Oxford ashmolean museum (785 risultati)

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Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

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Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

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Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

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Da: World of Books (was SecondSale), Montgomery, IL, U.S.A.World of Books (was SecondSale)
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Condizione: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

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Da: WorldofBooks, Goring-By-Sea, WS, Regno UnitoWorldofBooks
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Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

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Da: WorldofBooks, Goring-By-Sea, WS, Regno UnitoWorldofBooks
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Paperback. Condizione: Very Good. In 1875 John Ruskin gave a large collection of drawings to the University of Oxford. These works, now in the Ashmolean Museum, form the basis for this fascinating study. Selecting the finest drawings in the colection, Nicholas Penny traces Ruskin's career as an artist and reveals the elaborate,…but unfulfilled, educational programme that lay behind his gift. The Ashmolean's collection of Ruskin's drawings is unrivalled, and this selection includes architectural drawings, landscapes, and studies of trees, flowers and birds. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

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Da: WorldofBooks, Goring-By-Sea, WS, Regno UnitoWorldofBooks
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Paperback. Condizione: Very Good. The Egyptians are one of the most fascinating among the peoples of the ancient world. They are also in many ways the most easily misunderstood. Ancient Egypt seeks to explain their distinctive culture in its historical context. Covering the essential aspects of Egyptian prehistory and history, l…ife and literature, religion and art, and including a concise bibliography. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

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Da: WorldofBooks, Goring-By-Sea, WS, Regno UnitoWorldofBooks
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Paperback. Condizione: Very Good. Manju netsuke have never been the subject of a book on netsuke. Many books ignore them completely and it is hoped that this catalogue will throw light on the differences between the manju and other better-known types of netsuke. Dr. Barnett was one of a handful of collectors of one particular ty…pe of netsuke, the manju. These were not widely appreciated until about ten years ago when interest began to increase and the exquisite workmanship and design of this group of carvers was noticed as an art in its own right and one which presents the artist with a challenge completely different from the more popular katabori netsuke, carved in the round. Dr. Barnett continued to collect until just before her death in 2000, by which time she had acquired some of the finest pieces to be sold over 30 years which will be presented in this book. Manju netsuke have played a small part in the many publications on netsuke, but there has never been a catalogue entirely devoted to the subject. The book aims to provide a description of each object and to explain the tales they illustrate and the sources of these tales, from literature and printed picture books. The range of subjects is wide and includes religious images, scenes from festivals, the theatre, historical incidents, folktales, classical literature and themes from nature. An introduction will include an essay on the history, uses and the collecting of manju in which the techniques of carving will be described and materials will be discussed. Artists biographies, a glossary and bibliography will be included. The catalogue will accompany an exhibition of many of the pieces in this collection alongside woodblock prints from the Ashmolean Museum's collection which illustrate the same legends and subjects. This will take place in the Eastern Art Paintings Gallery. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

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Da: WorldofBooks, Goring-By-Sea, WS, Regno UnitoWorldofBooks
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Paperback. Condizione: Very Good. As some American artists began to eliminate people and remove extraneous details from their compositions, they often employed neat, orderly brushwork or close-up, unemotional photography. Artists as diverse as Patrick Henry Bruce, John Covert, Georgia O'Keeffe, Paul Strand and Arthur Dove naviga…ted European and American avant-garde circles, picking and choosing new ideas and methods. Inspiration ranged from cubism and machine parts to new technologies, and they found ways to bring order to the modern world through extreme simplification. For them, abstraction involved absence and presence - the evacuation of human beings but also the desire to depict something that would not otherwise be visible or to render visible unseen natural processes like the passage of time, sound waves, or weather patterns. Their artworks provide a new context for the precisionist works in the subsequent sections and point to modern ideas about what art could be. How does a crisp painting technique relate to an aesthetic of absence? The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

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Da: James F. Balsley, Bookseller, Williamsburg, VA, U.S.A.James F. Balsley, Bookseller
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Trade paperback. Condizione: Fine+. Softcover. Appears to be new book in as new condition. Many color plates. ; Ashmolean/Christie's Handbooks; Map, photographs; 0.4 x 8.2 x 5.8 Inches; 80 pages.

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Paperback. Condizione: Very Good. In December 2020, spirits were low. The first tentative visitors had only just made it back through the doors of the Ashmolean after months of isolation, only for another lockdown to come crashing into view. The galleries went dark for a second time in a year. There's something uncanny about sta…nding in the Museum when it's empty of visitors. You can sense a million human stories all around you, clamouring to be told to no-one.So, we had to change tack. If we couldn't get people into the building, we could get the stories out. I started calling around curators, asking for their most uplifting tales in the collections. From bedrooms and garden sheds and kitchen tables, the Ashmolean team started recording themselves, sharing stories of joy and resilience to help keep us all going through the dark winter months of quarantine. The result was a podcast, Museum Secrets, which you can find on the Ashmolean's website. This book contains the highlights. These are stories you won't find on the labels. These are stories of the human experiences hidden in the Museum's cases and frames. They are stories that cheered us up when we needed it most, and I hope will continue to do so. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

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Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

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Paperback. Condizione: Very Good. Edward Lear, born in 1812, was a British artist, illustrator, author, and poet, renowned today primarily for his literary nonsense, in poetry and prose, and especially his limericks, a form that he popularised. Lear produced the illustrated poetry collection Book of Nonsense (1846) for the Earl…of Derby's grandchildren. His other works include Nonsense Songs, Stories, Botany and Alphabets (1871), containing "The Owl and the Pussy-Cat", and "Laughable Lyrics" (1877). Three illustrated nonsense alphabets were published in Lear's lifetime, and a further three in the fifth, posthumous edition of Nonsense Botany and Nonsense Alphabets of 1889. A number survive in manuscripts. Lear seems to have begun making nonsense alphabets in the mid-1850s, usually for children of his friends and acquaintances. The present alphabet was created for Ruth Decie. Lear had met her parents, Captain Richard Decie and his wife Bella, in Corfu in the preceding winter, and later stayed with Bella's parents, William and Arabella Prescott, at their home, Clarence House, Roehampton. It was during a visit to Roehampton that Lear noted in his diary for 22 June 1862 that he had 'made an alphabet for the Decie baby', who was only a few days old at the time. It is one of the most charming of all Lear's alphabets, typically drawn on sheets of blue writing paper backed with linen. The alphabet was bequeathed to the Ashmolean by a descendant of Ruth Decie, James Farquharson, who died in December 2011. This beautiful facsimile features a short introduction about Edward Lear, written by the Ashmolean curator, Colin Harrison. Following this is a replica of each page of the original publication featuring the letters of the alphabet with the short poem underneath each drawing. This will be accompanied by each poem again, this time written in a more accessible font so that children may read this too. The Ashmolean have utilised this recent acquisition to recreate a stunning classic. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

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Paperback. Condizione: new. Paperback. Sumer was a region of the ancient world that today forms the southern part of Iraq. It is a vast, flat land of floodplains formed by the Rivers Tigris and Euphrates. It was here that some of the world's first cities arose and writing was invented. Archaeologists have explored the remains of… some of Sumer's ancient settlements. They have made remarkable discoveries at places such as Uruk, Ur, Eridu, Nippur, Kish and Lagash. These show that the people of Sumer were great artists, builders, inventors, warriors and traders. By 3500 BC the population of some Sumerian towns had grown into cities. The largest was certainly Uruk, which had a population of at least 10,000. At this time this would have been the largest settlement on the planet. Writing was invented by the Sumerians around 3200 BC. This script is known as cunieform script and through it readers can learn about the Sumerians in their own words.Readers will discover what is meant by a ziggurat, how cunieform writing works, the importance of cylinder seals and stories of Sumerian kings, heroes and gods. This fascinating book is perfect for Key Stage 2 readers aged 9 and up to gain a picture of one of the earliest civilisations in the world. The story of one of the first and most important civilisations in history, and the first to invent writing. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Da: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.LEFT COAST BOOKS
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Paperback. Condizione: Near Fine. 80 pages, illustrations; 21 cm. Near fine. Tight, clean copy. Age toning. *** "Oxford was the home base for England's Pre-Raphaelite Brotherhood, a group that included, for a time, a few women. This book delves into how and why Rossetti, Millais, Hunt and others broke the conventional rules of p…icture making in their day." - Publisher. *** CONTENTS: Thomas Combe; The Union murals; Morris and Burne-Jones; Pre-Raphaelites and aesthetes. Size: 8vo.

Lingua: Inglese
Editore: Ashmolean Museum in association with Scolar Press, Oxford, 1993
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Da: J. HOOD, BOOKSELLERS, ABAA/ILAB, Baldwin City, KS, U.S.A.J. HOOD, BOOKSELLERS, ABAA/ILAB
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Paperback. 104pp., 30 b/w illustrations. Minor cover soil, else very good condition.

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Paperback. Condizione: Very Good. The collection of drawings in the Ashmolean is one of the greatest treasures of the University of Oxford. It began spectacularly in 1843 when a group of drawings by Raphael and Michelangelo that had previously belonged to the portrait painter, Sir Thomas Lawrence, was bought by subscription. Law…rence's collection was one of the greatest collections of Old Master drawings ever assembled and its dispersal was much regretted. The Raphaels and Michelangelos, however, were the jewels in its crown. Following their arrival in Oxford, their fame attracted a number of gifts and bequests of drawings and watercolours by Durer, Claude Lorraine, Brueghel, J. M. W Turner, Henry Moore and many others. This is a story not only of Old Masters but of benefactors - Francis Douce, Chambers Hall, John Ruskin and their successors - whose different tastes account for the variety of the drawings in the modern Print Room. It is a story also of the curators who bought them. In particular, it is the story of Sir Karl Parker who arrived at the museum in 1934 and left a collection when he retired in 1962 that comprehensively covered the history of the art of drawing in Europe from its origins to the present day. The exhibition, Master Drawings: Michelangelo to Moore, celebrates this history. It includes many of the finest drawings in Oxford, representing the work of many different artists: Raphael and Michelangelo; Durer and the artists of the Northern Renaissance; Guercino and Rubens; Boucher and Tiepolo; German Romantics; J. M. W. Turner; Degas and Pissarro; the artists of the Ballets Russes; British twentieth-century artists from Gwen John to Hockney; and much else. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

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Da: Pages Past--Used & Rare Books, Greensboro, NC, U.S.A.Pages Past--Used & Rare Books
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Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. 4to. 119, [1] pages, indexed. Hardcover with a black pictorial dust jacket. Light wear to the jacket. Illustrated throughout with color plates. A sound copy and clean within.

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Da: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.LEFT COAST BOOKS
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Paperback. Condizione: Fine. 1st. 80 pages, colour illustrations; 22 cm. Tight, clean copy. *** "Part of the 'Ashmolean Museum Handbooks' series, this book illustrates and discusses in detail over 50 of the most attractive, rare and important pieces in the collection, from eight known factories, including Vincennes/Sevres, St Cl…oud, Chantilly, Mennecy and Villeroy." - Publisher. Size: 12mo.

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Paperback. Condizione: Very Good. The Alfred Jewel is probably the single most famous archaeological object in England and one of the greatest treasures of the University of Oxford. This handbook describes the Jewel and discusses the many questions it raises, not least whether it was made for King Alfred the Great (871-99). The…jewel has received much attention from scholars since its discovery in 1693. The Ashmolean Museum also houses many of the objects that belong to the same late Anglo-Saxon period, and they help to set the Jewel in context. Some material in other collections is included for comparison; in particular, pictures are brought together for the first time of recent discoveries that have particular relevance to the Jewel. The handbook's text has been written by David A. Hinton, formerly an Assistant Keeper in the Department of Antiquities in the Ashmolean, now a Professor of Archaeology at the University of Southampton. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

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Da: Eastleach Books, Newbury, BER, Regno UnitoEastleach Books
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Condizione: Fine. 2nd impression. Paperback, F. 80pp, 35 colour illustrations, a fine copy. A brief guide to the Marshall collection of 1st period Worcester porcelain held at the Ashmolean Museum in Oxford. 250 grams.

Lingua: Inglese
Editore: Griffith Institute, Ashmolean Museum, Oxford, UK, 1990
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Da: Willis Monie-Books, ABAA, Cooperstown, NY, U.S.A.Willis Monie-Books, ABAA
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Hardcover. Condizione: Very Good-. Condizione sovraccoperta: Very Good. Top page ends are lightly foxed, outside page ends are slightly foxed. ; 8.60 X 5.50 X 0.70 inches.

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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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Paperback. Condizione: new. Paperback. The Ashmolean Museum houses one of the most extensive collections of wood engravings in the world. The collection effectively began with the gift in 1964, by Arthur Mitchell, of over 3,000 prints, including a large group of wood engravings. During the 1980s and 1990s, it expanded remarkably… with acquisitions of large groups of prints, often as gifts from the artists, resulted in a succession of monographic exhibitions on some of the most important wood engravers. They included John Farleigh (1986), John Buckland Wright (1990), Clare Leighton (1992), Monica Poole (1993) and Anne Desmet (1998). A key point in this period of expansion was the acquisition of a comprehensive body of work by Gertrude Hermes and Blair Hughes-Stanton in 1995 from the artists family, which resulted in a memorable exhibition organised by Katharine Eustace. More recently, the Ashmolean has formed a close partnership with the SWE, and has been keeping the collection up to date by acquiring work by members, both at the Societys annual exhibition and privately. The well respected wood Engraver, Anne Desmet, selects 45 of her favourite wood engravings from the Ashmolean collection. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Paperback. Condizione: new. Paperback. This creative collaboration between artist Naoko Matsubara and poet Penny Boxall celebrates in words and colours the beauty and variety of the human hand. The series of dynamic woodcuts at the heart of this book was initially inspired by the artists wonder at the busy hand movements of her…baby son and grew into a wider celebration of hands in all their extraordinary variety hands engaged in music, sport, prayer, or creative acts. The woodcuts convey a sense of joy and energy, whether exploring the symbolism of gestures, playing with form and colour, or expressing a mood or emotion. Penny Boxalls new poems were specially written to accompany the woodcuts. In their clarity and playfulness, their range of mood and their deceptive simplicity, they form a remarkable creative synergy with the art works. During the coronavirus pandemic the subject of hands and the idea of touch or its absence has taken on a new significance. Many of the images in the series have taken on powerful new meanings: healing hands, hands finding ways to occupy hours of furlough, or hands clapping in support of those working to keep us safe. We are particularly delighted that this elegant book has been designed by Yoshiki Waterhouse, Naoko Matsubaras son, whose baby hands were the original inspiration for the series. The distinguished woodcut artist Naoko Matsubara collaborates with award-winning poet Penny Boxall to celebrate the beauty and versatility of the human hand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Da: WorldofBooks, Goring-By-Sea, WS, Regno UnitoWorldofBooks
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Paperback. Condizione: Very Good. The year 2000 marks the centenary of the start of excavations at the site of Knossos on Crete, the centre of a Bronze Age civilisation which its excavator, Arthur Evans, called 'Minoan' after King Minos of Greek legend. The palace which he uncovered there was originally decorated with frescoed w…all paintings, some of them showing figured scenes, which mostly survived only in a fragmentary and incomplete state. One of the most striking fresco images, and one which particularly engaged Evans's imagination, is the controversial figure of the Priest-King, whom Evans regarded as a portrayal of one of the priestly rulers of Knossos. This booklet gives an account of the history of its discovery, its re-creation and the important part it played in Evans's vision of Knossos. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Editore: Ashmolean Museum, Oxford, 1989
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Da: Collectors Cabinet, Teaneck, NJ, U.S.A.Collectors Cabinet
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Aggiungi al carrelloSoft cover. Condizione: Very Good. Softcover, 8 by 5 3/4 inches, 80 pages, illustrated, bibliography, glossary. Covers have only slight wear and the pages are clean.

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Da: Abacus Bookshop, Pittsford, NY, U.S.A.Abacus Bookshop
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hardcover. Condizione: Fine copy in fine dust jacket. 1st. Small 4to, 160 pp., With essays by Georges Flandrin, Genevieve Lacambre and Jon Whitely. Edited by Juliet Simpson with editorial assistance from Tim Farrant. Profusely illustrated (illustratore).

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Paperback. Condizione: new. Paperback. It's after hours at the Ashmolean Museum, but inside the galleries, the magic has only just begun. Because each night, as darkness falls, the art and archaeology within wakes up, and pictures and objects become gateways to amazing destinations the moments in time when each was found, or mad…e! There are two curious creatures who live in the Museum, and they love to time-travel through its galleries.Suitable for children in Key Stage 2, aged 7-11 years. Welcome to Ashmole and Beetles Ashmolean Adventure Activity Book. Every artwork is a portal to fascinating people and places. Lets visit some and see where they take us Suitable for children ages 7-11 years in Key stage 2. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Da: Eastleach Books, Newbury, BER, Regno UnitoEastleach Books
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Condizione: Fine. 2nd edition, enlarged. Paperback, F. 88pp, 38 colour illustrations, a fine copy. A brief guide to the Italian Renaissance Ceramics, commonly called Maiolica which are held at the Ashmolean in Oxford. 250 grams.

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Da: Ancient World Books, Toronto, ON, CanadaAncient World Books
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Softcover. Condizione: Very Good+. Stapled booklet.; Oblong 12mo 7" - 7½" tall; 24 pages.