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Hardcover. Condizione: Very Good. Condizione sovraccoperta: No DJ. First Edition. B&R-210Ex-college library with usual library features.

Hardcover. Condizione: Fair. First Edition (US) First Printing. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Hardcover. Condizione: Very good. Very good plus hardcover, book is clean and tight.

Condizione: Very Good. Condizione sovraccoperta: None. 313 pages, b&w photos. Light shelf-wear to wrappers, else a clean, tight copy. Record # 463039.

Hardcover. Condizione: Very Good. Near Fine hardcover (no jacket). Sticker on rear pastedown. Clean and sound pages. 358 pp. Used.

Paperback. Condizione: New. At least 50 million people worldwide have epilepsy, many of them teenagers. There are many different types of epilepsy, and each type has different behavioral effects and is treated with different methods. This book, written specifically for a teen audience, dispels the myths, misconceptions, and misunderstandings about epilepsy and people who have the disorder. It provides positive, factual medical information and advice for teens on living a normal life by understanding the symptoms; being alert to the signs and factors that precipitate seizures; and educating themselves about treatment methods, medications, and management strategies. Stories from teens who have epilepsy show readers they can participate in normal activities. They also offer advice on whether and how to tell friends, dates, teachers, or an employer about the condition. The book concludes with an extensive resource listing of publications, Web sites, and organizations, as well as an appendix that covers the Americans with Disabilities Act (ADA) and how it applies to people who have epilepsy.

Hardcover. Condizione: Very Good. The Scarecrow Press, Inc January 1981 Binding: Hardcover.

Hardcover. Condizione: Good. Good hardcover. Ex-library copy with the usual stamps and markings. 548 p. Used.

Hardcover. Condizione: Very Good. Very Good hardcover. Ex-library copy with the usual stamps and markings. 190 p.

Paperback. Condizione: New. Adams, Kelly (illustratore). Teens, Loss, and Grief is a self-help guide for teenagers who are struggling with bereavement and the emotional difficulties it presents. This book provides an overview of grief as a painful but normal process, offering insights from bereavement experts as well as practical suggestions for coping with loss, including accounts from teens. This book closes a gap in the available literature on grief and bereavement that has tended to focus on adults and younger children. It provides a warm, accessible resource that will reassure teen readers about the normality of grief, encourages their understanding of what happens during the grief process, and provides an indispensable resource guide.

Hardcover. Condizione: Good. vi, 238pp, black and white frontispiece and further monochrome illustrations in text. Brown cloth-covered boards, gilt titles on front and spine. 8vo. Slightly sun-faded spine, lightly rubbed spine ends, lender's shelf number on spine label, corners lightly rubbed. Top text block edge starting to fox. Lender's stamps, labels and markings on endpapers and copyright page else internally a neat, clean, bright and tight volume.

Paperback. Condizione: New. Adams, Kelly (illustratore). Teens, Loss, and Grief is a self-help guide for teenagers who are struggling with bereavement and the emotional difficulties it presents. This book provides an overview of grief as a painful but normal process, offering insights from bereavement experts as well as practical suggestions for coping with loss, including accounts from teens. This book closes a gap in the available literature on grief and bereavement that has tended to focus on adults and younger children. It provides a warm, accessible resource that will reassure teen readers about the normality of grief, encourages their understanding of what happens during the grief process, and provides an indispensable resource guide.

Paperback. Condizione: New. Now in Paperback!Between an ancient Roman's trip to the moon and the fantastic tales of H.G. Wells lies a journey through time and space and an awesome evolution in scientific thinking. From Gilgamesh's search for immortality to Lucian's odyssey on the moon; from Jonathan Swift's hilarious satire on scientists in Gulliver's Travels to Mary Shelley's horrifying description of a scientist who has gone too far in Frankenstein from Edgar Allan Poe's balloon trip in the year 2848 to Jules Verne's prophesies of the impact of scientific inventions on future civilization; from Edward Bellamy's utopian escape from the industrial Revolution to H.G. Wells's magnificent story of Earth threatened by an inescapable menace-here are the chief ancestors of the modern science fiction story. For the first time, these and other key works are gathered together in one anthology, complete with revealing commentary on the authors, their eras, and the role each played in establishing what we today recognize as science fiction. The Road to Science Fiction is a six-volume anthology of science fiction that covers the development of science fiction from its earliest prototypes in the Sumerian Gilgamesh and the Greek epics to approximately 1990. Created originally to provide anthologies for use in classes, these volumes have become mass-market sellers as well, since they are not only a source of outstanding stories but also explain what constitutes science fiction, how it developed and the contribution the authors and the stories have made to the evolution of science fiction.Cloth edition previously published in 1979.

Paperback. Condizione: New. Now in Paperback!Between an ancient Roman's trip to the moon and the fantastic tales of H.G. Wells lies a journey through time and space and an awesome evolution in scientific thinking. From Gilgamesh's search for immortality to Lucian's odyssey on the moon; from Jonathan Swift's hilarious satire on scientists in Gulliver's Travels to Mary Shelley's horrifying description of a scientist who has gone too far in Frankenstein from Edgar Allan Poe's balloon trip in the year 2848 to Jules Verne's prophesies of the impact of scientific inventions on future civilization; from Edward Bellamy's utopian escape from the industrial Revolution to H.G. Wells's magnificent story of Earth threatened by an inescapable menace-here are the chief ancestors of the modern science fiction story. For the first time in paperback, these and other key works are gathered together in one anthology, complete with revealing commentary on the authors, their eras, and the role each played in establishing what we today recognize as science fiction. The Road to Science Fiction is a six-volume anthology of science fiction that covers the development of science fiction from its earliest prototypes in the Sumerian Gilgamesh and the Greek epics to approximately 1990. Created originally to provide anthologies for use in classes, these volumes have become mass-market sellers as well, since they are not only a source of outstanding stories but also explain what constitutes science fiction, how it developed and the contribution the authors and the stories have made to the evolution of science fiction.Volume 2: From Wells to Heinlein, samples the science fiction of the first 40 years of the 20th century from a wide variety of authors that paved the way for the Golden Age.Cloth edition originally published in 1979.

Paperback. Condizione: New. Now in Paperback!Between an ancient Roman's trip to the moon and the fantastic tales of H.G. Wells lies a journey through time and space and an awesome evolution in scientific thinking. From Gilgamesh's search for immortality to Lucian's odyssey on the moon; from Jonathan Swift's hilarious satire on scientists in Gulliver's Travels to Mary Shelley's horrifying description of a scientist who has gone too far in Frankenstein from Edgar Allan Poe's balloon trip in the year 2848 to Jules Verne's prophesies of the impact of scientific inventions on future civilization; from Edward Bellamy's utopian escape from the industrial Revolution to H.G. Wells's magnificent story of Earth threatened by an inescapable menace-here are the chief ancestors of the modern science fiction story. For the first time, these and other key works are gathered together in one anthology, complete with revealing commentary on the authors, their eras, and the role each played in establishing what we today recognize as science fiction. The Road to Science Fiction is a six-volume anthology of science fiction that covers the development of science fiction from its earliest prototypes in the Sumerian Gilgamesh and the Greek epics to approximately 1990. Created originally to provide anthologies for use in classes, these volumes have become mass-market sellers as well, since they are not only a source of outstanding stories but also explain what constitutes science fiction, how it developed and the contribution the authors and the stories have made to the evolution of science fiction.Volume 3, From Heinlein to Here, covers the period from 1940 to 1975, beginning in the Golden Age of Science Fiction and ending at a time when SF book publication was just beginning to explode and SF films (2001: A Space Odyssey; Close Encounters of the Third Kind, Star Wars, E.T.) would soon dominate box offices. Cloth edition previously published in 1979.

Paperback. Condizione: New. Now in Paperback!The Road to Science Fiction is a six-volume anthology that covers the development of this genre from its earliest prototypes to the current day. Created originally to provide anthologies for use in classrooms in the late 1970s, these volumes became mass-market sellers.Between an ancient Roman's trip to the moon and the fantastic tales of H.G. Wells lies a journey through time and space and an awesome evolution in scientific thinking. From Gilgamesh's search for immortality to Edgar Allan Poe's balloon trip in the year 2848 these and other key works are gathered together for the first time in one anthology, complete with revealing commentary on the authors, their eras, and the role each played in establishing what we today recognize as science fiction.Volume 4 From Here to Forever covers the period from 1950-1992, illustrating how science fiction can be as concerned with language and character as much as traditional fiction and anything in the mainstream. Includes stories by Jorge Luis Borges, Richard Matheson, C. M. Kornbluth, Jack Vance, and Pamela Zoline.

Hardcover. Condizione: Near Fine. First Edition. First edition. 8vo. 304 pp. Near Fine. Subtle wear to boards.

Paperback. Condizione: New. Many actors treat their profession as a purely artistic endeavor, rarely conceding that there is more to making a living than simply showing up on stage or in front of a camera. By refusing to seriously acknowledge that self-promotion is vital to their livelihoods, many performers can get quickly discouraged by the vicious circle of audition and rejection. However, with a little foresight and planning, actors can learn how to become their own best advocates for a career in the business of show. In Act Like It's Your Business:Branding and Marketing Strategies for Actors, Jonathan Flom helps actors and others in the arts understand the power of branding. This guide walks the reader through the process of creating a personal brand for a small business and then marketing that brand and broadcasting it through every step of the process-from choosing clothing, arranging headshots, and designing resumes to selecting a repertoire, building a website, obtaining business cards, and networking. Flom also offers advice on such real-world issues as goal-setting, finances, contracts, and day jobs and provides insight and guidance on how to approach agents, auditions, and casting directors. A book of empowerment meant to shift the balance of control to actors themselves, Act Like It's Your Business is aimed atprofessional performers as well as students who are getting ready to transition from college to career. Structured logically and step by step, this accessible guide will become the standard for nearly anyone hoping to build an enduring career in the performing arts.

hardcover. Condizione: Very Good. Condizione sovraccoperta: No Dust Jacket. Second Edition. The cover and spine are in great condition, there is a library sticker on the spine. The inside cover has a library stamp present and there is a date written in pen on the title page. The text is clean, bright and tight. Ex - Library (reference).

Hardback. Condizione: New. Jazz Man's Journey chronicles the life and career of, Ellis Louis Marsalis, Jr., one of New Orleans' most vivacious and talented jazz musicians. From his childhood in a rural section of New Orleans, to solo appearances with the New Orleans/Louisiana Philharmonic, as well as appearances at Carnegie Recital Hall, Newport Jazz Festival, and Harvard University, this unprecedented biography accurately portrays Marsalis not only as a pianist and a Columbia recording artist, but also as a successful teacher, composer, lecturer, father, and human being. By conducting interviews with Marsalis and his family, as well as with some of his friends and professional acquaintances, D. Antoinette Handy provides comprehensive background on Marsalis, as well as a revealing personal narrative.Complete with discography, dozens of photos from Marsalis's private collection, and a list of Marsalis "profundities," this book is an important addition to jazz studies, and an enjoyable read for jazz scholars and more casual fans alike.

Paperback. Condizione: New. Four American Indian women, who attended Bureau of Indian Affairs boarding schools, off-reservation public schools, and Indian mission schools, unflinchingly recount the experiences that shaped their views on individual, family, and community survival. Their stories give graphic evidence of the mistreatment of native children in many of these schools during the middle and later years of the twentieth century. The stories of the lives of these women are highly instructive as enlightened documents of reconciliation and human possibilities.

Paperback. Condizione: New. In 1958, Gary Graver moved from his hometown of Portland, Oregon to Los Angeles, California with dreams of an acting career in Hollywood. Soon after his arrival, he caught a double bill in a small theater on Hollywood Boulevard, the lower half of which was the recently released Touch of Evil. Upon viewing the B classic, Graver decided he wanted to be a director and spent many years honing his craft, as both a cinematographer and a director, not to mention writer, actor, and producer-much like his idol, Orson Welles.In 1970, when Graver learned that Welles was in town, he impulsively called up the director and offered him his services as a cameraman. It was only the second time in Welles's career that he had received such an offer from a cinematographer, the other being from Gregg Toland, who worked on one of the greatest films ever, Citizen Kane.In Making Movies with Orson Welles, Graver recounts the highs and lows of the moviemaking business as he and one of the most important and influential directors of all time struggled to get films produced. The two men collaborated on more than a dozen projects, including F for Fake, Filming Othello, and the still-unreleased The Other Side of the Wind. Their close friendship and creative filmmaking partnership would endure for 15 years, until Welles' death in 1985. Also including a filmography of works and 20 photos from Graver's personal collection, this fascinating memoir recalls what it was like to work with the legendary Welles and offers advice and tales of caution for future filmmakers.

Paperback. Condizione: New. At the 2007 Academy Awards' ceremony, an unprecedented number of Black performers received acting nominations, and two of the statues awarded that evening went to Forest Whitaker and Jennifer Hudson. Indeed, since 2000, more African Americans have received Oscars than in the previous century. While the last few years have seen more and more Black performers receive acknowledgment by the Academy, it hasn't always been that way. African Americans and the Oscar': Decades of Struggle and Achievement highlights the advancements Black performers have made on the silver screen and how those performances were honored by the Academy. In the Academy's first 40 years, less than ten African Americans were cited for their work on screen and only two, Hattie McDaniel and Sidney Poitier, received competitive awards before the 1980s. This book profiles all the nominees and recipients of the coveted award in the acting, writing, and directing categories, beginning with the first: McDaniel's Best Supporting Actress win for her role in Gone with the Wind (1939). Each entry, organized chronologically and by name, provides valuable information about how the role or film was viewed during its time and also places it in historical context by drawing connections to other related awards or events in film history. In the introduction, Mapp's overview of the nomination process helps explain the historically low percentage of African Americans who have been nominated or received the honor. Also, appendixes provide lists of non-acting/directing nominees and winners, overlooked performances, and performers of nominated songs. Highlighting the achievements of Sidney Poitier, Whoopi Goldberg, Halle Berry, Morgan Freeman, Spike Lee, Jamie Foxx, Denzel Washington and others, this volume provides an enlightening history of the Black experience in Hollywood and will fascinate fans of all ages.

Paperback. Condizione: New. In these writings, available here in English for the first time, the distinguished Japanese composer Toru Takemitsu reflects on his contemporaries, including John Cage, Olivier Messiaen, and Merce Cunningham; on nature, which has profoundly influenced his composition; on film and painting; on relationships between East and West; on traditional Japanese music; and on his own compositions.

Paperback. Condizione: New. In 1830, the inhabitants of the southern part of the United Kingdom of the Netherlands revolted against King William I. The National Congress then declared independence and proclaimed the installation of a parliamentary monarchy, and thus, the new country of Belgium was created. Belgium's vibrant culture and society have produced such artists as Peter Paul Rubens, Jan Van Eyck, and Antoon Van Dijk, as well as the influential scientists Gerardus Mercator and Andreus Vesalius. Brussels, the country's capital city, also houses the headquarters of the European Union and the North Atlantic Treaty Organization. The A to Z of Belgium relates the history of this country through a detailed chronology, an introduction, appendixes, a bibliography, and cross-referenced dictionary entries on some of the more significant persons, places, and events; institutions and organizations; and political, economic, social, cultural, and religious facets.

Paperback. Condizione: New. Although five-time Academy-Award nominee Ennio Morricone has scored numerous films in various genres, his westerns will undoubtedly remain his most memorable cinematographic accomplishments. This guide demonstrates Morricone's unique and enduring contributions to the art of film music through a discussion of his compositional and orchestrational processes, many of which are evident in his music for The Good, the Bad and the Ugly in a way that can be easily understood by both musicians and nonmusicians.Leinberger begins his study with a brief discussion of Morricone's musical background through his experience in the Italian music business, his earliest Italian film scores, and his accomplishments in Hollywood. The second chapter is a discussion of the many compositional techniques that distinguish Morricone's music from that of other film composers. Subsequent chapters examine the historical and cultural context of the film and attempt to place the style of Morricone's score for The Good, the Bad and the Ugly in relation to his scores for other well-known Westerns. The book's final chapter is an analysis of compositional techniques presented in chronological order from the film's opening credits to its climactic ending.Although this guide focuses on Morricone and his music from a theoretical perspective, other non-musical issues that are relevant to the audience's ultimate experience of the film are also discussed.

Paperback. Condizione: New. New technologies are making information more fluid, but what does this mean for information providers? Without a doubt, it means that traditional roles are evolving and that the task of providing information demands greater expertise in exploiting new technologies and navigating their uncharted ebbs and flows of information.The Association for Library Collections and Technical Services (ALCTS), a division of the American Library Association, offers a host of well-integrated and forward-looking services to help you find your way through these changes. It is a leader in the development of principles, standards, and best practices for creating, collecting, organizing, delivering, and preserving information resources in all forms. It offers educational, research, and professional service opportunities. And it is committed to quality information, universal access, collaboration, and lifelong learning.

Paperback. Condizione: New. Regarded as one of the greatest film composers of all time, Bernard Herrmann was responsible for some of the most memorable music in film. His work with Alfred Hitchcock produced a slew of classics including Vertigo (1958), North by Northwest (1959), and Psycho (1960). Several years before collaborating with Hitchcock, however, Herrmann composed the brilliant score for The Ghost and Mrs. Muir (1947), which remained a personal favorite of the composer's. Herrmann's score reinforces the film's romantic theme, and much of the music has an appropriately elegiac quality. In mood, orchestration, and even to some extent thematic identity, it seems to prefigure his music for Vertigo.In this latest addition to the Scarecrow Film Score Guide series, author David Cooper examines Herrmann's career in general, as well as the specific elements that went into the creation of The Ghost and Mrs. Muir's score. Cooper traces the development of Herrmann's craft as a film composer, especially through his radio work, where he made contact with many of the great artists of the age, most notably Orson Welles. This association was to give him a passport to Hollywood and led to the scoring of his first film, Citizen Kane. Herrmann's subsequent film scores of the 1940s included The Devil and Daniel Webster, The Magnificent Ambersons, and Jane Eyre. In this guide, Cooper considers Herrmann's musical technique and offers a theorization of some of the ways in which music can be "meaningful" in film. He also explores non-musical contexts of the film, including the screenplay's relationship to the popular novel from which it was adapted, as well as the contribution of director Joseph L. Mankiewicz, the performances of Gene Tierney and Rex Harrison, and the editing of Dorothy Spencer. Cooper also provides a quantitative, evidence-based study of the score. In doing so, he discusses the extent to which Herrmann adopted screenwriter Philip Dunne's suggestions for music in.

Paperback. Condizione: New. Born in Paris in 1894, Suzanne Briet was active nationally and internationally in the development of what was then known as Documentation but would now be called Information Management or Information Science. In 1931, she participated in founding the Union Française des Organismes de Documentation (UFOD), the French analogue of the American Documentation Institute now called the American Society for Information Science and Technology. She was a leader in developing professional education for this new specialty and designed a plan for what would have been the first school of Documentation / Information Science worldwide, had it been established. In 1951, when a school of information science was finally established, Briet was the founding Director of Studies. She became Vice President of the International Federation for Documentation (FID) and acquired the nickname "Madame Documentation."What is Documentation? relates this fascinating story and includes the first English translation of Briet's remarkable manifesto on the nature of documentation, Qu'est-ce que la documentation? (Paris: EDIT, 1951). A pamphlet of 48 pages, Part I sought to push the boundaries of the field beyond texts to include any material form of evidence ("Is a living animal a document?" she asked). Part II argued that a new and distinct profession was emerging. Part III urged the societal need for new and active documentary services. This tract remains significant due to its continuing relevance towards understanding the nature, scope, and societal impacts of documents and documentation. Briet's modernist perspective, combined with semiotics, deserves attention now because it offers a sturdy and insightful alternative to the scientific, positivist view that has so dominated information science and which is increasingly questioned.

Hard Cover. Condizione: Good Plus. No Jacket. Ex-Library.