whitney library of design an imprint of watson guptill publications new york (14 risultati)

softcover. Condizione: Near fine. Condizione sovraccoperta: very good. 4th printing. Quarto, softcover (approx. 8 1/8" by 10 7/8"), 224 pages. Includes Selected Bibliography, Index. Many black and white illustrations. Near fine condition. Light wear, rubbing at edges on dust jacket. 122615A.

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good-. (1977) 302 pp. Original blue cloth covers w/ modest rubbing to edges. DJ lightly soiled w/ mild edge wear. Approx. 1/2" chip to top edge of front panel. Illust. w/ b/w photos. Contents very nice.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. First Edition, Later Printing. Gray covers with red printing; slight wear on bottom corners. Light olive illustrated dust jacket with red printing; faded on spine and top of cover; surface scratches on back cover. Pages are clean and bright; no marks, no creasings.

Hardcover. Condizione: Good. Good hardcover copy 191 no. pp, text and B/W illus. throughout, 3 pp preface, 7 different essays, 3 appendices, 1 pp notes, 4 pp biblio, 3 pp index.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. "First printing: 1998" stated. Number line beginning with 1. Fine, if not new hardback in fine, if not new dust jacket ($45.00 U.S.A.).

Encuadernación de tapa dura. Condizione: Excelente. New York, Whitney Library of design an imprint of Watson-Guptill Publications, 1989.Características: Pasta dura en guaflex en excelente estado. LIBRO EN INGLÉS. 253 p.

Soft cover. Condizione: Good. No Jacket. First paperback edition. Condition Good, with general light shelfwear to covers, sunning to spine (so that title is faded), and a small area to top left corner of front cover where a couple of the first letters of the title are also faded. Binding sound, no inscriptions. 232pp. 24 colour and 250 b/w illustrations. In this book all phases of the process of designing a signing and graphics system are described in detail, including project analysis and planning, design, bidding and documentation, construction engineering, installation and supervision.

Soft cover. Condizione: Very Good. First printing, soft cover, has a minor skew to the binding, light bumps to the spine ends and corners with a tiny crease to the lower corner of the first few pages, sun toning to the cover edges, slight rubbing with a couple faint smudges to the covers, very mild edge wear to the covers, and a very small spot to the fore edge of the last few pages, otherwise a solid, tight Very Good copy.

Hardcover. Dust Jacket Included. 4to. pp. 160. 160 colour illus. biblio. index. bds. (previous owner's signature). dw. First Edition.

Full Cloth. Condizione: Good. Condizione sovraccoperta: Good. First Edition. FIRST EDITION, first printing, full green cloth with gilt lettering on the spine, exlibrary with the usual library marks, stamping, etc. The library brodart used is a birt scuffed & worn, bottom edge of book worn. Overall a GOOD MINUS book in a GOOD MINUS dust jacket. Size: Folio - over 12" - 15" tall. Hardcover.

Hardcover. Condizione: Very good. Condizione sovraccoperta: Very good. 160 pages. With 125 illustrations. Notes on the Text. Index. The dust jacket is in a plastic sleeve. Includes contributions by the Editor, Nikolaus Pevsner, Nikolaus Boulting, John Betjeman, Osbert Lancaster, Mark Griouard, Robin Winks and Hugh Casson. Jane Fawcett MBE (née Hughes; 4 March 1921 21 May 2016) was a British codebreaker, singer, and heritage preservationist. She recently became known for her role in decoding a message, which led to the sinking of the German battleship Bismarck. From 1963 to 1976 she served as the secretary of the Victorian Society. She wrote and edited works including The Future of the Past; Seven Victorian Architects; The Village in History and Save the City. In 1963 Fawcett took an executive position with the Victorian Society, founded in 1957 as a heritage preservation organization dedicated to preserving Victorian architecture and works. As its secretary, she was effectively the chief executive, working closely with the director, Sir Nikolaus Pevsner, to save many buildings from demolition. She was dubbed "the furious Mrs. Fawcett" for her role in fighting with British Rail to preserve historic railway stations, and was instrumental in the 1967 preservation of St. Pancras station in London and the gothic Midland Grand Hotel. She also worked to save much of London's Whitehall from destruction. In 1976 Jane Fawcett was appointed MBE and stepped down from active leadership. In later years she taught preservation at the Architectural Association School of Architecture. In 1976, she became an Honorary fellow of the Royal Institute of British Architects. This insightful work delves into the intricate relationship between heritage conservation and modern development, exploring the challenges and opportunities that arise when preserving historical sites in a rapidly changing world. Through a collection of essays by various experts, it examines the philosophical, ethical, and practical aspects of maintaining cultural heritage while accommodating contemporary needs. The book highlights the importance of balancing preservation with progress, offering a comprehensive overview of strategies and case studies that illustrate the dynamic interplay between the past and the future. Presumed First U. S. Edition, First printing [The U.K. edition was also published in 1976 by Thames and Hudson Ltd.].

Hardcover. Condizione: Very good. Condizione sovraccoperta: Very good. First Printing [Stated]. Format is approximately 8.75 inches by 12.25 inches. 192 pages. With essays by Michael Sorkin and Richard Rush. Illustrations (some in color). Bibliography. Index. Among the architects and their projects addressed are: Swanke Hayden Connell; Helmut Jahn; Johnson and Burgee; Cesar Pelli; Booth and Hansen; Hugh Stubbins; Emilio Ambasz; Attia and Perkins; Kohn Pedersen Fox; Hellmuth, Obata & Kassabaum; Edward Larabee Barnes; James Stewart Polshek; Fox and Fowle; Skidmore, Owings & Merrill; Kevin Roche, and I. M Pei. This illustrated (mostly black and white) anthology of four dozen exemplary buildings is set within the context of the author's critical analysis of recent skyscraper construction, itself framed within the history of the genre since its beginnings in the last decades of the 19th century. Fulvio Irace (Salerno, May 12, 1950) is an Italian architect and architecture historian. Since 2000 he has been a full professor of History of Architecture at the Milan Polytechnic. His historical and critical research activity is characterized by numerous studies on Italian architecture of the years between the two world wars and after the war, with monographic works on the leading architects of that phase (for example Giovanni Muzio, Gio Ponti, Carlo Mollino, Franco Albini, Luigi Caccia Dominioni and Vico Magistretti) who have tried to deepen the relationship between international culture and local culture in the development of the idea of modernity in Italian architecture; he also touched on the themes of contemporary design and architectural historiography. A skyscraper is a tall continuously habitable building having multiple floors. Modern sources currently define skyscrapers as being at least 330 ft or 490 ft in height, though there is no universally accepted definition. Skyscrapers are very tall high-rise buildings. Historically, the term first referred to buildings with between 10 and 20 stories when these types of buildings began to be constructed in the 1880s. Skyscrapers may host offices, hotels, residential spaces, and retail spaces. One common feature of skyscrapers is having a steel frame that supports curtain walls. This idea was invented by Viollet le Duc in his discourses on architecture. These curtain walls either bear on the framework below or are suspended from the framework above, rather than resting on load-bearing walls of conventional construction. Some early skyscrapers have a steel frame that enables the construction of load-bearing walls taller than of those made of reinforced concrete. Modern skyscrapers' walls are not load-bearing, and most skyscrapers are characterised by large surface areas of windows made possible by steel frames and curtain walls. However, skyscrapers can have curtain walls that mimic conventional walls with a small surface area of windows. Modern skyscrapers often have a tubular structure, and are designed to act like a hollow cylinder to resist wind, seismic, and other lateral loads. To appear more slender, allow less wind exposure and transmit more daylight to the ground, many skyscrapers have a design with setbacks, which in some cases is also structurally required. As of February 2022, fourteen cities in the world have more than 100 skyscrapers that are 492 ft or taller: Hong Kong with 518 skyscrapers; Shenzhen, China with 343 skyscrapers; New York City, US with 300 skyscrapers; Dubai, UAE with 237 skyscrapers; Mumbai, India with 208 skyscrapers; Shanghai, China with 180 skyscrapers; Tokyo, Japan with 165 skyscrapers; Guangzhou, China with 152 skyscrapers; Kuala Lumpur, Malaysia with 148 skyscrapers; Chongqing, China, and Chicago, US, both with 135 skyscrapers; Wuhan, China with 109 skyscrapers; and Bangkok, Thailand, and Jakarta, Indonesia, both with 108 skyscrapers.

First edition hard back binding in publisher's original Farrows cream cloth covers, black title and author lettering to the spine. 4to. 11½'' x 9¼''. Contains 200 pp with 24 colour pages, 150 monochrome illustrations, sectional drawings and archive photographs throughout. Ink name to the front free end paper. Near Fine condition book in Good condition dust wrapper with small repaired tears to the top of the spine and top front corner, not price clipped, $35.00. Dust wrapper supplied in archive acetate film protection. Member of the P.B.F.A. ISBN 0851397344 ARCHITECTURE.

First Edition, 1979. A Fine hardcover copy in green cloth over thick boards, in a Fine glossy green illustrated dustwrapper, not price-clipped. Clean, unmarked text. 304pp, with Index. Many black and white illustrations. An excellent documentat ion of the Prairie Style.