Mit press 1990 (99 risultati)

Trade Paperback. Condizione: Used Very Good. Light wear to cover, slightly bumped corners, pages clean and unmarked. Firefly sells new and used books through our store front. We try to add a detailed description to as many titles as possible. If you have questions regarding this title, please contact us. Photos available on request.…

Hard Cover. Condizione: Near Fine. Hardcover; in near fine condition.

Hardcover. Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Hardcover. Condizione: Near Fine. First Edition. Review copy with review card laid in. Near Fine in Near Fine Dust Jacket.

Softcover Health; Aids; The powerful and thought-provoking essays in this book seek a more realistic public health and public policy environment for dealing with the long-term challenge of the AIDS epidemic. (463 Pgs.) Slight highlighting on about 5 to 6 pages. BOOK NEAR VVG.

Hardcover w/DJ. Condizione: Good/Good. First Thus. Cambridge, MA: MIT Press. Good/Good. (1990). First Thus. Hardcover w/DJ. Folio, 208 pp., Shelfwear, Dj frayed, blindstamp . Color Photographs (illustratore).

square format, 272 pp., index, notes, a few b&w ills. An unconventional garden history, covering these central to French garden history from Medieval times to the present. very good copy in d.j.

Trade Paperback. Condizione: Used - Very Good. The Logic of Architecture is the first comprehensive, systematic, and modern treatment of the logical foundations of design thinking. Previous owner stamped his name on text edge. Very nice clean, tight copy free of any marks.

Trade Paperback. Condizione: Used - Very Good. Very nice clean, tight copy free of any marks.

Trade Paperback. Condizione: Used - Very Good. Very nice clean, tight copy free of any marks.

ISBN 0-262-63146-6. Trade Paperback. Very Good condition. Tight, sound, unmarked copy. No statement of later printing on copyright page.

Hardcover. Condizione: Very Good. Dust Jacket Included. 1st Edition. vii, 248 pp. Original cloth. Very Good, in torn dust jacket. First Edition. Contributors are R. I. G. Hughes, Howard Stein, Richard Arthur, Lawrence Sklar, Phillip Bricker, J. E. McGuire, John Carreiro, Peter Achinstein, Michael Friedman, Robert DiSalle, Errol Harris, and Philip T. Grier. ISBN 0-262-02301-6.…

Condizione: excellent. pbk 220pp an excellent clean tight unmarked copy almost as new.

Hardcover. Condizione: As New. Condizione sovraccoperta: Near Fine. Hbk 223pp small chip at top front of dj now in protective sleeve otherwise an excellent clean tight unmarked copy as new.

Trade Paperback. Condizione: Used - Very Good. Very nice clean, tight copy free of any marks.

Trade Paperback. Condizione: Used - Very Good. These nine essays provide a biographically vivid and pluralist view of the periodical 'De Stijl 'in the important early period of its development. They provide, new biographical information and fresh analysis of the painters van Doesburg, Mondrian, Vilmos Huszar, and Bart van der Leck, the painter-sculptor Georges Vantonger-loo, architects Oud, Robert van't Hoff, Jan Wits, and furniture designer turned architect Gerrit RietveldCaret Blotkamp is Professor of Art History at the Free University of Amsterdam. These nine essays provide a biographically vivid and pluralist view of the periodical De Stijl in the important early period of its development. Very nice clean, tight copy free of any marks. Used copy with light wear. …

Hardcover. Condizione: Very Good. Dust Jacket Included. quarto, 283 pp., index, extensive bibliography, ill. with b&w photos, drawings and plans, and a few color plates. a most insightful work with essays by 30 of America's foremost thinkers and writers on the culture of gardens. near fine copy in d.j.…

VG+, unmarked Hardback; DJ-VG, small tears. xii +,309 pp.

Condizione: as new. Pbk 304pp royal 8vo profusely illustr an excellent clean tight unmarked copy as new.

Trade Paperback. Condizione: Used - very good.

Hardcover. Condizione: Used - Very Good. The Sydney Opera House, with its vast cost overruns and its years of delay, is a glaring example of misbegotten notions of structural honesty. MIT's Kresge Auditorium was conceived for visual effect without regard for technological flaws that arose from the misapplied criteria of form-follows function and forced its closing for more than a year. And in the building of Boston's John Hancock Tower, structural imperatives, were literally thrown to the winds. These are just a few of the eases in which the role of technology in the design of a large scale building has been either neglected or confused. In this book Robert Mark shows how an understanding of the technology of historical architecture can illuminate, even help eliminate, such costly misconceptions. Mark focuses on three eras - ancient Rome, the era of structural experimentation in High Gothic architecture, and the time of the great Renaissance domes - that have had lasting impacts on architectural planning. He makes full use of sophisticated computer modeling to gain new insights into early design methods insights that allow him to reinterpret technological precedents that are often misunderstood in contemporary architecture. Mark's provocative findings provide a stronger technological focus for architectural history and a basis for more rational criticism of contemporary design. Robert Mark Professor of Architecture and Civil Engineering at Princeton University, is the author of 'Experiments in Gothic Structure. 'Much of the work covered in 'Light, Wind, and Structure 'served as the basis for the Nova/WGBH television program 'The Mystery of the Master Builders.' The book is included in the Sloan New Liberal Arts Series. In this book Robert Mark shows how an understanding of the technology of historical architecture can illuminate, even help eliminate, such costly misconceptions.…

Trade Paperback. Condizione: Used - Like New. The Independent Group, or the IG, as it was called, is best known for having launched Pop Art. But the young artists, architects, and critics who met informally at London's Institute of Contemporary Arts in the early 1950s were actually embarked on a far more subversive and constructive mission than the founding of an art movement. Street-smart, anti-academic, and iconoclastic, they embraced Hollywood and Madison Avenue and rejected the traditional dichotomies between high and low culture, British and American values. They used their meetings and exhibitions to challenge the official modernist assumptions of British aesthetics and to advocate instead a media-based, consumer-based aesthetics of change and inclusiveness - an aesthetics of plenty. In doing so they drew upon Dadaist, Futurist, and Surrealist strategies to invigorate their alternative version of modernism - a version that today can be said to have insinuated the terms of postmodernism.This book provides the first comprehensive view of the IG's aims and significance. The texts and illustrations fully represent the achievements of its leaders, including artists Richard Hamilton and Eduardo Paolozzi, architects Alison and Peter Smithson, and critics Lawrence Alloway and Reyner Banham. The historic exhibitions that publicized the ideas of IG members are also documented - 'Parallel of Life and Art,' 'Man, Machine and Motions,' 'This Is Tomorrow,' and 'An Exhibit.' Above all, the book emphasizes the interaction between the exhibitions, discussions, art and writings of IG members, showing the ways in which they established a new aesthetic horizon.David Robbins is a freelance writer and editor in Berkeley, California. Distributed for the University Art Museum, University of California at Berkeley.Essays by: Lawrence Alloway, Theo Crosby, Barry Curtis, Diane Kirkpatrick, David Mellor, David Robbins, Denise Scott Brown, Alison and Peter Smithson, David ThistlewoodRetrospective Statements by: Lawrence Alloway, Mary Banham, Richard Hamilton, Geoffrey Holroyd, Magda Cordell McHale, Dorothy Morland, Eduardo Paolozzi, Toni del Renzio, Alison and Peter Smithson, James Stirling, William Turnbull, Colin St. John Wilson This book provides the first comprehensive view of the IG's aims and significance. wrapped in complimentary Brodart dust jacket protector. Very nice clean, tight copy free of any marks.…

Condizione: very good. Condizione sovraccoperta: very good. hbk 270p prev ownerÕs name on fep dj is slightly shelfworn with one missing chip internally an excellent clean tight unmarked text.

Hardcover. Condizione: As New. Condizione sovraccoperta: Near Fine. Hbk large 8vo 471pp decorated endpapers and illustrns dj mildly shelfworn now in protective sleeve otherwise an unread copy excellent clean tight unmarked as new.

Paperback or Softback. Condizione: New. Experiments in the Machine Interpretation of Visual Motion. Book.

Hardcover. Condizione: Used - Very Good. wrapped in complimentary Brodart dust jacket protector. Very nice clean, tight copy free of any marks. Some sun fading to dj spine.

Hardcover w/DJ. Condizione: Good/Good. Cambridge, MA: MIT Press. Good/Good. (1990). . Hardcover w/DJ. 4to., 371 pp., DJ toning, foxing on cover cloth . Black & White Photos & Illus. (illustratore).

Original publisher's beige cloth hardback, title spine, dustjacket, large 8vo: (x), 542pp., 23 contributions, figs., references, list contributors, general index.

Ferguson, Russell, ed. Discourses: conversations in postmodern art and culture. Foreword by Marcia Tucker ; a photographic sketchbook by John Baldessari. New York : Cambridge, Mass.: New Museum of Contemporary Art ; MIT Press, 1990, 471pp., very good dust-jacket with a few light scratches and slight wear, very good heavy black cloth, lightly bumped at bottom of spine and rubbed along bottom edge of cover, old publisher's sale price label on front endpaper. Documentary sources in contemporary art ; v. 3. - CONTENTS: A box of tools : theory & practice / Russell Ferguson -- Intellectuals & power / Michel Foucault & Gilles Deleuze -- Sankofa & Black Audio Film Collective / Coco Fusco -- If upon leaving what we have to say we speak : a conversation piece / Laleen Jayamanne, Leslie Thornton & Trinh T. Minh-ha -- Feminist film practice & pleasure / Dee Dee Glass [et al.] -- Julia Kristeva / Alice Jardine -- Mechanisms of exclusion & relation : identity / Marcia Tucker -- In the shadow of the West : Edward Said / Phil Mariani & Jonathan Crary -- Gayatri Spivak / Walter Adamson -- Women in the beehive : Jacques Derrida / the Pembroke Seminar -- Extended sensibilities / Jeff Weinstein [et al.] -- When is art not enough? : art & community / Karen Fiss -- Tim Rollins / Trevor Fairbrother -- Jimmy Boyle / Russell Ferguson -- Prisoner : James Pettaway / Jonathan Borofsky -- Joseph Beuys / Kate Horsfield & Lyn Blumenthal -- Out of the blue / Dara Birnbaum -- Gran fury / David Deitcher -- David Hammons / Kellie Jones -- Taking control : popular culture / Russell Ferguson -- Punk and history / Malcolm McLaren [et al.] -- Girls rappin' roundtable / Roxanne Shante [et al.] -- Speaking your mind : Ethyl Eichelberger & Lily Savage / Neil Bartlett -- New music / Scott Johnson [et al.] -- Resistance to interpretation : authority & institutions / Marcia Tucker -- Krysztof Wodiczko / Doublas Crimp, Rosalyn Deutsche & Ewa Lajer-Burcharth -- Charlottesville Conference / Philip Johnson [et al.] -- Doctor lawyer Indian chief : 'primitivism' in 20th century art / Tom McEvilley, William Rubin & Kirk Varnedoe -- Histories of the tribal and modern / James Clifford -- Roland Barthes / Bernard-Henri Lev y -- Reading Lacan / Jane Gallop. 9780262061254 ISBN 0262061252.…

ISBN 0-262-18142-8. Hardback. Very good condition book in a Very good condition dustjacket. Tight, sound, unmarked copy. No statement of later printing on copyright page.