mack uk (53 risultati)

Softcover. Condition: near fine. ISBN 9781912359068.

Hardcover. Condizione: Very good +. first edition as stated. 6 x 8 in. Suede boards. Condition is VERY GOOD+ ; like near new with a mere hint of rubbing to suede. Binding tight, plates spotless. Art. Stax.

Hardcover. Condizione: Fine. Condizione sovraccoperta: No Dust Jacket as Issued. Aleix Plademunt (illustratore). 1st Edition. 1st. Edition, 1st. Printing 2013, Hardcover with illustrated paper covered boards, 116 page book. Illustrated with Mr. Plademunt's great photo work in fold out pages and in full page black & white. Condition : Fine. Book.

Hardcover. Condizione: Near Fine. 1st Edition. Hardcover. Copiously Illustrated in full color photographs. Clean and unmarked copy. Slightly bumped corners. Unpaginated. 4to.

Hard Cover. Condizione: Near Fine Plus. First Edition. Bound in blue cloth with gilt lettering on upper board and on spine. Very minor bumping of top fore tip. Colour photographs on white paper and text on brown paper. Unpaginated.

first edition, 2014. uk: mack. isbn: 9781910164068. 5.5 x 8 inches. unpaginated. hardcover. bound in yellow velvet cloth-covered boards. book condition: rubbing, scrattling, and light shelfwear throughout. very good+.

Hardback. Condizione: Near fine. First Edition. 18 x 25cm near fine hardback with single page colour plus black and white reproductions.

Soft cover. Condizione: Fine. Condizione sovraccoperta: Fine. Takashi Homma (illustratore). 1st Edition. 1st. Edition, 1st. Printing 2016 , Soft cover with a dust jacket illustrated wrappers, 112 page book. Illustrated with black & white with some color images by the artist Takashi Homma most full page fold outs . Condirion : Fine with the lightest of a corner bump at the bottom corner. Size: Folio - over 12 - 15" tall. Book.

Cloth over boards. Condizione: Very good. First edition. Hardcover red publisher's cloth over boards. 4to. Unpaginated 320 pp). Illustrated entirely throughout with roughly 160 b/w plate photographs with two additional tip-in b/w plates on the front and back boards. Pages bright and clean. Binding strong, square, and crisp. Tiny stain on the top right corner of the front board, otherwise boards and spine unblemished. Very good condition veering to about fine if not for the stain.

Hardcover. Condizione: New. Combining fragments of personal history, of memory and imagination, Oobanken builds photographic narratives through constructions and performances. The spaces created are different in character from their wider surroundings, as if confined in an enclave or compound, revealing an attentiveness to what lies beyond the threshold of this self-imposed isolation. Made while living in Yangon, Myanmar, this series derives from Jerome Ming?s early interest in built structures and interventions. While Oobanken may direct us to inquire about the function of objects and the actions presented, Ming?s photographs also mirror the context in which they are made: that is, during a time of transition, in a place once isolated, a place once suspended in time. Oobanken Jerome Ming Hardback with silkscreen-printed bare board gatefold cover 68 pages 16.5 x 21 cm ISBN: 978-1-912339-35-8.

Hardcover. Condizione: New. 1st Edition. 294 gr, 20 x 14,5 cm, in unopened shrink wrap.

Hardcover. Condizione: As New. 1st Edition. 292 gr, 20 x 14,5 cm.

Hardcover. Condizione: New. 1st Edition. In unopened shrink wrap, 548 gr, 22 x 24,3 cm, In December 1975 Dutch photographer Bertien van Manen made a series of black-and-white photographs capturing daily life in metropolitan Hungary. I will be Wolf brings together many of these beautiful and never-before-seen images with the editorial direction of renowned British photographer Stephen Gill. Her snapshots of commuters, grocers, chemists, café workers, and street vendors contain all the hallmarks of a bygone era, before the grip of globalisation was able to make its mark on the country. Imbued with an air of ambivalent nostalgia, the book takes its title from the poem Grief by the 20th century Hungarian poet József Attila.

Soft cover. Condizione: New. Condizione sovraccoperta: New. 1st Edition. This is a UK first edition softcover printing of this title published by Mack (London) in 2015. The book is in Very Fine condition. It has a straight spine, sharp corners, firm spine ends, bright boards and pristine pages. The copyright page (at the rear of the book) confirms the first edition state.

Hard Back. Condizione: Fair. No Jacket. 1893 edition of William Parry's The Old Evangelist. Front hinge is weakened but is totally attached. cloth is worn through on the front hinge. title page has been reinforced with tape. blue boards with gold lettering and design. top and bottom of spine shows some wear. lettering and decoration on covers and spine is in overall good shape. gilt page edges. pages are clean and unmarked with no foxing present. 316 pages of text plus several pages of subscriber names in back. last page of subscribers has a corner torn off (not affecting text).

Hardcover. Condizione: New. Condizione sovraccoperta: No Dust Jacket as Issued. John Divola (illustratore). 1st Edition. 1st. Edition, 1st. Printing 2021, Hardcover with black circle on the front board and black letters to the spine, 72 page book. This copy is signed by John Divola on a tipped in small plate in the back of this book. Illustrated with full page black & white images by Mr. Divola . Condition : NEW Size: 4to - over 9¾ - 12" tall. Signed by Author(s). Book.

Hardcover. Condizione: Near Fine. No Jacket. 1st Edition. Boards in brown satin finish cloth 136pp., b/w photographs. Signed by the photographer on the title page. Minor surface tear to free rear endpaper.(BH) 12/23. Signed by Author(s).

Hardcover. Condizione: Fine. No Jacket. Illustrated boards, 320pp, decorated endpapers, colour illustrations. (BH) 7/2026.

Hardcover. Condizione: Good. No Jacket. 1st Edition. Cloth, Blind-Stamped Boards, Gilt Title & Decoration, Xviii + 622 Pages Plus [10] Of Publishers Ads. A Complete, Unmarked And Soundly Bound Book; Rear Hinge A Little Weak, Covers Rather Worn And With Damage To Top Of Spine. Not Ex Library. A Heavy Book, Overseas Shipping Will Exceed The Abebooks Default Rate - Please Email The Bookseller For An Overseas Shipping Quote.

Hardcover. Condizione: Very Good. No Jacket. 1st Edition. Illustrated boards, decorated endpapers, 412pp., b/w and colour illustrations. Light wear to fore edge and slight soiling to bottom corner.(BH) 6/26.

Soft cover. Condizione: As New. Author (illustratore). 1st Edition. 1st. Edition by publisher MACK 2017, Soft cover with stiff wraps that are illustrated,196 page book. Illustrated with black & white and color full page plates of this artist photographic work . Anne Golaz has signed this copy on the back copyright page , a very rare signed English Edition . Condition : As NEW Size: 4to - over 9¾ - 12" tall. Signed by Author(s). Book.

Hard cover. Condizione: New. Fiest Mack edition, the photographer has signed a small colour photograph tipped inside the rear cover ?An empathetic document of a sudden, lurching change in Britain, which left many without a sense of purpose or economic security . the vision of Britain in Beyond Caring seems as relevant as ever? ? The Independent ?Graham?s angular images and juxtapositions convey a feeling of loss and heartache, of lives being wasted. This is a Beckettian purgatory, an endless but hopeless wait for a Godot who never turns up.? ? Morning Star ?The force of Graham?s Beyond Caring photographs remains undiminished. [.] one of the most commanding and gravest monuments to Thatcher?s Britain produced by any British artist? ? David Chandler Originally self-published in 1985, Paul Graham?s renowned series, ?Beyond Caring?, was made in the waiting rooms and corridors of the Social Security and Unemployment offices around the UK, documenting the long waits, queues and poor conditions of an overburdened system, to produce a powerful series of photographs conveying the hardship people experienced. Denied official permission to make the work, Graham?s photographs were taken discreetly, usually without looking through the camera, resulting in a spatial disorientation that emphasised the unmoored distress of vulnerable citizens. The work shocked many on its release ? leading Magnum photographers were outraged by its use of colour in a classic documentary topic, while others celebrated how it straddled the world of activism and art (it was exhibited at both Trade Union conferences and the Museum of Modern Art, New York). Graham forged a fresh form of engaged photography, mixing elements of social documentary, ?new colour? and reportage to create a striking body of work that endures to this day. Many decades have passed since their making in 1984, but these images have grown not only in photographic importance, but also as a unique historic record of the mid-1980s unemployment crisis in the UK. This edition of Beyond Caring is part of Graham?s iconic 1980?s trilogy of UK books, being republished by MACK, which also includes A1 ? The Great North Road (2020) and Troubled Land (Spring 2022). Embossed hardback with tip-in 32.2 x 24.3cm, 84 pages ISBN 978-1-913620-12-7.

Flexible. Condizione: New. Signed by thew photographer Paul Graham - Paris 11-15th November, 2015 During the terrorist attacks on Paris in November 2015, photographer Paul Graham took refuge in an apartment in the city with his partner and young child. In response to the suffocating tension on the city's streets, he made this series. Looking at the images you would never know of the traumatic events unfolding outside, but suffusing the photographs is an inscrutable longing for the safe, the everyday, the known. Paul Graham was born in 1956 in Stafford, England. He is has been the recipient of numerous awards and fellowships including the Deutsche Börse Photography Prize, a Guggenheim Fellowship, the Hasselblad Award and the Paris Photo-Aperture Foundation Photo Book Awards prize for best photographic book of the past 15 years. His publications include The Whiteness of the Whale (MACK, 2015), Does Yellow Run Forever? (MACK, 2014), The Present (MACK, 2012), 1981 & 2011 (MACK, 2012), a shimmer of possibility (MACK, 2007), Films (MACK, 2011), American Night (MACK, 2003) and End of an Age (Scalo, 1999). He has exhibited at Tate Gallery, MoMA, Whitney Museum of American Art, Deichtorhallen and Fotomuseum Winterthur amongst many others. Flexible hardcover 88 pages 30 colour plates 18 cm x 26 cm Publication date: November 2016 ISBN 978-1-910164-64-8.

Card covers. Condizione: Near fine in wraps. First Edition. 16 x 22cm near fine card covered publication with largely black and white some colour, full page reproductions. The title for the book is taken from Charles Bukowski's 'The Suicide Kid' c. 1994 taken from the collection 'Slouching Towards Nirvana'.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition. SIGNED, design by SYB, 296 gr, 20,5 x 17 cm Bertien van Manen's blissful images of family holidays in den Eikenhorst (literally meaning Nest of Oak Trees) from the 1970s are the subject of her latest publication, Easter and Oak Trees. It was her son, one of the primary subjects in the series, who recently reminded van Manen of the archive. Lightness dominates these black and white images, and the obvious pleasure, family warmth and security of her children and family in the less politically correct '70s. Children pose, play and run but ultimately the photographs communicate the intimate comfort that comes with family, uninhibited in their expression and exposure to the camera. Easter and Oak Trees offers an enticing invitation to share a small part of this familial idyll. The images raise the question, could a photographer still do this in 2013? Could she photograph her children naked, footloose and carefree, acting up to the camera with fake cigarettes and a bottle of beer? Or is this spontaneity, this innocence, lost thanks to rancid affairs and small-minded moralism? Whilst this work is some of the earliest made by van Manen, it has all the qualities found in her mature work. "One recognizes the lyrical looseness, the sensuality and the melancholy but also a striving for balance and composition. Her photographs look like free, insouciant improvisations on themes, that later, in 'a Hundred Summers a Hundred Winters' or in 'East Wind West Wind' have taken shape in a more outspoken way". Hripsimé Visser. Signed by Author(s).

Hardcover. Condizione: New. Condizione sovraccoperta: No Dust Jacket as Issued. Author (illustratore). 1st Edition. 1st. Edition , 1st. Printing 2012 , Gray cloth hardcover with black lettering to the front boards and spine , back cover has attached plate , 124 page book . With Black & white photo plates full page . Condition : NEW. Size: 4to - over 9¾ - 12" tall. Book.

Hard cover. Condizione: New. This is the signed edition which includes an extra image plate signed by the artist and glued into the inside back cover.\n\nAlec Soth Niagara 2026 Mack Reprint In the follow-up to his critically acclaimed debut monograph Sleeping by the Mississippi, Alec Soth turned his eye to another iconic body of water, Niagara Falls. As with his photographs of the Mississippi, Soth?s pictures of Niagara are less about natural wonder than human desire. ?I went to Niagara for the same reason as the honeymooners and suicide jumpers,? says Soth, ?the relentless thunder of the Falls just calls for big passion.? Working over the course of two years on both the American and Canadian sides of the Falls using a large-format 8x10 camera, the photographs are rigorously composed and richly detailed. Soth depicts newlyweds and naked lovers, motel parking lots and pawn shop wedding rings. Throughout the book, Soth has interspersed a number of love letters from the subjects he photographed. We read about teenage crushes, workplace affairs, heartbreak and suicide. Oscar Wilde wrote of the Falls, ?The sight of the stupendous waterfall must be one of the earliest, if not the keenest, disappointments in American married life.? In Soth?s Niagara, we see both the passion and the disappointment. His pictures are a remarkable portrayal of modern love and it?s aftermath. Alec Soth (b. 1969) is a photographer born and based in Minneapolis, Minnesota. He has published over twenty-five books including Sleeping by the Mississippi (2004), NIAGARA (2006) Broken Manual (2010) and Songbook (2015). Soth has had over fifty solo exhibitions including survey shows organized by Jeu de Paume in Paris (2008), the Walker Art Center in Minnesota (2010) and Media Space in London (2015). Soth has been the recipient of numerous fellowships and awards, including the Guggenheim Fellowship (2013). In 2008, Soth created Little Brown Mushroom, a multi-media enterprise focused on visual storytelling. Soth is represented by Sean Kelly in New York, Weinstein Gallery in Minneapolis, Fraenkel Gallery in San Francisco, LOOCK Galerie in Berlin and is a member of Magnum Photos. \nFaux leather bound hardback with tipped in image\n28 x 32 cm, 104 pages\n\nFirst MACK edition, second printing\nISBN: 978-1-912339-25-9.

Hardcover. Condizione: New. Condizione sovraccoperta: No Dust Jacket as Issued. Rosalind Fox Solomon (illustratore). 1st Edition. 1st. Edition, 1st. Printing 2014, Hardcover with illustrated boards,144 page book.A collection of work by Rosalind Fox Solomon ( 1930 - 2025 ) . Illustrated with full page black and white images. Condition : NEW Size: 8vo - over 7¾ - 9¾" tall. Book.

Hardback. Condizione: New. Alec Soth Sleeping by the Mississippi Second Mack edition Contains a small tipped in Photograph that is Signed by the Photographer Sleeping by the Mississippi by Alec Soth is one of the defining publications in the photobook era. First published by Steidl in 2004, it was Soth?s first book, sold through three editions, and established him as one of the leading lights of contemporary photographic practice. This MACK edition launches to coincide with the first exhibition in London dedicated to the series at Beetles+Huxley gallery, and includes two new photographs that were not included in the previous versions of the book. Evolving from a series of road trips along the Mississippi River, Sleeping by the Mississippi captures America?s iconic yet oft-neglected ?third coast? Soth?s richly descriptive, large-format colour photographs present an eclectic mix of individuals, landscapes, and interiors. Sensuous in detail and raw in subject, Sleeping by the Mississippi elicits a consistent mood of loneliness, longing, and reverie. ?In the book?s 46 ruthlessly edited pictures?, writes Anne Wilkes Tucker in the original essay published in the book, ?Soth alludes to illness, procreation, race, crime, learning, art, music, death, religion, redemption, politics, and cheap sex.? Like Robert Frank?s classic The Americans, Sleeping by the Mississippi merges a documentary style with poetic sensibility. The Mississippi is less the subject of the book than its organizing structure. Not bound by a rigid concept or ideology, the series is created out of a quintessentially American spirit of wanderlust. Thirteen years since the book was first published, the artist?s lyrical view has undoubtedly acquired a nuanced significance ? one in which hope, fear, desire and regret coalesce in the evocative journey along this mythic river. Alec Soth (b. 1969) is a photographer born and based in Minneapolis, Minnesota. He has published over twenty-five books including Sleeping by the Mississippi (2004), NIAGARA (2006), Broken Manual (2010) and Songbook (2015). Soth has had over fifty solo exhibitions including survey shows organized by Jeu de Paume in Paris (2008), the Walker Art Center in Minnesota (2010), Media Space in London (2015) and FotoMuseum in Antwerp (2017). Soth has been the recipient of numerous fellowships and awards, including the Guggenheim Fellowship (2013). In 2008, Soth created Little Brown Mushroom, a multi-media enterprise focused on visual storytelling. Soth is represented by Sean Kelly in New York, Weinstein Gallery in Minneapolis, Fraenkel Gallery in San Francisco, and is a member of Magnum Photos. Printed linen hardback 120 pages, 28 cm x 27.5 cm 48 colour plates ISBN 978-1-910164-89-1 Publication date: September 2020.

Hardback. Condizione: Near fine. First Edition. 24 x 27cm near fine hardback signed on the title page by Joanna Piotrowska. Black and white reproductions throughout.