Tate publishing new york (36 risultati)

Trade Paperback. Condizione: Very Good. First Edition. 290 Pages Indexed. Nice condition with a nearly flawless interior text and illustration pages. The Exhibition began at Tate Britain, London and ran 5 February - May 2003. Then touring to The Minneapolis Institute of Arts, Minneaolis 8 June - 7 September 2003. The exhibition was at The Metropolitan Museum of Art, New York 7 October 2003 to 4 January 2004. This exhibition explores the extraordinary network of cultural interchange that developed between Britain and France in the three or so decades following the end, in 1815, of their long war - a conflict which had raged with only occasional respites since the early 1790s. Sustained hostility in politics was to give way to mutual admiration in the arts. Focusing primarily on painting, the exhibition traces both the impact of French Romanticism on British art, including through the sensational display in London of Theodore Cericault's Raft of the Medusa in 1820. (See Cover). Perhaps the range and force of Britain's cultural impact on France in these years will come as some surprise. Though Lord Byron's literary influence on Eugene Delacroix is well known, the prodigious consumption of Walter Scott in France may be less understood; and while John Constable's success at the Paris Salon exhibition of 1824, and his admiration by Delacroix, forms part of our standard histories of British art. The web of connections and its expression through French landscape painting through the 1830s and beyond, may prove to be one of this exhibition's most significant revelations. Though there had certainly been moments of productive cross-channel interchange in the previous century, they were readily undermined by political tensions and usually short-lived. The kind of sustained cultural dialogue surveyed by this exhibition was unprecedented and would furnish a model for subsequent generations.…

Softcover. Crease at top corner of rear cover; otherwise very good condition. ]. 272p. Illus. Folio.

Storr, Robert. September: a history painting by Gerhard Richter. London : New York: Tate Publishing, 2010, 95pp., sewn PAPERBACK, very good, slightest wear to corners, old price label on back cover. "Gerhard Richter is one of the most influential artists of modern times. His painting 'September' is the response to the bombing of the World Trade Centre on September 11, 2001, made some four years after the event. Eminent American critic and curator Robert Storr, who has had a long working relationship with Richter, explores both the painting and the event itself, as filtered through an eyewitness account of what happened in New York that day. Through description, comparative illustrations, and references to precedents in modern art, literature, and warfare, Storr analyzes the image's meaning and how it adds to a current in Richter's career that questions evocations of traumatic and controversial moments in history". ISBN 9781854379641.…

Paperback. Condizione: Very Good. 272 pages, illustrations (chiefly colour), maps; 31 cm. Catalogue of an exhibition held at the National Gallery of Art, Washington, October 1, 2007 to January 6, 2008; the Dallas Museum of Art, February 10 to May 28, 2008; and the Metropolitan Museum of Art, New York, June 24 to September 21, 2008. Firm binding, clean inside copy. Bent slightly lengthwise. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "Accompanying the largest ever touring exhibition of Turner's works in the USA, this book explores the artist's legacy and the importance of his ideas for succeeding generations of painters on both sides of the Atlantic." - Publisher. *** CONTENTS: Foundations, by Matthew Imms; Confronting the sublime, by Leo Costello; The making of a modern master: painting with open eyes, by Nicola Moorby; Britain at war and peace: markets public and private, by Andrew Loukes; The triumph of colour: Turner's Britain, by Ian Warrell; New grand tours, by Andrea Fredericksen, Nicola Moorby, and Ian Warrell; Histories, ancient and modern, by Gillian Forrester; The burning of the houses of Parliament, by Sarah Taft; The abysmal sea: Turner's later seascapes, by Ian Warrell; Into the light, by Ian Warrell. Size: 4to.…

Hardcover. Condizione: Very good. Hardcover. First Edition. Unpaginated. Very good hardback in a very good dust jacket.

Condizione: About Fine. First Edition. First Printing. FIRST EDITION SOFT COVER Book condition is About Fine. Profusely Illustrated with B&W and Color photographs with many striking Color paintings. 9.5 x 11.5 Inches in size. 237 numbered pages. Salvador Dalí (illustratore).

Soft cover. Condizione: Near Fine. First Edition. Stiff color illus. wraps. Very slight shelf wear, light creases to front corners. Square, uncreased binding, clean interior. 284 pp., illus. in color, b&w w/ exhibition notice laid in. Catalogue to accompany traveling exhibition in London and Philadelphia, 2002. Size: 4to - over 9¾" - 12" tall. Book.…

Hard Cover. Condizione: Very Good. Condizione sovraccoperta: Good. Illustrated paper covered boards in printed glassine jacket. 304 pp. Color photos throughout. A work issued to coincide with an exhibition of contemporary artists whose work was influenced by the art of Andy Warhol. Includes critical essays, as well as interviews with several artists, along with artwork throughout. GOOD+ jacket on a VERY GOOD+ book. Minor scuffing and soiling to the jacket, mostly to the rear panel. Light edgewear to the book.…

Condizione: Very Good. None. 197 pages, b&w and color illustrations. A very clean, tight copy. Record # 450878.

Hardcover. Color pictorial wraps with white lettering. 296 pp. Approx 190 mostly color plates. Distributed in Great Britain under title: Constable to Delacroix : British art and the French Romantics. Published by order of the Tate Trustees on the occasion of the exhibition at Tate Britain, London, 5 February-11 May 2003 and touring to The Minneapolis Institute of Arts, Minneapolis, 8 June-7 September 2003 and The Metropolitan Museum of Art, New York, 7 October 2003-4 January 2004. Includes bibliographical references (pages 284-291) and index. VG. May have light wear to corners and edges or owner's writing inside front cover.…

Hardcover. Quarto. Hardcover. Purple spine with gilt titles over illustrated boards. No jacket, as issued. 239 pages : illustrations (chiefly color), facsimiles, portraits (chiefly color) ; 29 cm. "To accompany an exhibition of one of the central figures in British art and the first exhibition dedicated to Sickert at Tate since 1960. An apprentice of Whistler and close associate of Degas, he engaged with the work of French artists of the time. Sickert in turn influenced many British painters up to the present day. This book will show how Sickert transformed the representation of everyday life, with his approach to subject matter, radical compositions and the evocation of the materiality of existence in paint. It will explore the changing nature of his work - from an impressionistic approach in the 1880s to photography in the 1930s - and how he returned over and over to locations and subjects, including his penetrating self-portraits. Sickert's imagination was fuelled by news and current events such as the Camden Town Murders and newspaper photography, but also by popular culture - music halls, the stage, the rise of cinema and celebrity. Featuring over 200 images from the exhibition and a range of essays by scholars, as well as reflections on Sickert's relevance and influence by a selection of contemporary painters including Kaye Donachie and Somaya Critchlow." --. VG. Some rubbing to boards, light corner bumping and board rubbing. Interior clean besides a small stamp inside stating withdrawn from a research library.…

Original Broschur. 224 Seiten 22.2 x 1.9 x 29 Gut, fast ungelesen. Deckel hinten mit schwachem Knick. ISBN-13 ? : ? 978-1849766708. 900 Gramm Sprache: Englisch.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. 4to, cloth, dustwrapper, 128pp., illustrated. First edition. VG+/VG+: clean, bright, and sound book in a bright and whole dustwrapper.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st. Cloth, 296 pages, illustrations (chiefly colour); 31 cm. Published on the occasion of the exhibition at Tate Britain, London, 5 February to 11 May 2003; and other venues. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A massive coffee-table book. Richly illustrated with colour plates. *** CONTENTS: Colour and effect: Anglo-French painting in London and Paris, by Patrick Noon; Print culture and the illustration of history: an Anglo-French perspective, by Stephen Bann; Chronology, by Rachel Meredith. Size: 4to. Collectible.…

Soft cover. Condizione: Good. Softcover 2010 edition. Inscribed and signed by Phil G. Giriodi. Text and covers in good condition. Binding firm. Text free from markings. {342 pages}. Signed By Photographer.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. First Printing. 284 pp. 4to. Clean, crisp copy with dust jacket in mylar cover.

HARDCOVER. Condizione: Fine. Condizione sovraccoperta: Very Good+. 1st edition. 284pp. Quarto in matte pictorial boards. Boards and interior crisp and clean; spin e shaken; rubbing and light wear to jacket.

Hardcover. Condizione: Good. First Edition. 21 x 26cm 284pp hardback catalogue published on the occasion of the touring exhibition. Includes interviews, essays and many colour reproductions.

Condizione: Very good. Condizione sovraccoperta: Very Good. Larger 8vo pp. 96. book.

leg, bross. Condizione: Buono (Good). ill. a colori nel testo in quarto leg, bross. pp. 256 Buono (Good) Buon es. Book.

Hardcover exhibition catalog with dustjacket, 270 pages, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Soft cover. Condizione: Very Good. No Jacket. A Tight Over Sized Paperback With No Notes Or Inscriptions. Very Small Ripple On The Tail Of The Last Few Pages But No Staining. Very Clean. Illustrated Card Covers With One Of Rego's Pictures " The Blue Fairy Whispers To Pinnochio"Very Minor Shelf And Reading Wear. No Reading Creases.…

VG/VG .gift quality. Book in excellent condition with no markings. or inscriptions. not price clipped. internally a good crisp clean copy. From the personal collection of a dealer/collector. 256 pp. Color illustrations throughout. A work that accompanied a 2004 exhibition of paintings and art related to the English garden. This includes essays discussing the inspiration to artists of the gardens, the various media used, the work of various artists, gardens, etc. With work by Stanley Spencer, Douglas Percy Bliss, Lucian Freud, Edwin Smith, Samuel Palmer and many others.…

VG/VG .gift quality. Book in excellent condition with no markings. or inscriptions. not price clipped. internally a good crisp clean copy. From the personal collection of a dealer/collector. 256 pp. Color illustrations throughout. A work that accompanied a 2004 exhibition of paintings and art related to the English garden. This includes essays discussing the inspiration to artists of the gardens, the various media used, the work of various artists, gardens, etc. With work by Stanley Spencer, Douglas Percy Bliss, Lucian Freud, Edwin Smith, Samuel Palmer and many others.…

Softcover. First Edition; First Printing. Very Good in wrappers. Edgewear. Two small tears at rear panel.; 10.40 X 8 X 0.10 inches; 32 pages.

4to.,pp. 284, pictorial hardcover, white lettering, b/w and colour illustrations and fold-outs, colour frontispiece; ownership autograph to front free endpaper, occasional underlining and annotation in pencil, a very good copy, in a very good unclipped pictorial dust-jacket, which has a small puncture mark to front.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 414pp, in-text photographs throughout. Black cloth-covered boards; embossed black titles on front and spine; photograph endpapers. Folio. Staining to top rear edge. Top text block edge has some stains. Internally neat, clean, bright and tight. Dust jacket has very light shelf wear, staining to spine head and top rear edge. …

Hard cover. Sewn binding. Cloth over boards. With dust jacket. 256 p. Contains: Illustrations, black & white, Illustrations, color, Frontispiece. Audience: General/trade. Very good in very good dust jacket. Very good in very good dust jacket in mylar.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Black hardcover with title in black on front cover and spine. Condition: Fine, binding sound, no inscriptions. Dustjacket condition: Fine. 414pp. Many colour illustrations. This book was published to accompany the exhibition of work by the American artist Robert Rauschenberg (1925-2008) held at the Tate Modern, London from 1 Dec 2016 to 2 April 2017. The exhibition then toured to the Museum of Modern Art in New York and the San Francisco Museum of Modern Art. It was the first full-scale retrospective since the artists death in 2008. Rauschenberg challenged the primacy of painting and invented new forms of art-making that moved freely among media and methods. He refused to accept conventional boundaries, defining the themes of his art as multiplicity, variety and inclusion. This comprehensive book includes sixteen short essays focusing on specific moments in the artist's career, examining his production across and extraordinary range of media.…

Condizione: Good. 4to. [28 pp.] Soft covers. Stitched bindings. Light creasing. Black and white plates. Very Good. Provenance: From the collection of the Peter Norton Family Foundation, Santa Monica, Ca. In 2003, Norton, the founder of Norton Utilities, became the chairman of the board of the MoMA PS1.…