Mandragora italy (27 risultati)

Soft cover. Condizione: Fine. No Jacket. Pages are clean and unmarked. Cover corners and edges are unmarred. Binding is tight.

Paperback. Condizione: Very Good. This is a colourful and entertaining survival kit for teenagers visiting (or living in) Florence. It was thought up, written and designed in collaboration with Amici Musei Fiorentini. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Papeback. Condizione: Fine. 143pp. Numerus color photos and illustrations. Photos sent on request. Size: 8vo - over 7¾" - 9¾" tall.

Paperback. Condizione: Very Good. Equipped with all you need to know on the history and traditions of the Chianti region, you will be guided on half-day or full-day drives out from Radda in Chianti and Gaiole in Chianti. Four itineraries with maps and commentary will lead you through historic sites and stunning landscape - with places to stop for an espresso, a leisurely lunch, an ice cream snack, some shopping, and a superb dinner. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Richard Mello (illustratore).…

Hardcover. Condizione: Fine. No Dust Jacket. Glossary illustrated hardcovers, 144 pages in fine condition. Traditional recipes from the original and traditional to more recent arrivals and innovations. Interesting and curious historical information with a lively blend of flavors, colours, customs and costs suited to all pockets and palates. 8vo - over 7¾" - 9¾" tall; 8vo - over 7¾" - 9¾" tall. Illustrated by Paola Boldrini (illustratore).…

Paperback. Condizione: Near Fine. 1st. 143 clean, unmarked pges; pictorial wraps. Color Illus (illustratore).

Soft cover. Condizione: As New. Condizione sovraccoperta: Softcover Wraps. First Softcover Edition. Softcover book is a clean tight unmarked copy.

Softcover. Condizione: Very Good. Paperback, small quarto bound in stiff pictorial covers with French flaps. 175 pages. Bibliography. Profusely illustrated throughout with color photographs. Text in English. Previous owner's small label on front free end-paper. Very light foxing to top edge. Else an as new copy, clean square and unmarked. Very good. Size: 4to - over 9¾" - 12" tall.…

Trade Paperback. Condizione: Fine. Fine condition with beautiful color reproductions. History of the Medici family of Florence Italy and their art collections. Translated into English. 143 pp.

Condizione: As New. full color photo illustrated trade paperback soft cover small 4to ~ 4º (quarto ~9"x6.5"). very fine cond. mint cond. looks new. like new. as new. binding square & tight. spine uncreased. covers clean. edges clean. contents free of markings. first edition. first printing (nap). Volume 1 of a 2 Volume series. nice clean copy. no library markings, store stamps, stickers, bookplates, no names, inking , underlining, remainder markings etc ~. 235p. glossy pages throughout. almost every page illustrated with full color glossy photo plates, illustrations, plans & diagrams. many full page plates. appendix. notes. essential bibliography. history of architecture. renaissance history. history of italy. art history. art books. religion. history of christianity. ~ The expansion of the Museo dell'Opera di Santa Maria del Fiore in 2013~15 was an opportunity to rethink the general role played by the Cathedral Foundation in promoting and preserving the monuments it oversees: the Baptistery of San Giovanni, the Cathedral or Duomo of Santa Maria del Fiore and Giotto's Bell Tower. The decidedly narrative approach of the museum's new installation project suggested the need to 'narrate' the churches to which the works in the museum refer, and thus to consider the entire monumental complex of Piazza del Duomo an enormous museum, providing visitors with interpretative instruments that can offer insight into its main contents and stvlistic elements. This approach should not be misunderstood, however. Churches are never museums, even if they welcome scholars and tourists who come to see the artwork they contain. Every church is a house of God" (this is exactly what the term duomo means: domus. 'house'. 'house of God`). Consequently, those who want to explain a church must above all convev its sacred character, as this normally proves to be the surest key to its art and historical interpretation. …

Taschenbuch. Condizione: Gut. 71 Seiten. Das gebrauchte Taschenbuch ist gut erhalten. Sprache: Deutsch Gewicht in Gramm: 150.

Trade Paperback. Condizione: Used - Very Good. Very nice, clean, tight copy free of any marks.

Paperback. Condizione: Near Fine. No Jacket. First Edition. paperback,illustrated throughout,96 pages,name inside front cover hence near fine.

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good. Clean, tight, unmarked; very minimal shelfwear; unpaginated; "The Effects of Good Government in the City and Countryside, the spectacular fresco painted in the 14th century by Lorenzetti in Siena's Palazzo Pubblico, includes a pig going to the market. In this book the pig causes trouble as he travels across the Tuscan countryside and chaos as he rampages through medieval Siena. " Illustrations based on the fresco.…

Soft cover. Condizione: New. No Jacket. 1st Edition. Published In 2002 : 1st. Edition : Mandragora Publishing Italy : English Text : Tall Thin Format : Overall , A Very Nice Book On Florence .

Hardcover. Condizione: Near Fine. 100s of color illustrations. Clean and unmarked in the interior. 4to.

Soft Cover with Self-Wraps. Condizione: Fine. First Edition. No marks or inscriptions. No creasing to covers or to spine. A very clean very tight copy with bright unmarked boards and no bumping to corners. 175pp. Representative examples of the artworks to be found in twenty-seven museums and art galleries in Florence, Italy. Colour photographs. We do not use stock photos, the picture displayed is of the actual book for sale. Every one of our books is in stock in the UK ready for immediate delivery. Size: 9.5 x 6.5 inches.…

Condizione: Good. Datum op schutblad.

Soft cover. Condizione: Fine. The Library on Display 3.Exhibition catalogue; MSS from the Laurenziana in Florence. pp126.

Softcover. Condizione: VG. White & color illus. wraps, 215 pp., BW illus. Text is in Italian. A collection of more than 30 essays about various aspects of Italian art, assembled as a tribute to Italian art historian Chiara d'Affitto (1953-2007). Uncommon.

Paperback. Condizione: Fine. First Edition. A paperback book in fine condition, dated 2003. Four excursions out of Radda and Gaiole in Chianti. Richard Mello (illustratore).

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 8-3/4" x 11-3/8", 270pp incl. prelims and apparatus. Edge wear to jacket and boards, and the corners are bumped. Binding is square and tight. Pages are clean and bright and unmarked. NOTE that this is a larger volume, and there may be extra shipping charges on orders outside North America.…

Hardcover. dj. First Edition, First Printing. Quarto, 235 pages. In Very Good condition with a Very Good dust jacket. Dust jacket spine black with white lettering, protected in mylar covering. Mild general shelf wear. Spine mildly cocked. Shelved Front Table. 1416944. Shelved Dupont Bookstore.

Softcover. Condizione: Near Fine. No Dust Jacket. B and w and sepia illus.; Large 8vo 9" - 10" tall; 114 pages.

Soft cover. Condizione: Very Good. No Jacket. 1st Edition. English text.; Paperback.; 24.5 x 29.5 cm.; 2.3 kg.; 359 pages with colour illustrations.; Used with signs of wear on the exterior and interior. The exterior shows minor edge wear, scuffs and scratches on the front cover, spine and back cover. The spine shows minor wear throughout, and a slight scuff at the top. Interior with minor signs of wear.; Catalogue from the exhibition Bronzino. Artist and Poet at the Court of the Medici, held at Florence, Palazzo Strozzi, 24 September 2010-23 January 2011.; "It is difficult to think of a painter more Florentine than Bronzino. The exhibition "Bronzino. Artist and Poet at the Court of the Medici" is a landmark, and the Palazzo Strozzi the perfect setting for the first ever monographic exploration of Bronzino's paintings. The son of a butcher, Agnolo di Cosimo di Mariano, better known by his nickname Bronzino, was born on 17 November 1503 in Monticelli, then a suburb of Florence. After a short apprenticeship with Raffaellino del Garbo, in 1517-8 he became the pupil of Jacopo da Pontormo (1494-1557), and by the early 1520s he had gained some independence as a collaborator in his workshop. The friendship and professional association between Pontormo and Bronzino, who were actually relatively close in age, continued for almost four decades. Pontormo's impact on Bronzino lasted into the early 1530s. Bronzino is one of the greatest artists in the history of Italian painting, and embodies the ripening of the 'modern manner' in the years in which Cosimo I de' Medici ruled Florence. Bronzino conveyed the elegance of the Medici court with an austere beauty and 'naturalness', yet at the same time-a kind of icy aristocratic splendour. A sophisticated court painter, he was also a poet and a member of the Accademia Fiorentina. His poetry ranged from the academic style of Petrarch to ironic and satirical verses such as 'Il piato', where he describes an imaginary and symbolic journey through a giant's entrails, or 'La cipolla', a playful and erotic homage to the multi-layered complexity of female physical and metaphysical anatomy. Nor were Bronzino's interests limited to the links between painting and poetry: he also took up both pen and brush in the dispute about whether painting or sculpture was the nobler art. This dispute, known as paragone, was promoted by Benedetto Varchi, who in 1547 solicited the opinion of various artists on the subject of the primacy of the arts, including Bronzino, Michelangelo, Pontormo and Cellini. Bronzino even responded with the Portrait of the Dwarf Morgante, Cosimo I's court dwarf, shown naked on two sides of the same canvas-a picture intended to be placed in the centre of a room as though it were a sculpture. Bronzino's legacy was continued by his pupil Alessandro Allori, who developed his master's austerely formal style, while at the same time adding a strongly sentimental quality, strengthened by a naturalism whose presence became increasingly marked towards the end of the century. Allori was to paint until 1607, by which time the naturalism of Caravaggio was spreading unchecked, marking the beginning of a new era in painting. All art is contemporary in the moment of its creation, and although Bronzino's 'modern manner' was soon seen by the younger generation as old-fashioned, to modern eyes it once again seems fresh and contemporary." excerpt from the introductory text by Lovenzo Beni Smaghi, Chairman of the Fondazione Palazzo Strozzi.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. English Edition. Color Illustrations; Unpaginated pages; Very Good overall condition. No noteworthy defects. No markings.; - We're committed to your satisfaction. We offer free returns and respond promptly to all inquiries. Your item will be carefully wrapped in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.…

Hardcover. Condizione: As New. Original bdg. Dust wrapper. Folio. (31 x 31 cm). In English. 181 p., color ills. Tea: The paths and virtues of an exotic leaf.