Zolo press (22 risultati)

Soft cover. Condizione: Near Fine. Softcover, 200 pgs. 8.75 x 11.25 in. Edition of 600. Very minimal wear; near fine. How do you use a purposeless object? Matt Paweski s (b. 1980, Detroit, Michigan, US) debut monograph attempts an answer. The publication surveys Paweski s complete aluminum works from 2016 to 2019, and features a conversation between the artist and Chris Sharp.…

Soft cover. Condizione: Very Good. Signed by the artist, this limited run of 700 copies collects inkjet‑on‑sponge paintings by McEwen, accompanied by Tan Lin's ambient poetry written in response to the works. Features plates of fifty-one works accompanied by over thirty pages of full-bleed details that capture the surface texture of the medium. Softcover, 8.5 × 11.5 inches, 108 pgs. Binding solid and square. Interior bright, clean, and unmarked other than artist signature dated 2022 in black ink on title page. Wraps are clean, textured to mimic McEwen's series. Light shelf wear to the edges and corners, if anything. Overall an excellent and attractive artist's book. Signed by Author(s).…

Softcover, unpaginated, in English and Spanish; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Soft cover. Condizione: Good. Softcover in dust jacket, 10 by 7 inches, 204 pages. printed in edition of 800. many photo illustrations. jacket has slight wear and do covers. pages clean.

Soft cover. Condizione: As New. 1st Edition. Softcover, 208 pgs. Limited to 800 copies. Unopened, in printed shrinkwrap (some smudging to letters, else new).

Hardback. Condizione: Very good. 24 x 31cm 230pp very good hardback featuring a collection of the Irish artist's works reproduced in colour plus black and white. In the late 1990s Feehily received the Monbusho Scholarship from the Japanese Ministry of Education to study at Tokyo National University of Fine Arts and Music.A heavy book, may need extra postage.…

hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

195 x 283 mm. 128 pages. Wrappers. First edition. 500 copies. Photographs arranged by chance mathematical operations. New, unopened in shrinkwrap.

Soft cover. Condizione: As New. 1st Edition. Bought new and just opened to have signed, this is an otherwise never handled new book. Signed, "Lucas Blalock, New York 2021" on the title page (which is in the middle of the book). Due to the weight, size or rarity of this book, we will request an additional shipping surcharge from a possible low of $4(domestic) to a possible high of $24 (international) shipping from the buyer, after the order is placed. The process to request the surcharge is speedy and will not delay shipping the book. Thank you for understanding. Blalock, Lucas (illustratore). Signed by Author(s).…

18 x 25cm 176pp very good hardback with English texts including 'Pomegranate Grenade Grains for Adel - A True-Artist' by Helene Cixous followed by black and white reproductions of the drawings. One Big Bang brings together 78 charcoal and pastel drawings from the Algerian artist's recent series Nature Morte and Politics of Drawing, where everyday objects, animals, and flowers are subtly charged with tension. Through these works, Abdessemed explores the intersections of beauty, fragility, and unrest. One Big Bang offers a thoughtful entry into an artist's visual language shaped by memory, myth, and political urgency.…

Couverture souple. Condizione: Comme neuf. Mexico/Bruxelles 2026. 1 Volume/1. -- As New -- Softbound 24 x 16,8 cm ( 576 gr ). -------- 212 pages. *************************** "" Cette première monographie de l'artiste photographe américain David Gilbert retrace sa pratique sur une décennie à travers 114 photographies et un essai de l'écrivaine et commissaire d'exposition Sarah Lehrer-Graiwer. //////////////// ENGLISH TEXT ////////////////// This first monograph on the American photographer David Gilbert traces his body of work over a decade through 114 photographs and an essay by writer and curator Sarah Lehrer-Graiwer. Lillies, David Gilbert's first monograph, reimagines the artist's studio as a paradigmatic space for multiple personhoods and alternative energies. Gathering 114 staged photographs, each composition depicts scenes of interiority, scaled-up dioramas of the artist's psychic landscape embodying what it might mean to be an artist. And indeed, leafing through Lillies, one has the vague sense of peeping into something private: while there are no actual bodies, everything speaks to the artist's presence, with his photographs appearing as vacant portraits shot before or after the subject sits. As a consequence, the work ultimately grants the same attention to disposable materials as to actual human presence. And Gilbert's constant focus on economical, ephemeral materials pushes us to reconsider what should be taken seriously and what should be discarded. From stickers to napkins and butcher paper, from painted cardboard to ripped rags and towels, from tulle to chiffon, ribbons, branches, sticks, and cans, the artist transforms banality into a constant wonder bearing unexpected and glorious details. And if all portraits are ghosts, in Gilbert's case, with actual people absent from the frame, the studio set-up becomes itself the subject, finally merging photography, drawing, painting, and sculpture. All in all, Lillies pushes us, as viewers, to look for beauty—another kind of beauty; a deeper kind of beauty—where no sign of it had been detected, where we have been told not to expect it. The book is completed by an essay by writer and curator Sarah Lehrer-Graiwer, which contextualizes and expands Gilbert's practice, making Lillies a celebration of the temporary, the provisional, the impermanent, and the transitory.…

Couverture rigide. Condizione: Comme neuf. Edition originale. Bruxelles & Mexico 2024. Softbound 23 x 25 cm. --------- 304 pages . 582 illustrations. ******************* "" First monograph of German artist Esther Kläs, covering over 15 years of practice. Born 1981 in Mainz (Germany), Esther Kläs lives and works in Barcelona. Esther Kläs' sculptures and paperworks follow an autonomously defined logic that sets her work in relation to episodes of art history, such as minimalism and abstraction, while at the same time authentically positioning it in the here and now of present-day contemporary art. Esther Kläs' works give rise to an ongoing dialogue between body and environment, which already starts with her process-oriented engagement with plastic materials such as concrete, clay, plaster or artificial resin. Although they are static, Esther Kläs' sculptures and drawings appear to be in constant motion between object, figure and space. Despite their abstraction, or perhaps precisely because of it, her sculptures and paperworks refer to their own presence that enters into a performative relationship with the body of the beholder. In doing so, Esther Kläs' works avoid any kind of metaphor or narration in favor of direct experience. "" ******************** ref fab-02-06.…

hardcover. Condizione: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Gebundene Ausgabe. Condizione: Neu. en, Numbered copies Edition. 168 Seiten, Ill., 25 x 33 cm NEW ! + + + "This book is published on the occasion of the successive site-specific presentations of Mirage by Doug Aitken in three locations between 2017 and 2021. Desert X, Sonoran Desert, California, USA 2017; State Saving Bank, Detroit, Michigan, USA, 2018; Elevation 1049, Gestaad, Switzerland, 2019-21" (Impressum) Dedicated to the three iterations of the Mirage installation in Palm Springs, Detroit, and Gstaad (2017-2021), this publication offers the reader an experiential book that shares some of the characteristics of Mirage: the immersive emotion, the disrupted perception, the merging of the viewer and the landscape. This unique publication is thus not only about Mirage; it is conceived as an immersion in the artwork`s atmosphere. A site-specific installation successively exhibited in the California desert outside Palm Springs, a defunct Detroit bank, and the Alpine landscape of Gstaad, Mirage is inspired by the ranch-style suburban American house - informed by the ideas of architect Frank Lloyd Wright - and entirely composed of reflective mirrored surfaces. A visual echo-chamber, its mirrored surfaces form a life-size kaleidoscope that absorbs and reflects the landscape. Subject and object, interior and exterior, the tangible and the ephemeral, the psychological and the physical, built architecture and landscape : each of these oppositional forces are held in constant tension, yet allowed to shift and transform during the passing of time and seasons. Like a human-sized lens, Mirage works to frame and distort the evolving world outside of it. There is no single time to view this work, as each moment provides a new variation new: at night the distant lights refract to create a universe of stars; on a tranquil afternoon the sky is transformed into banks of blue fragmented by slices of clouds. There is no fixed perspective or correct interpretation. Each experience of this living artwork is unique. "I`m interested in the viewer seeing themselves in the work," Aitken says about his installation, which also dialogues with the history of the Land art. Designed by Arno Baudin (Zolo Press), this book gathers together never-before-published photo-documentation on the three Mirage installations, drawings, and other material related to the project, a comprehensive text by Neville Wakefield, as well as an interview with the artist on the history and evolution of Mirage over the years and in its different locations. Featuring cold foils, special inks, silver printing, and bound as a leporello to reflect on the mirror-like quality of Mirage, this publication is a limited edition that will become a collectible volume for both art amateurs and book lovers. (Qeulle: JRP Editions) 9783037645642 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. ***ATTENTION U.S. CUSTOMERS: Due to the new tariffs, we are unable to ship packages to the USA at this time. Thank you for understanding.*** Sprache: Englisch Gewicht in Gramm: 550.…

Couverture souple. Condizione: Comme neuf. Paris 2026. 1 Volume/1. -- Comme Neuf -- Broché /Softbound . 27,2 x 21 cm. ---------- 320 pages. 191 illustrations. **************************** "" La première monographie d'envergure consacrée à l'œuvre de l'artiste belge Carole Vanderlinden couvre plus d'une décennie de pratique. Elle rassemble près de 200 peintures et œuvres sur papier, aux côtés de textes du romancier belge Jean-Philippe Toussaint, d'essais des commissaires d'exposition Ann Hoste, Ory Dessau et Hans den Hartog Jager, ainsi que d'une conversation entre la musicienne et compositrice Joëlle Léandre et Vanderlinden. Née en 1973 à Bruxelles, Carole Vanderlinden développe depuis le milieu des années 1990 une pratique artistique qui s'appuie principalement sur la peinture, mais passe aussi par la réalisation de dessins, d'aquarelles, de collages et de petits objets. Affranchi de tout carcan stylistique, son travail brouille habilement la frontière entre figuration et abstraction, pour expérimenter intuitivement avec le rythme, la couleur et toutes les possibilités de son médium. Ses peintures sur toile et ses œuvres sur papier se laissent difficilement décrire. Simples et compactes en apparence, elles sont aussi chargées de multiples strates. Elles sont le résultat d'un processus exploratoire non planifié, un voyage incessant à travers la peinture, la couleur et les rythmes, qui donne naissance à des compositions pouvant revêtir des significations diverses. À cet effet, Vanderlinden rassemble tout un matériel de travail préparatoire, qu'elle trouve dans son environnement quotidien, dans la philosophie, la musique et dans ses carnets de croquis. Elle associe ces éléments au hasard, à des références à l'histoire de l'art et à toutes sortes d'avant-gardes, motifs abstraits et autres."" *****************************.…

Hardcover without dustjacket as issued, 168 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Couverture souple. Condizione: Comme neuf. Edition originale. New York - Paris, 2023. ------ 2 hardcover volumes in slip case - 22 x 17 cm . ( 2540 gr ) ------ 1452 pages . ********************* ""Diario de Plantas présente 724 dessins réalisés par Gabriel Orozco à Tokyo et Acapulco sur 33 carnets entre le 9 novembre 2021 et le 20 avril 2022. Le végétal et le géométrique composent, à travers l'empreinte et le recouvrement, un « journal des plantes » de grande envergure (ouvrage en deux volumes sous étui). "" *********************** 9 November 2021. Gabriel Orozco (1962, Jalapa, Mexico) is struck by a leaf. He puts that leafand six more, for good measurein his pocket, then sketches them in his diary. 20 April 2022. Orozco has drawn 724 petals, fronds, bracts, needles, every species of flora that has fallen at his feet. Diario de Plantas reproduces, at their original scale, thirty-three of the artist's plant diaries realized between Tokyo and Acapulco, tracing the evolution of his figuration from the geometric realism of biological diagrams to an efflorescent, organic impressionism rendered with the leaves themselves. Across two volumes printed on bible paper and nestled in a slipcase, Orozco puts the eighteenth-century genre of the botanical travelog to different ends: trading the all-knowing, world-ending encyclopedism of Linneaus and his fellow gentlemen naturalists for an enchantment that approaches what poet Francis Ponge called "l'être végétal" (vegetal being). '' ******************** "" 9 novembre 2021. Gabriel Orozco est fasciné par une feuille. Il met cette feuille et six autres, pour faire bonne mesure dans sa poche, puis les dessine dans son journal. 20 avril 2022. Orozco a dessiné 724 pétales, frondes, bractées, aiguilles, toutes les espèces de la flore qui sont apparues à ses pieds. Diario de Plantas reproduit, à l'échelle originale, trente-trois des journaux de plantes de l'artiste réalisés entre Tokyo et Acapulco, retraçant l'évolution de sa figuration, du réalisme géométrique des diagrammes biologiques à un impressionnisme efflorescent et organique restitué par les feuilles elles-mêmes. En deux volumes imprimés sur du papier bible et assemblés dans un étui, Orozco utilise le genre du carnet de voyage botanique du XVIIIe siècle à des fins différentes : il troque l'encyclopédisme omniscient et universel de Linné et de ses confrères naturalistes pour un émerveillement qui se rapproche de ce que le poète Francis Ponge appelait « l'être végétal ». « En un sens, mon rêve est de créer un jour un monde aussi fantastique et parfait qu'un arbre. » Gabriel Orozco. "" ************************* ya75379 fav-08-75379 ref fav-02-06.…

Two hardcover books without dustjackets as issued in printed slipcase,1034 and 414 pages, very good condition; light scuffs to slipcase; books clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover, unpaginated; in English and Spanish very good condition, clean and crisp; publisher's stamps on first and last page; no other internal marks. Foreign shipping may be extra.

Paperback. Condizione: Near fine in wraps. 21 x 28cm near fine paperback with colour reproductions showcasing the striking works of Dami n Ortega, Mexican visual artist, known for his contemporary sculpture, installation art, and mixed-media art. With Spanish and English text including an essay: Reinvented by Masks: Damian Ortega's Rites of Passage by Luigi Amara. …

30.5 x 24cm. Paperback, 284pp. Lavish full-colour artist's book bound with the spine exposed and title printed on, reflecting the artist's concern with thread and stitching. From the publisher's description: "Marie Hazard writes on the loom, imprinting her vibrant textiles with fragments of text and pieces of photographs that 'register the dance of being in and moving through the world.' Her debut monograph gathers some one-hundred-and-fifty works woven and nine exhibitions made between 2018 and 2022, alongside a modular essay by art historian Olivier Berggruen and a conversation with artist George Tiger Liu." One of 1000 copies. Very good condition.…

Couverture souple. Condizione: Comme neuf. Edition originale. Paris 2022. 1 Volume/1. -- Comme Neuf -- Broché. Format 30,5 x 23,5 cm . -------- 284 pages. ******************** "" La première monographie de l'artiste textile française, virtuose du métier à tisser, rassemble quelque cent cinquante uvres tissées et documente neuf expositions réalisées entre 2018 et 2022, avec un essai de l'historien de l'art Olivier Berggruen et une conversation avec l'artiste George Tiger Liu. Née en 1994 au Havre, Marie Hazard vit et travaille à Paris. Au terme d'études à l'Atelier de Sèvres, Marie Hazard emménage à Londres où elle intègre la Central Saint-Martins en spécialité textile. Le tissage devient alors son médium de prédilection. Avant de faire l'acquisition de son propre métier à tisser, elle assiste notamment l'artiste américaine Sheila Hicks, figure phare du Textile Art apparue dans les années 1960 qui renoue très librement avec la pratique traditionnelle du tissage. Longtemps considéré comme relevant exclusivement de l'artisanat, le tissage entre dans le vocabulaire plastique moderne grâce aux artistes du Bauhaus tel que Anni Albers et plus tard de l'Arte Povera, à travers l' uvre d'Alighiero Boetti. Dans un monde où le textile est le plus souvent associé à sa production industrielle, Marie Hazard prône la lenteur en revenant aux fondamentaux d'une pratique artisanale. Entre peinture, sculpture et installation, les uvres tissées de Marie Hazard font appel à une grande méticulosité qui n'enlève en rien à la spontanéité de son travail. Elle s'inspire librement de la sociologie culturelle et en particulier de la mode dont elle suit le développement historique, les usages et les techniques. En imprimant par exemple des maillots de basket sur ses tissages, elle incite le spectateur à se les réapproprier en évoquant leur fonction utilitaire et leur plaisir tactile. Au-delà de ces qualités plastiques, Marie Hazard utilise la technique du tissage comme un médium narratif. L'étymologie même du tissage, du verbe tistre, renvoie à la fabrication du tissu mais aussi de manière plus large à l'élaboration d'une trame et d'un langage. Ces pièces constituent un journal dans lequel elle incorpore des éléments personnels comme des photographies et des dessins. "" ************************ ref fav-02-06.…