lisson gallery london (191 risultati)

Paperback. Condizione: Very Good. SHIRAZEH HOUSHIARY is the catalog for her 1992 exhibition, ISTHMUS. Essay by Lynne Cooke. 36 pages, paper with stiff cover. Black and white reproductions. Very good condition.

Paperback. Condizione: Good+. 54 pages. sticker removed from bottom corner of front cover & another removed from title area of front cover affecting the letters "All" in title. a few smudges on rear cover. internally in fine condition. ; 8 1/2 x 10 ".

First Edition. First edition. Softcover. 54 pages. Exhibition catalog for a show that ran July 3 through August 3, 1985. Features an essay by Gray Watson. Includes 20 black and white illustrations and list of previous exhibitions. A very good copy in wrappers with a tear to the bottom edge of the rear panel and some bumping to the top of the spine. Internally a clean copy.

Stapled Soft Cover. Condizione: Good +. First Thus. Blue wrappers with black titles, light wear and sunning to all edges and spine, upper corner of front cover creased, corner is bumped effecting book body. Book body is clean and illustrated throughout.

Paperback. Condizione: new. Paperback. Richard Deacon's ruminations on the art of sculpture from the Paleolithic to the presentOriginally delivered as a lecture by British sculptor Richard Deacon (born 1949), this volume provides a visual chronology and historical survey of sculpture--from Paleolithic hand axes to 3D printers--while revealing some of Deacon's own ideas on authorship, authenticity and appropriation. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Soft Cover with Flaps. Condizione: Fine. First Edition. Unpaginated. [36 pp.] Full-page reproductions. With an essay by Richard Cork. Tight, clean and crisp. There is a trace of a paperclip to title page, and a small sticker to top at rear, otherwise the book is in excellent condition. No inscriptions. No remainder mark. Collectible.; 4to - over 9 3/4" - 12" tall.

Condizione sovraccoperta: dj. First Edition. First edition. Softcover. 32 pages. Exhibition catalog for a show that ran November 9 thorugh December 19, 1987 in London and then January 10 through February 12, 1988 in Chicago. Essay by Jean Fisher, Includes numerous color and black and white illustrations. A near fine copy in wrappers in a close to near fine dust jacket with some very minor wear.

Paperback. Condizione: new. Paperback. One of the most influential American conceptual artists of the late 1960s, Dan Graham (born 1942) is particularly celebrated for his pavilions: interactive spaces that walk the line between sculpture and architecture, many of which include the use of two-way mirrors or "looking-glasses." These installations allow the visitor to ponder himself or herself in the mirror as they walk through the pavilion, watch as others inspect their own reflections, or even catch another's eye through the glass. Not Yet Realised: Pavilion Drawings, published on the occasion of the 2012 exhibition Dan Graham's Pavilions at the Lisson Gallery in London, presents numerous drawings and proposals for possible future pavilions. Some of the plans are thoroughly developed, with straight lines and precise measurements, while other more quickly drawn sketches capture his initial ideas as they arise. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Soft cover. Condizione: Good. Published on the occasion of Allan McCollum's first London exhibition at the Lisson Gallery London, 3 October - 2 November 1985. Edition of 2000 copies. Some fading and dirt on covers.

Softcover, 48 pages, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Softcover exhibition catalog, 48 pages, very good condition, no internal marks, clean and crisp, with b/w reproductions.

Paperback. Condizione: new. Paperback. A longstanding and beloved icon of contemporary painting in New York, Stanley Whitney (born 1946) has been exploring the formal possibilities of color within ever-shifting grids of multihued blocks and all-over fields of gestural marks and passages, since the mid-1970s. Whitney's works on paper and preparatory sketchbooks are a critical component of his practice, in which he develops his spatial structure and experiments with the placement of color. Whitney has noted: "For me, drawing is a way to understand where things are in space. I felt that I needed to work on space because I didn't want my color to be decorative. I wanted color to have real intellect." Sketchbook is a precise facsimile of one of the artist's Moleskine notebooks, featuring his notes, sketches and color investigations for recent paintings. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Soft cover. Condizione: Fine. Fine in soft wraps. A clean copy.

Hardcover. Condizione: new. Hardcover. Veteran abstractionist Stanley Whitney explores more intimately scaled canvases in this deluxe slipcased overview of recent works New York-based painter Stanley Whitney (born 1946) is known for his vivid multicolored abstract paintings, with stacked irregular rectangles of color in a loose grid composition on square-format canvases. In this new slipcased volume, featuring a unique design with 12 gatefolds, Whitney extends his trademark style to a smaller scale. He produces his smaller "afternoon paintings" with the leftover paint after completing a large painting. These works express Whitney's dedication to the consistency of his painting, which he likens to athletic training or the "wood-shedding" that jazz musicians invoke when describing time spent honing their improvisatory skills behind closed doors. Featuring an introductory essay by writer and critic Lynne Tillman, this book provides an intimate, expressive glimpse into the mind of a master when he is "more relaxed, more loose, more carefree." Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Softcover exhibition catalog with dustjacket, 32 pages, very good condition, clean and crisp; no internal marks.

Softcover exhibition catalog, 36 pages, very good condition, no internal marks, clean and crisp, with b/w reproductions.

Stiff Card. Condizione: Very Good in Very Good wraps. profusely illustrated (illustratore). Catalogue for the Florian Pumhosl exhibition, Galerie Daniel Buchholz 30 November 2007 - 19 January 2008 and Lisson Gallery 8 February - 15 March; essays by Sabeth Buchmann Thomas Hackner Jan Verwoert; full-page colour plates of Pumhosl's work throughout; published in an edition of 1500 copies; Very Good throughout, wraps lightly rubbed. French Flaps. 142pp. 4to. Very Good in Very Good wraps.

Cloth. Condizione: Fine Condition. 96 pages 60 illustrations in color. Illustrated boards. Published on the occasion of the exhibition from the Lisson Gallery London November 16, 2021-January 22, 2022. List of Works. Book.

Paperback. Condizione: Very good. Paperback. 2500cc. 80pp. Wraps a bit rubbed and darkened at the edges, else very good.

Hardcover. Condizione: new. Hardcover. Stacking as sculptural procedure across five decades of Cragg's artThis career-spanning publication focuses on the history of Tony Cragg's (born 1949) Stack works that began in the late 1960s, when, as a student, he began piling up miscellaneous and recycled detritus from the studio in order to create large rectilinear sculptures that refuted the usual clean lines of minimalism. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

paperback. Condizione: Very Good. profusely illustrated (illustratore). Catalogue for the Simon Linke exhibition, Lisson Gallery London and Tony Shafrazi Gallery New York 1987; 16 pages colour and b&w plates of Linke's Artforum advertisement-inspired paintings; essay by Jeffrey Deitch; printed in an edition of 1500 copies; foxing to prelims, and reverse sides of wraps, o.w. Very Good . unpaginated. landscape 8vo. Very Good.

Softcover. Condizione: VG. Burgundy softcover with stamped lettering. Color-illustrated dust jacket with white lettering. 85 pp. Color illustrations. Catalogue of an exhibition at the Lisson Gallery in London from January 22 to March 12, 2016.

Hardcover. Condizione: new. Hardcover. Since 2015, Chinese painter Liu Xiaodong (born 1963) has been developing a technologically radical project to create landscape paintings using robotic arms and surveillance cameras. Collectively entitled Weight of Insomnia, this series of paintings is an attempt to quantify the emotional burden carried by people moving through the seemingly ceaseless surroundings of the 24-hour city. Taking live feeds, streaming data and imagery from specific locations, Liu's painting machine processes these real-time images of the ever-changing flow of humanity into a complex network of abstract marks on canvas, resulting in a machine-manufactured painting.This book is the first to publish the full extent of this project through its iterations in China, Germany, the UK and Australia. The volume also includes an interview with the artist as well as Liu's diaries written during the project's gestation, installation shots and working documents. Since 2015, Chinese painter Xiaodong has been developing a technologically radical project to create landscape paintings using robotic arms and surveillance cameras. Collectively entitled Weight of Insomnia, this series of paintings is an attempt to quantify the emotional burden carried by people moving through the seemingly ceaseless surroundings Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Soft Cover. Condizione: Very Good. First Ediition. british painter john virtue, white cover w/signature large panels of white canvas w/black paint, covers w/full-page flaps, spine uncracked, book body clean, tight and unmarked.

Paperback. Condizione: new. Paperback. A contemporary history painter addresses the pandemicChinese artist Liu Xiaodong (born 1963) has been addressing radical shifts in society such as population displacement and environmental crisis for over three decades. This publication features a series of watercolor paintings that document the changing landscape of New York City during the height of the pandemic. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

29,5 x 21 cm ; broschiert. Condizione: Gut. 51 S. ; Softcover, Text in englischer Sprache, 51 durchgehend farbig illustrierte Seiten. Gutes Exemplar (good Condition). pwB33.

Original Wraps. Condizione: Collectible; Fine. 1st. An immaculate copy of the catalogue based on the January-March 1987 exhibition at London's Lisson Gallery. Bright and Fine in its wine-red wrappers.

Hardcover. Condizione: new. Hardcover. Sean Scully returns to Los Angeles 50 years after his US exhibition debutNewspaper clippings, photographs and more accompany a look back on 50 years of colorful geometrical paintings from Irish-born artist Sean Scully (born 1945). The career-spanning publication reveals formal and conceptual resonances between his earliest grid paintings and his equally innovative recent large-scale works. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

First Edition. First edition. Softcover. Exhibition catalog for a show that ran February 1988. Features text by Peter Schjeldahl. Includes numerous color and black and white illustrations. A near fine copy in wrappers with a small institutional stamp from a publisher to the title page. Otherwise a clean copy from of marks.

Softcover. green wraps w/ dark black printing. 35 pgs w/ bw plates. Illustrated throughtout. Essay by Lynne Cooke. Exhibition held at the Lisson Gallery from October 9 through November 3, 1984. VG- (wraps have light sunning to edges & spine. corners rubbed. lower corners may have instances of light rubbing).