Rm mexico city mexico (29 risultati)

Hardcover. First edition, 2010, first printing. Near Fine+ with hints of shelf wear and handling; no dj as issued. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. "The aerial photographs of Pablo Lopez Luz (b. 1979) rove across the urban landscapes of his native Mexico, capturing scenes of dense civic activity and more pastoral areas on urban perimeters. Luz's bird's-eye viewpoint endows his images with the feel of staged artifice, while also permitting the viewer the rare possibility of appraising a vast spread of visual information, and the extraordinary impact that urban populations have as they encroach in ever-increasing circles upon the landscape around them. Pablo Lopez Luz contains color photographs produced over the last five years in Acapulco, Chiapas, Mexico City and Tijuana, plus another series made in Hong Kong." Photographs by Pablo Lopez Luz; essays by Itzel Vargas Plata and Horacio Fernandez. From a first edition limited to 1500 copies. 104 pages; 63 color plates + 20 text illustrations; 9.75 x 12.25 inches. Text in English and Spanish. Due to size and weight, international and expedited shipping will be more than quoted.…

Paperback. Condizione: new. Paperback. A pocket-size collective portrayal of Mexican women in found photographs, from the era of the daguerreotype to the 1960s. This pocket-size volume presents an entrancing selection of studio and vernacular photographs of Mexican women from the mid-19th century to the 1960s. Through the careful editing of photographer Pablo Ortiz Monasterio, the sequence of images coalesces into a narrative of women's empowerment. As photographic technology advances in the book-transitioning from daguerreotypes to color film-so too do the rights of the women pictured, who become increasingly mobile, expressive and exposed. Yet, regardless of the era they belong to, all of the women appear intensely alive, emboldened by their position before the camera. Las Mexicanas underscores the intimate and powerful relationship between the photographic medium, women and those who were fortunate to have a camera in their hands. Many of the images in this edition originate from a private collection, accumulated over a decade of visits to the flea markets of Mexico City, with the assistance of connoisseurs and support from booksellers and merchants. This particularity gives the volume a unique value, attracting an audience interested not only in antique photography and collectibles, but also in social sciences, feminism and cultural representations. Contextualizing these captivating images is an essay by author, sociologist and economist Brenda Navarro, author of the award-winning novels Empty Houses and Ash in the Mouth. A work that transcends time and space, Las Mexicanas celebrates the strength and diversity of Mexican women across generations, and serves as an essential item for those seeking to appreciate the richness of Mexico's history and culture. AUTHORS: Pablo Ortiz Monasterio is one of Mexico's best-known contemporary photographers. Ramon Reverte is an editor and cofounder of Editorial RM. Brenda Navarro is a Mexican sociologist with a focus on women's issues. Her novel Empty Houses (Daunt Books, 2021) won the English Pen Translation Award. 137 images Las Mexicanas presents a careful selection of studio and vernacular photographs of Mexican women from the mid-nineteenth century to the 60s.Through the careful edition of Pablo Ortiz Monasterio, the set of images forms a portrait in which the journey of womens empowerment is shown before the camera since the beginnings of photographic practice. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Soft cover. Condizione: As New. No Jacket. 1st Edition. As new, limited edition to 1000 copies, 240 pps w 200 + photographs. Organized in 20 sequences the images collected in "40 Spins" were captured by photographer Claudia Madrazo over a period of five years in many different parts of the world. Starts off with a poem by James Turrell dated 11/11/07. Unmarked, clean and tight. Gift quality condition. …

Hardcover. First edition. Fine hardcover with light traces of shelf wear; no dj as issued. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. A collection of images of the photographer's hometown of Uwajima, reminiscent of the New Topographics idiom with the streets and buildings of the city devoid of people. The author's first book. Photographs and afterword by Hiroshi Masaki; foreword by Daido Moriyama. 112 pages; 90 full-page duo-toned b&w plates; 12 x 7.5 inches. Text in English and Japanese.…

Hardcover. First edition. NEW hardcover in publisher's shrink wrap; no dj as issued. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. In Still, Argentine photographer Guadalupe Gaona (b. 1975) traces the slow, melancholic dismantling of an aristocratic mansion. Densely packed at the start, the dwelling is stripped of its possessions throughout the series--chairs, lamps, pictures on the wall--gradually losing all its residential character until it is once more an untenanted and rather desolate space. Winner of the first Latin American Photobook Competition in 2010. Photographs by Guadalupe Gaona. 56 pages; 27 color plates; 10 x 11.5 inches.…

Hardcover. Condizione: Very Good. 87 pages, 8vo. No DJ. Minor shelfwear. Tight binding, no marks. Volume is in Very Good condition.

Hardcover. Condizione: Very Good. 87 pages, 8vo. No DJ. Minor shelfwear. Tight binding, no marks. Volume is in Very Good condition.

Oversize hardcover in red cloth without dustjacket as issued; 72 pages; in English; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra for this item.

Hardcover. First edition, first printing. The catalogue for an exhibition at the Museo del Palacio de Bella Artes, Mexico City, mimicking a 1935 exhibit of photographs by Manuel Alvarez Bravo, Henri Cartier-Bresson, and Walker Evans. Essays by Mercedes Iturbede and Roberto Tejada. From an edition limited to 3000 unnumbered copies. 72 pages; 35 full-page, b&w plates; 10.75 x 13.75 inches. Text in English. Condition: Fine clothbound hardcover with a label tipped-in to the front and debossed title to the spine; no dj as issued but with a clear, custom-made acetate cover. Laid-in is a 10.5 x 13.5-inch promotional sheet for the book. Ships the next business day, wrapped in padding, in a box. Due to size and weight, international and expedited shipping may be more than quoted.…

Hardcover. Condizione: Good. Dust Jacket Included. 1st Edition. Agustín Jiménez. Y la vanguardia fotográfica Mexicana. Carlos A Cordova. published by Editorial RM,Mexico City hardcover with 1/2 cover dustjacket. Text in Spanish. Agustín Jiménez, (Mexico City, 1901 1974), was at the center of the rise of the photographic avant-garde in the 1920s and 1930s. The beginning of the avant-garde in Mexico can be established with the arrival to this country of Edward Weston and Tina Modotti. The relationship between local and foreign artists led both of them to break aesthetic boundaries. Jiménez is known for forging an indigenous version of romantic pictorialism, for his technical innovation and for his formal experimentation. Agustín Jiménez collaborated closely with the Mexican illustrated press in the 1920s and 1930s, the latter decade in which he became involved with the nascent national film industry, first as a still photographer and then as a cinematographer, and where he collaborated with such relevant figures as Sergei Eisenstein, Adolfo Best Maugard and Fernando de Fuentes. This co-edition by RM and the Museum of Modern Art in Mexico City includes an important body of photographs by Jiménez of a markedly avant-garde nature. "corner spine tear, otherwise very good".…

Softcover. white wraps w/ black printing; yellow, vellum jacket. 70 pgs w/ primarily color plates. Text in English. Thoroughly illustrated with the works of Argentine artist Marcelo Brodsky and Mexico city born artist, Pablo Ortiz Monasterio. "Dialogue allows us to discover what makes us similar, but also what sets us apart. It is the supreme challenge of our capacity to accept, where tension and contradictions, agreements and differences are resolved in a double gaze, in a common quest, begins writer Sandra Lorenzano in her introduction to Correspondence, which presents a volley of images e-mailed between Buenos Aires-based Marcelo Brodsky and Mexico City-based Pablo Ortiz Monasterio. Throughout the project, each photographer responded to the other's last image, poetically, playfully and intuitively combining the chance of a ready-made with the complexity of photographic memory. This volume's bold design reflects the artists' process: the spreads include one image by each artist, with the last image from the previous spread repeated on the first page of the next spread. Seeing each image twice creates an uncanny and suggestive vibe, replicating the instantaneous method in which the photographers worked and causing the viewer to draw unconscious connections."--WorldCat. VG (light scuffs, wear to wraps. rubbing to corners. soft bump & creasing to spine top. jacket has edge-wear, scuffs & creasing to spine top. remains tightly bound). …

Hardcover. Condizione: New. Condizione sovraccoperta: New. 1st Edition. First edition, first printing. Hardcover. Photographically illustrated paper-covered boards, with matching dust jacket. Photographs and text (in Spanish) by Yvonne Venegas. Designed by David Kimura and Gabriela Varela. 84 pp., with 72 four-color plates beautifully printed on 150-gsm Lumisilk Matt art paper in China by Toppan Printing Company, Ltd. 10 x 7-3/4 inches. This first edition was limited to 1600 copies. New in New dust jacket. From the publisher: "María Elvia de Hank is a view from within that observes the life, family, and circle of María Elvia de Hank, the wife of the eccentric millionaire and former mayor of Tijuana Jorge Hank Rohn. As the axis of the project, the wife of one of the richest businessmen in Mexico is observed creating, with her perfectionist's touch, a social ideal that takes its place as an example in both public and private life. This feminine axis, perfectly administered, is portrayed against the background that supports it, occasionally awakening doubts in the spectator as to its veracity. A mansion, a collection of animals, a soccer team and its fans, a casino, a school, horses, elegant clothes, all seen through the light and dust of northern Mexico, the land that can be found in a ranch, or a zoo, or some half-built construction. This volume gathers a body of work reflecting the modes of thought that has brought the aforementioned elements to light, without making judgments and without meeting the expectations of others, be they subjects or viewers. This is a document that includes fragile moments, gestures, encounters between persons and animals: taken together, they depict a lifestyle to which we are seldom privy.". …

Softcover. Thick color illustrated wraps with white text. (8) 9-181 pp. Features many color and bw illustrations. Catalog of an exhibition held at the Museo Casa Estudio Diego Rivera y Frida Kahlo, Mexico City, May - Sept. 2003, and other venues. VG, exlib with stickers on spine, back cover, inside front cover, pages and materials in excellent condition.…

Hardback. Condizione: Very good. 19 x 25cm 88pp very good hardback with an all-black velvet cover. Black and white reproductions throughout - the pieces are all derived from a pquantity of old nudist camp magazines bought apparently in Brick Lane market in East London.

First Edition. First edition and first printing. Hardcover. 96 pages. Features an essay by Colete Alvarez Urbajtel in English. Includes 63 color images. A fine copy cloth boards with color image inset into the front cover. No dust jacket as issued.

Hardcover. Condizione: Fine. 1st Edition. In excellent condition. 76 pages, small folio-size hardcover in red linen-backed boards with paper pastedown, 13.75" by 10.75". Text in English. Exceptional book reconstructing a seminal 1935 photography exhibition at the influential Julien Levy Gallery in New York, which focused on three Modernist masters - Manuel Alvarez Bravo, Henri Cartier-Bresson, and Walker Evans - and their emblematic images of Mexico and New York City. Exquisitely printed on a lush cream matte paper stock, with rich tritone full-page reproductions of 35 classic photographs. A very beautiful book.…

Paperback. Condizione: new. Paperback. A pocket-size collective portrayal of Mexican women in found photographs, from the era of the daguerreotype to the 1960s. This pocket-size volume presents an entrancing selection of studio and vernacular photographs of Mexican women from the mid-19th century to the 1960s. Through the careful editing of photographer Pablo Ortiz Monasterio, the sequence of images coalesces into a narrative of women's empowerment. As photographic technology advances in the book-transitioning from daguerreotypes to color film-so too do the rights of the women pictured, who become increasingly mobile, expressive and exposed. Yet, regardless of the era they belong to, all of the women appear intensely alive, emboldened by their position before the camera. Las Mexicanas underscores the intimate and powerful relationship between the photographic medium, women and those who were fortunate to have a camera in their hands. Many of the images in this edition originate from a private collection, accumulated over a decade of visits to the flea markets of Mexico City, with the assistance of connoisseurs and support from booksellers and merchants. This particularity gives the volume a unique value, attracting an audience interested not only in antique photography and collectibles, but also in social sciences, feminism and cultural representations. Contextualizing these captivating images is an essay by author, sociologist and economist Brenda Navarro, author of the award-winning novels Empty Houses and Ash in the Mouth. A work that transcends time and space, Las Mexicanas celebrates the strength and diversity of Mexican women across generations, and serves as an essential item for those seeking to appreciate the richness of Mexico's history and culture. AUTHORS: Pablo Ortiz Monasterio is one of Mexico's best-known contemporary photographers. Ramon Reverte is an editor and cofounder of Editorial RM. Brenda Navarro is a Mexican sociologist with a focus on women's issues. Her novel Empty Houses (Daunt Books, 2021) won the English Pen Translation Award. 137 images Las Mexicanas presents a careful selection of studio and vernacular photographs of Mexican women from the mid-nineteenth century to the 60s.Through the careful edition of Pablo Ortiz Monasterio, the set of images forms a portrait in which the journey of womens empowerment is shown before the camera since the beginnings of photographic practice. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardcover. dj. 1st. Edition of 4000 copies. Fine condition / Fine condition dust jacket.

Hardcover. SIGNED. First edition. A monograph on the work of Peruvian photographer Milagros de la Torre (b. 1965.) Much of her work "explores the overlap between photography and the darker side of human nature, particularly in the criminal underworld and in the suggestive use of enigmatic objects." She was a recipient of the 2011 Guggenheim Fellowship Award in Photography. Photographs by Milagros de la Torre; essay by Marta Gili. SIGNED BY DE LA TORRE on the verso of the ffep; no inscription. 224 pages; color and b&w plates and text illustrations throughout; 8.75 x 12.75 inches. Condition: Near Fine hardcover with light traces of rubbing to the covers; no dj as issued. Ships the next business day, wrapped in padding, in a box. Due to size and weight, international and expedited shipping may be more than quoted. …

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. pp: [10] 11 - 224. Text in English. One volume in a series on Mexican illustrators. The first edition bound in light brown, printed and illustrated dust jacket over illustrated laminated boards. The jacket illustration is repeated on the boards. The chapbooks illustrated by Posada in nineteenth century Mexico were an inexpensive alternative for the reading public of modest means. He worked on children's books, songbooks, and assorted manuals. He was able to adapt to a wide range of styles. Much of Posada's output was published by Antonio Vanegas Arroyo, the most important publisher in Mexico in the nineteenth century. The appendices include a list of the illustrated books. This is a near fine copy in a dust jacket with one, relatively short, tear at the base of the front panel, near the spine. JOSE GUADALUPE POSADA (illustratore).…

Hardcover. Condizione: New in publisher's shrink wrap. First edition. Quarto. 93.(1)pp. consisting chiefly of color Polaroid photos. Red cloth lettered in blue, mounted color photo on front cover. A fine, as new copy. Previously unpublished Polaroid photographs by Manuel Alvarez Bravo reproduced in the original Polaroid's dimensions.…

117 S. Überwiegend Abbildungen. Sprache: Englisch. *-*-*-*-*-*- SHIPPING COSTS to other EU-COUNTRIES occasionally may be different than indicated (according to the weight). To OTHER COUNTRIES IN THE WORLD they may be different (sometimes less or rarely more, according to the weight). - ! ! ! ! NO SHIPPING TO USA ! ! ! ! -*-*-*-*-*-* Sprache: Englisch Gewicht in Gramm: 1001 OPb.; Einband leicht berieben und an den Kapitalen leicht gestaucht; sonst in gutem Zustand.…

Hard cover. 2nd Expanded ed. Sewn binding. Paper over boards. With dust jacket. 400 p. Contains: Illustrations. Audience: General/trade. Very good in very good dust jacket.

Hardcover. Condizione: New. Condizione sovraccoperta: No dust jacket as issued. 1st Edition. Price is net to all; promotional discounts do not apply. First edition, first printing. Signed in ink on the half-title page by Friedlander. Hardcover. Full red cloth-covered boards, with offset reproduction mounted on the front cover; title stamped in blue and white on cover and spine; no dust jacket as issued. Photographs by Friedlander. Introduction [all texts in English] by Ignacio Baeza. Essay by Carlos Gollonet. Additional text "How He Sees" by Nicholas Nixon. An interview with Maria Friedlander by Jeffrey Fraenkel. Also includes a chronology compiled by Giancarlo T. Roma. Design and typography by Katy Homans. Binding by Superior Bindery. 384 pp., with numerous duotone plates, printed by Brizzolis, from separations made by Museoteca. 12 x 10 inches. Published on the occasion of the exhibition "Lee Friedlander" at Fundación MAPFRE, Madrid, October 1, 2020 to January 10, 2021 (traveled to C/O Berlin and Centro de Cultura Antiguo Instituto, Gijón). New (from Friedlander's personal archive). From the publisher: "One of the masters of contemporary photography, Lee Friedlander has dedicated his career to the documentation of everyday life in the United States. His images are characterized by a composition that utilizes the urban geometry of storefronts and street signs and later car windows and telephone poles as a framing technique. This catalog, published in conjunction with a retrospective organized by the Fundación MAPFRE in Madrid, surveys the wide scope of Friedlander's career from the 1960s to today. High-quality reproductions of all of the exhibited works are supplemented by text written by curator Carlos Gollonet and photographer Nicholas Nixon. The volume serves as a comprehensive guide to Friedlander's body of work, with personal insight provided through an interview between Maria Friedlander and gallery director Jeffrey Fraenkel, as well as a chronology of the artist's life by his grandson Giancarlo T. Roma. Lee Friedlander was born in Aberdeen, Washington, in 1934, and studied photography at the Art Center College of Design in Pasadena, California. In 1956 he moved to New York City, which quickly became both the setting and subject of the majority of his work. Friedlander was represented alongside Diane Arbus and Garry Winogrand in the 1967 New Documents exhibition at the Museum of Modern Art, now understood as a landmark event in American documentary photography. Friedlander still lives and works in New York, and is represented by the Fraenkel Gallery." Signed by Author. Signed.…

Hardcover. Condizione: New. Condizione sovraccoperta: No dust jacket as issued. 1st Edition. SHIPPING NOTE: Due to size and weight (e.g., multi-volume sets), additional shipping fees apply (calculated at checkout). First edition, first printing. Limited edition of 25 copies (only 10 copies were distributed in the United States; this being #06/25), stamp-numbered and signed in black ink on the half-title page by Wall. Hardcover. Buff paper-covered boards with title stamped in gray on cover, with 11-inch photographically illustrated belly band; no dust jacket as issued; contained in publisher's cardboard shipping box (edition number is stamped on lower box closure tab). Photographs by Jeff Wall. Essay by Tobias Ostrander. Includes a biography, exhibition history, selected bibliography and a list of plates. Designed by David Kimura + Gabriela Varela. 56 pp., with 9 four-color plates and 7 black-and-white plates beautifully printed on 200-gsm Magno matt paper by Everbest Printing Company Limited, Hong Kong. 19-5/8 x 13-7/8 inches. This first edition was limited to 1000 copies. Published on the occasion of an exhibition at the Museo Tamayo Arte Contemporáneo, Mexico City. New in publisher's packaging. From the publisher: "Standing almost 14 inches wide by 20 inches tall, this exquisitely produced volume affords readers an unprecedented opportunity to study the work of the important Canadian artist/photographer Jeff Wall at the large scale for which his work is known. Informed by conceptual art, historical painting and avant-garde film, Wall began to produce large-format color transparencies, presented on light-boxes, in the late 1970s--a format that has become strongly identified with his work. This volume includes recent examples of this work, as well as large black-and-white prints--a format first incorporated into Wall's practice in 1996. Wall divides his photographs into two categories: documentary and cinematographic. A documentary photograph for Wall is tied to the traditional understanding of this term--a depiction of a specific time and place, without any overt manipulation on his part. A cinematographic photograph involves some form of intervention or restructuring by the artist. This category has ranged from slight movements of elements within a given situation to more elaborate approaches that involve the construction of sets and other aspects of stagecraft. Wall is best known for his cinematographic photographs, which have had a large influence on the expansion of notions of how the medium can be engaged. Rich in references to the natural environment and distinct urban character of Vancouver, where the artist lives and works, the photographs reproduced in this volume were primarily produced during the last seven years." Signed by Author.…

Soft cover. Condizione: New. Condizione sovraccoperta: No dust jacket as issued. 1st Edition. First edition, first printing. Soft cover. Photographically illustrated wrappers; no dust jacket as issued. Photographs and text (in Spanish and English) by Julián Barón. Layout by Pablo Ortiz Monasterio. Unpaginated (80 pp.), with 51 four-color plates. 9-1/4 x 6-1/4 inches. This first edition was limited to 1000 copies. [Cited in Martin Parr and Gerry Badger, The Photobook: A History, Volume III. (London and New York: Phaidon, 2014)]. Out of print. Scarce. New in publisher's shrink-wrap. From the publisher: "In his photobook CENSURA Julián Barón presents a workbased on the style of 'broken camera,' using powerfulflashes that blind both the viewer and the photographedcharacter and transforming that photographic error intoa political language. In that big circus that politics is, photography andcensorship are allied to each other in order to manipulatepeople through the false use of image as a document,using large mass media to subtly but constantlymask those aspects that do not respond to the claims ofthe parties, blurring and distorting reality.However, by focusing in a different way on politicsand its leaders, trying to use the camera in decomposition,it is also possible to make photography censorcensorship and then, negative against negative, offersomething positive, some new perspectives on politiciansand their superficial status, revealing how the state theydefend so hardly vanishes with their actions, their imagesand all the paraphernalia that surrounds the ivory towerin which they believe they live in.". …

Hardcover. 1. Auflage. Casa Luis Barragan, Editorial RM&RM Verlag, Mexico City and Barcelona. Fundacion de Arquitectura Tapatia Luis Barragan; The Joseph and Anni Albers Foundation. First edition. Edition of 1000. Pages 52. Size: 24.3 x 24.2 cm In slipcase with additional paperslip. In very good condition.…

Soft cover. Condizione: New. Condizione sovraccoperta: No dust jacket as issued. 1st Edition. First edition, first printing. Limited edition of 25 copies with an original Type-C print (image size 6 x 8-3/8 inches), signed and numbered verso by Barón. The print is contained in a black heavy cardstock folio. Soft cover. Signed and dated on the first page by Barón. Photographically illustrated wrappers; no dust jacket as issued; contained in a custom paper-covered clamshell box with title debossed in metallic red on lid. Photographs and text (in Spanish and English) by Julián Barón. Layout by Pablo Ortiz Monasterio. Unpaginated (80 pp.), with 51 four-color plates. 9-1/4 x 6-1/4 inches. This first edition was limited to 1000 copies. [Cited in Martin Parr and Gerry Badger, The Photobook: A History, Volume III. (London and New York: Phaidon, 2014)]. New in publisher's packaging. From the publisher: "In his photobook CENSURA Julián Barón presents a workbased on the style of 'broken camera,' using powerfulflashes that blind both the viewer and the photographedcharacter and transforming that photographic error intoa political language. In that big circus that politics is, photography andcensorship are allied to each other in order to manipulatepeople through the false use of image as a document,using large mass media to subtly but constantlymask those aspects that do not respond to the claims ofthe parties, blurring and distorting reality.However, by focusing in a different way on politicsand its leaders, trying to use the camera in decomposition,it is also possible to make photography censorcensorship and then, negative against negative, offersomething positive, some new perspectives on politiciansand their superficial status, revealing how the state theydefend so hardly vanishes with their actions, their imagesand all the paraphernalia that surrounds the ivory towerin which they believe they live in." Signed by Author.…

Hardcover. Condizione: New. Condizione sovraccoperta: No dust jacket as issued. 1st Edition. First edition, first printing. Special limited edition of 25 copies, with an original double-weight fiber-based gelatin silver print "Lugo, Italia, 2008" (reproduced on the book's cover), signed and numbered in pencil on verso by Iturbide (only the print is signed and numbered; the book is not signed). Paper size of the print is 8-5/8 x 6-5/8 inches; image size is 5-3/4 x 5-7/8 inches. The print is enclosed in a black folio (protected by a clear archival polyester film sleeve and held in place with photo corners).The book and print folio are housed in a black laminated cloth-like covered clamshell box, with the title debossed on front and side. Hardcover. Dos-a-dos binding, photographically illustrated paper-covered boards with a 3 3/8-inch yellow printed obi (belly-band); no dust jacket as issued. Photographs by Graciela Iturbide. Includes a brief biography (in Spanish and English) and essay (in Spanish and English) by Lucia I. Alonso Espinosa, General Director of the Museo Amparo. Designed by Estela Robles. 164 total pp., with 180 black-and-white illustrations, including full-page plates and details of 16 contact sheets. 9-7/8 x 7-1/8 inches. Published on the occasion of the exhibition Graciela Iturbide at the Museo Amparo, Puebla, México. New. From the publisher: "This book presents hitherto unpublished images taken by Graciela Iturbide as part of an intimate, personal project that has led her to an intense reappraisal of her photographic archive. It is published together by RM and Museo Amparo en Puebla (Mexico) and constitutes the catalogue of an exhibition to be held in the same museum in 2012. The photographs are grouped into four thematic areas that have always been present in Iturbide's work: children, rituals, urban spaces, and gardens. Graciela Iturbide is recognized as one of Latin America's most important photographers. Since 1975 her work has been exhibited and published around the world. She has participated in more than seventy exhibitions, including solo exhibitions at the J. Paul Getty Museum, the Fotomuseum Winterthur, and the Museo de Arte Moderno in Mexico City. In 2008 she won the Hasselblad Award, the world's most prestigious prize in the field of photography.". Signed by Author. Signed.…