Warner communication company (8 risultati)

Paperback. Condizione: Good. No Jacket. Due to age and/or environmental conditions, the pages of this book have darkened. Solid binding. Moderate edgewear on the boards. Moderate shelf wear. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Book.

Trade Paperback. Condizione: Good. 1st Printing: October 1979. 256 pp. Solidly bound copy with moderate use. Creased spine. Moderate foxing on page edges. Small tear on front cover. Occassional highlighter markings on text/ marginalia. Susanne Strohbach (Illustrator) (illustratore).

Trade Paperback. Condizione: Very Good. 1st Printing: August, 1979. 561 pp. Solidly bound copy with moderate external wear. Clean text. Some shelfwear and edgewear. Mildly creased spine. Roy Anderson (Cover Art), C. Linda Dingler (Book Design) (illustratore).

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Mass Market Paperback. Condizione: Very Good. Reissued Oct. 1987. 352 pp. Solidly bound copy with minimal external wear. Clean text. Paul Davis Studio (Design and Illustration by) (illustratore).

Trade Paperback. Condizione: Good. 561 pp. A great study/work/reading copy with clean text. Solidly bound copy with re-taped spine cover. Moderate external wear. Foxing on page edges, not affecting text. Over-sized and/or over weight book; extra postage required. Please note that large and/or heavy items may incur an additional shipping charge. Pictures of actual copy -not displayed here!- available upon request. Roy Anderson (Cover Art), C. Linda Dingler (Book Design) (illustratore).…

Trade paperback. Condizione: Near fine. First Edition. One of three issues of the first edition of one of the most significant graphic novels of the 1980s. This is the bookstore issue (this and the comic book store issues were trade paperbacks; there was also a hardcover book club edition). V for Vendetta was written beginning in 1981 as a response to Thatcherism in the United Kingdom. Its inspiration, Guy Fawkes, allowed Moore to explore themes of political repression and anarchism, unusual topics for comics and graphic novels at the time. "V for Vendetta was an ambitious and even audacious project, formally as well as in terms of its narrative. Fittingly for the subject matter the comic was an example of constrained writing/artwork, as Moore and Lloyd (at the latter's suggestion) set themselves certain conditions in the use of thought bubbles and sound effects. There were none. The idea was that their absence would promote ambiguity and complexity, turning these restraints to their advantage."-The Cambridge History of the Graphic Novel. The bookstore issue was published by Warner; the comic store version was put out by DC Comics. 286, [2:blank] pages. First bookstore edition, first printing (states "First Printing: May 1990" on the copyright page with a numberline ending in 1). Minor crease to lower rear corner; very light edge wear. A nice copy.…

Trade paperback. Condizione: Near fine. First Edition. One of three issues of the first edition of one of the most significant graphic novels of the 1980s. This is the bookstore issue (this and the comic book store issues were trade paperbacks; there was also a hardcover book club edition). V for Vendetta was written beginning in 1981 as a response to Thatcherism in the United Kingdom. Its inspiration, Guy Fawkes, allowed Moore to explore themes of political repression and anarchism, unusual topics for comics and graphic novels at the time. "V for Vendetta was an ambitious and even audacious project, formally as well as in terms of its narrative. Fittingly for the subject matter the comic was an example of constrained writing/artwork, as Moore and Lloyd (at the latter's suggestion) set themselves certain conditions in the use of thought bubbles and sound effects. There were none. The idea was that their absence would promote ambiguity and complexity, turning these restraints to their advantage."-The Cambridge History of the Graphic Novel. The bookstore issue was published by Warner; the comic store version was put out by DC Comics. 286, [2:blank] pages. First bookstore edition, first printing (states "First Printing: May 1990" on the copyright page with a numberline ending in 1). Small ding along the top edge, minor wear to the top of the spine.…