ppp editions roth horowitz (32 risultati)

Hard Cover. Condizione: Very Good. This is a very good copy in paper covered boards with minimal cover wear. Completely clean inside and out. Illustrated in black & white with 'Rapatronic photographs of Atomic Tests' by Harold Edgerton and photographs of Hiroshima by an anonymous US Navy officer within three months after the bomb was dropped. Essay 'Hiroshima a File' by Hilton Als. Essay by James Elkins on the Rapatronic photographs. Limited edition of 1000 copies. 11" high X 9" wide. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.

Hardcover. Condizione: Fair. With dust jacket. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Hardcover. Condizione: Good. No Jacket. Ex-Library copy with typical library marks and stamps. Dust jacket missing. Shelf and handling wear to cover and binding, with general signs of previous use. Secure packaging for safe delivery.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. 1st Edition. First edition, first printing. Near Fine oversize hardback in a Very Good+ lightly rubbed and cosmetically edgeworn unclipped dust jacket. A few color chips out at jacket edges and one 1/4" chip out at the base of the jacket spine. A clean, cosmetically worn copy. Heavy oversize book will require a variable shipping surcharge based on its final destination.

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title!

Hardcover with dustjacket, 306 pages, as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover with die cut dustjacket housed in cardboard slipcase, unpaginated with a few hundred photos; very good condition, except for bumps to slipcase and small crease to upper right corner of cover and first couple pages; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Fine. 1st Edition. First trade edition. Bit of sag at spine head from the page bulk else fine in a fine dust wrapper.

Hardcover. Condizione: Fine. First Editiion.

Hardcover. Condizione: Very good. Hardcover. 1000cc. Page edges just slightly tanned, else a very good hardback in a very good dustjacket.

Condizione sovraccoperta: dj. First Edition. First edition. Hardcover. First printing. While the choices in this book are highly subjective this book along with the the books by Martin Parr and Gerry Badger helped codify and illustrate what are some of the truly classic photography books. Features essays by Richard Benson, May Castleberry, Jeffrey Fraenkel, Daido Moriyama, Shelley Rice, and Neville Wakefield and with the catalog by Vince Aletti and David Levi Straus. A fine copy in a fine dust jacket. An as new copy of this excellent reference book that is still in the publisher's shrinkwrap.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. Original 1st edition Hardcover in Jacket, Andrew Roth's The Book of 101 Books, Seminal Photographic Books of the Twentieth Century. This is the REGULAR TRADE EDITION, but comes with a clamshell case as shown in the photographs. 305 pages, index, dozens of full-color and b + w plates. Book is considered important resource for photography history and important monographs, as well as the photographers who created them. Jacket comes in protective mylar sleeve. Book and jacket are both in excellent condition, "very good plus," and probably bordering on better condition. There is slight soiling to outer page edges at bottom near corner. Very, very slight slant of spine. Then mild reference wear. Nearly imperceptible pencil price smudge on endpaper. I've had this book in the clamshell case since I bought it, so it's quite nice and looks excellent in the protective mylar sleeve. The clamshell case has rubbing and wear, but is very solid - was not issued with this trade edition and is being added to this listing for free. Overall, an excellent copy. TOO LARGE FOR EITHER INTERNATIONAL or PRIORITY SHIPPING - Sorry.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Oversized hardback book (305 pages) illustrated with numerous color and black and white photographs/reproductions. Light running on dust jacket. INTERNATIONAL SHIPPING WILL REQUIRE ADDITIONAL CHARGE. Bookseller since 1995 ULCARPT-Farwall-Top) rareviewbooks.

Hardcover. Condizione: Very Good. Hardcover. 4to. Published by PPP Editions / Roth Horowitz, LLC, New York. 2001. 305 pgs. Illustrated with numerous color and black and white photographs/reproductions. First Edition/First Printing. DJ has light shelf-wear present to the DJ extremities. Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. The history of the photographic book goes back well more than a century; the medium of photography and the book format were understood very early on to relate to each other on both technical and aesthetic levels. The examples of truly great combinations of photographic image and text, great design and typography bound together as books are numerous, and make up an impressive artistic, social, and documentary statement of the 20th century. Writer and rare book expert Andrew Roth has selected for this volume a group of 101 of the best photography books ever published: books that bring all of the elements of great bookmaking together to create, ultimately, a thing of beauty, a work of art. Mostly made up of publications in which the photographs were meant to be seen in book form, as opposed to the book being merely a repository of images, this list includes many artists and titles that will be familiar to the collector, but also not a few surprises. Chronologically, the first book is Volume One of Edward Curtis's seminal 1907 The North American Indian, the last is David LaChapelle's LaChapelle Land from 1996, and in between are books by Walker Evans and Berenice Abbott, Atget and Brassai, Robert Frank and Garry Winogrand, and many other seminal photographers from all over the world. Each book in the catalogue receives a double page spread including publication information, several image spreads, and a short text about it. The Book of 101 Books, however, is far more than simply an annotated and illustrated catalogue. Six important new essays on a variety of related topics from respected scholars, critics, and artists are included as well: here you will find Richard Benson on the history of printing techniques, Shelley Rice on the societal significance of photography books, May Castleberry on reprints, exhibitions, and keeping books alive for the public; Daido Moriyama on his personal memories of making his classic Bye Bye Photography, Dear, Neville Wakefield on the particular attributes of one of the most recent books in this group: Richard Princeis 1995 Adult Comedy Action Drama, and Jeffrey Fraenkel on the myriad perils of publishing photography books. The catalogue entries themselves are written by the well known critics Vince Aletti and David Levi Strauss. Taken together, the depth and beauty of these essays and images makes The Book of 101 Books both an essential reference and an aesthetically compelling object. EB; 12.0 X 9.9 X 1.6 inches; 305 pages.

Hardcover. Condizione: New. Condizione sovraccoperta: New. 1st Edition. First edition, first and only printing. Hardcover. Black paper covered boards, with rubber-like material dust jacket with blind-embossed title. Photographs and text by Robert Adams. Designed by Alexander Gelman (Design Machine, New York) and Andrew Roth. Unpaginated, with 40 duotone plates (20 in each section), beautifully printed on heavy paper by Trifolio, Verona, Italy. 8-1/4 x 9-1/4 inches. This first edition was limited to 1000 copies. Out of print. Scarce. New in publisher's shrink-wrap. From Robert Adams: "At about the time I took the pictures I read an interview with Raoul Coutard, Jean-Luc Godard's cameraman. In it Coutard noted with gratitude that 'daylight has an inhuman faculty for always being perfect.' It is one of the mercies, I believe, by which each of us is allowed to live." From the publisher "The unique prints on view were originally part of a larger portfolio which Adams published as The New West in 1974. These 40 images were not included in that publication and are presented here for the first time, sequenced in a new series titled Commercial/Residential. To coincide with the exhibition, PPP Editions in association with Roth Horowitz, has published Commercial/Residential in a limited edition of 1000 copies. This new book is a companion volume to Eden, which Roth Horowitz published in 1999, together they chart the chronology of Adams' formative work. Commercial/Residential presents two parallel and fundamental themes: the evolution of private and public space in the American west. The Commercial portfolio of 20 images is organically constructed, documenting the expansion of undeveloped landscape in Colorado, as civilization encroaches on nature. The images in the Residential portfolio are witness to the ways in which men and women personalize the new, the unknown, making it their own. Through light and a masterful ease with the medium, Adams evokes the drama in the ordinary. The pictures seem without author, as natural as a passing glance, as familiar as a snapshot.".

Soft cover. Condizione: New. Condizione sovraccoperta: New. 1st Edition. First edition, first printing. Soft cover. Thick blue and white printed stiff wrappers (published only in wraps), with die-cut thick black dust jacket with French folds, housed in a printed corrugated cardboard slipcase. Photographs by Daido Moriyama. Edited and interview with Daido Moriyama (in English and Japanese) by Andrew Roth. Essay by Neville Wakefield and text by James Baldwin (excerpted from Another Country, 1960-1962). Includes a letter from Moriyama to Andrew Roth (in Japanese with English translation, dated February 26, 2002, regarding the publishing of this body of work). Designed by Alexander Gelman, Design Machine, New York and Andrew Roth. 428 pp., with 234 black-and-white plates, beautifully printed full-bleed on heavy fine matt art paper at Trifolio, Italy. 9-3/8 x 6-1/4 inches (slipcase is 10 x 6-3/8 x 2-1/2 inches). This first edition was limited to 3000 copies. New in publisher's shrink-wrap in New dust jacket and Fine slipcase (a few minor horizontal indentations to the cardboard slipcase, else Fine). From the publisher: "In 1971, Japanese photographer Daido Moriyama took a trip to New York City with Tadanori Yokoo. He stayed at the Chelsea Hotel and spent his days in The Museum of Modern Art Photography Study Center looking at pictures taken by Weegee. He shot 100 rolls of film with a half-frame camera, yielding 70 images per roll. Some of those pictures are presented here. One of Japan's leading postwar photographers, Daido Moriyama was born in 1938 in Ikeda, a town outside of Osaka. At the age of 21 he turned to photography and moved to Tokyo to work with the eminent photographer Eikoh Hosoe. Early in his career he was introduced to the work of Andy Warhol and William Klein, and from them he learned to appreciate the harsh contrast and coarse half-tone effects of cheap publishing, raised to a positive aesthetic level. His own photographs are grainy, murky, and quickly developed, full of hard contrasts and rapid drama. other influences included the writer Jack Kerouac, the inspiration behind a seminal series of photos taken while traveling the highways near Tokyo, and author Yukio Mishima and dramatist Shuji Terayama, whose fascination with society's underworld parallels Moriyama's own. In 1974, Moriyama had his first solo exhibition, and later that year, The Museum of Modern Art, New York, included 26 of his photographs in the New Japanese Photography exhibition. More recently, in 1999, a major traveling retrospective of the photographer's work opened at the San Francisco Museum of Modern Art.".

Hardcover. Condizione: Near Fine. 1st Edition. LIMITED DELUXE EDITION. 1 vol., 12" x 10", limited to 500 copies, bound in 1/4 black morocco, spine lettered in blind, illustrated with numerous four-color and black and white plates, with the original slipcase, IN FINE CONDITION.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. First edition, first and only printing. Hardcover. Gray cloth with debossed title on spine, with dust jacket. Edited by Andrew Roth. Essays by Richard Benson, May Castleberry, Jeffrey Fraenkel, Daido Moriyama, Shelley Rice and Neville Wakefield. Catalogue entries by Vince Aletti and David Levi Strauss. Also includes author biographies and an index. 306 pp., beautifully printed on fine heavy-stock paper at the Stamperia Valdonega with numerous four-color and black-and-white plates. 12 x 10 inches. This first edition was limited to 5000 copies. Out of print. Scarce. Fine in Fine dust jacket. From the publisher: "The history of the photographic book goes back well more than a century; the medium of photography and the book format were understood very early on to relate to each other on both technical and aesthetic levels. The examples of truly great combinations of photographic image and text, great design and typography bound together as books are numerous, and make up an impressive artistic, social, and documentary statement of the 20th century. Writer and rare book expert Andrew Roth has selected for this volume a group of 101 of the best photography books ever published: books that bring all of the elements of great bookmaking together to create, ultimately, a thing of beauty, a work of art. Mostly made up of publications in which the photographs were meant to be seen in book form, as opposed to the book being merely a repository of images, this list includes many artists and titles that will be familiar to the collector, but also not a few surprises. Chronologically, the first book is Volume One of Edward Curtis' seminal 1907 "The North American Indian", the last is David LaChapelle's "LaChapelle Land" from 1996, and in between are books by Walker Evans and Berenice Abbott, Atget and Brassai, Robert Frank and Garry Winogrand, and many other seminal photographers from all over the world. Each book is beautifully reproduced with several image spreads, and a short text about it. 'The Book of 101 Books,' however, is far more than simply an annotated and illustrated catalogue. Six important new essays on a variety of related topics from respected scholars, critics, and artists are included as well: here you will find Richard Benson on the history of printing techniques, Shelley Rice on the societal significance of photography books, May Castleberry on reprints, exhibitions, and keeping books alive for the public; Daido Moriyama on his personal memories of making his classic 'Bye Bye Photography, Dear,' Neville Wakefield on the particular attributes of one of the most recent books in this group: Richard Prince's 1995 'Adult Comedy Action Drama,' and Jeffrey Fraenkel on the myriad perils of publishing photography books. The catalogue entries themselves are written by the well-known critics Vince Aletti and David Levi Strauss. Taken together, the depth and beauty of these essays and images makes 'The Book of 101 Books' both an essential reference and a stunning gift for anyone interested in photography.".

Hardcover. Condizione: Fine. 1st Edition. First edition, first printing. Limited edition of 500 numbered copies, quarter bound silk, with debossed title on spine, with custom-made slipcase bound in silk. 306 pp., beautifully printed on fine heavy-stock paper at the Stamperia Valdonega with numerous four-color and black and white plates. 12 x 10 inches. Edited by Andrew Roth. Essays by Richard Benson, May Castleberry, Jeffrey Fraenkel, Daido Moriyama, Shelley Rice and Neville Wakefield. Catalogue entries by Vince Aletti and David Levi Strauss. Also includes author biographies and an index. Fine in Near Fine slipcase (slight shelfwear to top and bottom of slipcase).

Hardcover. Condizione: Fine. 1st Edition. Printed at The Stamperia Valdonega. 305 pages. Profusely illustrated with Photos, some b/w, some color. Black leather spine and sides, with embossed titling in black on spine. Bound in dark grey cloth. In a slipcase covered with dark grey textured cloth with black leather ends. One of the rare limited edition of 500 copies. Weight is 5.5 lbs. Postage is extra on this item.

Hardcover. Condizione: Fine. Condizione sovraccoperta: fine. STL (illustratore). First Edition, First Printing. New York, New York, U.S.A.: Roth Horowitz PPP Editions.Hardcover in cloth boards with specially bound quarter leather housed in a cloth slipcase. A limited edition of only 500 copies issued worldwide. First Edition, First Printing. 305 pages. Illustrated with b/w & color photos. BOOK CONDITION: Fine; a tight, clean copy in a Fine slipcase. A highly collectible copy of the scarce limited edition bound in dark grey cloth with black leather spine and sides, embossed title in black on spine, housed in a dark grey textured cloth slipcase with black leather ends.

First Edition. Hardcover. First Edition, one of 1000 unnumbered copies printed. A collection of photographs taken in the late 1970s by noted artist and queer activist David Wojnarowicz, compiled and released posthumously, after his death in 1992. Spine faintly age toned, else about Fine and unread, with no dust jacket as issued.

Hardcover without dustjacket as issued, unpaginated, very good condition, light rubbing and edgewear to covers; no internal marks. Foreign shipping may be extra.

Condizione sovraccoperta: dj. First Edition. First edition. Small oblong hardcover. Number 30 of only 50 copies from a total edition of 1000. Features brief text by Adams. Includes 40 tritone illustrations. A fine copy in a fine dust jacket and in fine slipcase. Signed and numbered by Adams on the title page. A nicely printed and designed book that features some of the early work from this important American photographer who was part of the landmark New Topographics exhibition at the George Eastman House. Signed.

Hardcover. Deluxe Issue, #68/101 Copies. Quarto, 305, [1] pages; VG; bound in full black goatskin, embossed title to spine; top edge gilt; Japanese silk bookmark; housed in blue/gray Japanese silk slipcase, very mild wear; Also issued in a trade edition and a limited edition, this is the Deluxe Edition, #68/101 copies signed by the essayists Richard Benson, May Castleberry, Jeffrey Fraenkel, Daido Moriyama, Shelley Rice and Neville Wakefield, the authors Vince Aletti and David Levi Strauss, and the editor Andrew Roth.; shelved case 11. 1352184. Shelved Dupont Bookstore.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Special Edition. New York: PPP Editions in association with Roth Horowitz, 2003. (8 x 9 in., 20.3 x 22.9 cm). First edition. This copy number 26 of the signed and slipcased deluxe edition of 50. Black paper wrapped boards with grey semi-gloss paper wrapped spine and white titles on the front cover (fine save for faint rubbing and a linear rub to the sensitive surface); rubberized black paper dust jacket with embossed title (fine); black paper wrapped slipcase (fine save for extremely minor wear). Brief introduction by Adams followed by 40 plates beautifully printed by Trifolio of Verona, Italy (and with "Special thanks to Sue Medlicott.") "Nearly three decades after the publication of 'The New West', Adams revisited images from that project that did not appear in the 1974 book. Sorted by the two categories denoted in the title of the volume, the pictures are unified by a quality of light that lifts them above those sterile classifications." (Chuang, 'Books by Robert Adams' in 'The Place We Live volume III', np.) Beautifully produced, albeit fragile, hence scarce in such well-preserved condition. Signed by Author(s).

Condizione: As new in dust jacket. First edition. First edition. Quarto. x, 305. Fully illustrated. Bound in publisher's full medium gray cloth with light gray spine titles.

Condizione sovraccoperta: dj. First Edition. First Edition. Thick quarto. SIGNED by Moriyama to title page in silver marker. Something of a follow-up index to Daido Moriyama's xerox book Another Country in New York (1974); PPP Editions here assembled the full range of photographs captured during Moriyama's legendary NYC visit with Tadanori Yokoo. Featuring 210 full-bleed black-and-white images, and 14 pages of reproduced contact sheets; accompanied by an interview of Moriyama by Andrew Roth (printed in both English and Japanese), an essay by Neville Wakefiled, and an excerpt from James Baldwin's Another Country.(Parr / Badger, v1, 301). A fine copy in printed wrappers, in near fine die-cut jacket, with minor scuffing. Housed in a printed cardboard slip case; fine. Signed.

Cloth. Condizione: Collectible; Fine. Condizione sovraccoperta: Fine. SIGNED BY ANDREW ROTH, THE EDITOR, on the title page. A handsome copy to boot of the 2001 1st trade edition. Crisp and Fine in a bright, Near Fine dustjacket. Tall quarto, 305 pgs. Lavishly produced and attractively formatted. An increasingly indispensable reference on the 20th century's great photography books. Signed.

First Edition. First edition. Hardcover. Limited edition of 500 specially bound copies. While the choices in this book, like those in any best of list, are highly subjective this book along with the three books by Martin Parr and Gerry Badger helped codify and illustrate what are some of the true classic photography books. Features essays by Richard Benson, May Castleberry, Jeffrey Fraenkel, Daido Moriyama, Shelley Rice, and Neville Wakefield and with the catalog by Vince Aletti and David Levi Straus. A very near fine copy in quarter leather binding with silk boards and in near fine cloth slipcase that has a small spot to the bottom edge. No dust jacket as issued.