rot [Dieter Roth]. Stuttgart / London / Reykjavík, Germany / United Kingdom / Iceland : Edition Hanjörg Mayer, 1972, unpaginated. No. 495 in "Die Bücher der Künstler : Publikationen und Editionen seit den sechziger Jahren in Deutschland" by Michael Glasmeier. London / Frankfurt, United Kingdom / German : Institut für Auslandsbeziehungen, 1994, pp. 201. "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 206. "Dieter Roth In Print : Artists' Books / Künstlerbücher" by Dirk Dobke. New York, NY : Zucker Art Books, 2006, pp. 130 - 131. Fig. 14 in "Wait, Later This Will Be Nothing : Editions by Dieter Roth" by Sarah Suzuki, Brenna Campbell, Scott Gerson, Lynda Zycherman. New York, NY : Museum of Modern Art, 2013, pp. 42. Fine. Covers and contents clean and unmarked.…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. A SIGNED first edition, published in association with the Talfourd Press, London. The Wrapper : The wrapper on this copy is very bright, is unfaded, and is complete. It is unclipped. Looks very sharp. The Book : The book is square and very tight. There are no previous ownership inscriptions. The boards are clean and unfaded, the corners sharp. The pages and closed page edges are clean, white and bright. The binding is tight - no cracked hinges. No remainder marks. This copy has been FLAT SIGNED by Tom Phillips to the half title page. It also comes with a folded, handwritten letter from Tom Phillips to the binder Philip Smith. It reads : Dear Philip, Nice to see you on my quick - as - possible visit to your bookworks opening. Here's two binders' copies, one gratis, just in case. Hope you have fun with it ! Warm best wishes as ever, Tom. A lovely copy in a protected wrapper. Paypal accepted. Phillips, Tom (illustratore). Signed by Author(s).…

Paperback. Condizione: Very good in wraps. 17 x 24cm very good paperback. In 1969 Roth began planning Collected Works, a self-published twenty-volume catalogue raisonnÈ that would contain, collect, classify, organize, and document much of the work he had made to date. A testament to his ongoing impulse toward accumulation, Collected Works shows the duality of his approach, both chaotic and organized. The books were not issued sequentially (Volume 15 was published first), nor did they present the artist s work chronologically, but all were the same trim size, allowing for the economical reuse of material at the printer. He took the opportunity to review, and in some cases, amend the original artworks, and also issued deluxe editions of each volume, creating special covers that pertained to their contents including a croissant-encrusted cover for Volume 6. Dieter Roth was a Swiss artist who gained recognition for his diverse body of work, which included artist's books, editioned prints, sculpture, and creations from found materials, including rotting foodstuffs. He was also known as Dieter Rot and Diter Rot.…

Paperback. Condizione: Very good in wraps. 14 x 28cm 472pp very good paperback. In 1969 Roth began planning Collected Works, a self-published twenty-volume catalogue raisonnÈ that would contain, collect, classify, organize, and document much of the work he had made to date. A testament to his ongoing impulse toward accumulation, Collected Works shows the duality of his approach, both chaotic and organized. The books were not issued sequentially (Volume 15 was published first), nor did they present the artist s work chronologically, but all were the same trim size, allowing for the economical reuse of material at the printer. He took the opportunity to review, and in some cases, amend the original artworks, and also issued deluxe editions of each volume, creating special covers that pertained to their contents including a croissant-encrusted cover for Volume 6. Dieter Roth was a Swiss artist who gained recognition for his diverse body of work, which included artist's books, editioned prints, sculpture, and creations from found materials, including rotting foodstuffs. He was also known as Dieter Rot and Diter Rot.…

Hardcover. Hansjörg Mayer, Stuttgart. Something Else Press, New York, Villefranche, Frankfurt. Pages 344. Size: 23.4 x 15.4 cm Minimally brownish in the outer margins, some signs of age and use in the cover, otherwise in good condition.

Paperback. Condizione: Very good in wraps. 17 x 24cm very good paperback. In 1969 Roth began planning Collected Works, a self-published twenty-volume catalogue raisonnÈ that would contain, collect, classify, organize, and document much of the work he had made to date. A testament to his ongoing impulse toward accumulation, Collected Works shows the duality of his approach, both chaotic and organized. The books were not issued sequentially (Volume 15 was published first), nor did they present the artist s work chronologically, but all were the same trim size, allowing for the economical reuse of material at the printer. He took the opportunity to review, and in some cases, amend the original artworks, and also issued deluxe editions of each volume, creating special covers that pertained to their contents including a croissant-encrusted cover for Volume 6. Dieter Roth was a Swiss artist who gained recognition for his diverse body of work, which included artist's books, editioned prints, sculpture, and creations from found materials, including rotting foodstuffs. He was also known as Dieter Rot and Diter Rot.…

Softcover with dustjacket. Schutzumschlag. 1. Auflage. Edition Hansjörg Mayer, Stuttgart, London, Reykjavik. First edition. Edition: 1200. Pages 472. Size: 23 x 17 cm Minimally yellowish in cover, dustjacket very nice, single notes inside, otherwise very good. Roth, Dieter (illustratore).

Paperback. Condizione: Good in wraps. 18 x 24cm good paperback, covers slightly browned. In 1969 Roth began planning Collected Works, a self-published twenty-volume catalogue raisonnÈ that would contain, collect, classify, organize, and document much of the work he had made to date. A testament to his ongoing impulse toward accumulation, Collected Works shows the duality of his approach, both chaotic and organized. The books were not issued sequentially (Volume 15 was published first), nor did they present the artist s work chronologically, but all were the same trim size, allowing for the economical reuse of material at the printer. He took the opportunity to review, and in some cases, amend the original artworks, and also issued deluxe editions of each volume, creating special covers that pertained to their contents including a croissant-encrusted cover for Volume 6. Dieter Roth was a Swiss artist who gained recognition for his diverse body of work, which included artist's books, editioned prints, sculpture, and creations from found materials, including rotting foodstuffs. He was also known as Dieter Rot and Diter Rot.…

110 pp.; 23 x 17 cm.; glue bound; black-and-white; edition size 1000; unsigned and unnumbered; offset-printed Artist's book by Dieter Rot / Dieter Roth featuring a series of graphic, black-and-white works. References : No. 481 in "Die Bücher der Künstler : Publikationen und Editionen seit den sechziger Jahren in Deutschland" by Michael Glasmeier. London / Frankfurt, United Kingdom / German : Institut für Auslandsbeziehungen, 1994, pp. 197. Fig. 14 in "Wait, Later This Will Be Nothing : Editions by Dieter Roth" by Sarah Suzuki, Brenna Campbell, Scott Gerson, Lynda Zycherman. New York, NY : Museum of Modern Art, 2013, pp. 42. Very Good. Rubbing of covers and slight separation of plastic layer of covers. Book was misprinted as Book 3 on cover, 3 has been covered with a sticker that reads 4, as issued. Contents clean and unmarked.…