9780198181712 - From writer to reader: Studies in editorial method di Philip-gaskell (14 risultati)

Hardcover. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Good. No dust jacket. Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition; First Printing. First Edition, First Printing (No additional printings stated). Very Good/Very Good with moderate wear to dustjacket and no marks to text. Lit crit. ; 8vo 8" - 9" tall; 268 pages.

Condizione: Very Good. 1st edition. Cloth, dj, F/VG+xiv+268pp, b/w illustrations throughout, index, dustjacket spine faded, otherwise a fine copy. The method of establishing a critical text of a work of literature is explained by way of 12 examples, from Ariosto's Orlando Furioso to Tom Stoppard's Travesties. 850 grams.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. Fine copy. Owner name to frontendpaper.

First Edition. Fine cloth copy in an equally fine dust wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description: xiii, 268 pages: illustrations; 24 cm. Contents: 1. Harington, Ariosto's Orlando furioso, 1591 -- 2. Milton, A maske (Comus), 1634 -- 3. Richardson, Pamela, 1741 -- 4. Swift, Directions to servants, 1745 -- 5. Scott, The Heart of Mid-Lothian, 1818 -- 6. Tennyson, 'OEnone', 1833 -- 7. Dickens, David Copperfield, 1850 -- 8. Thackeray, Henry Esmond, 1852 -- 9. Hawthorne, The marble faun, 1860 -- 10. Hardy, The woodlanders, 1887 -- 11. Joyce, Ulysses, 1922 -- 12. Stoppard, Travesties, 1974. Subjects: English literature History and criticism. Editing English literature.Editing Decision-making. 1 Kg.

First Edition. Fine cloth copy in an equally fine dust wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description: xiii, 268 pages: illustrations; 24 cm. Contents: 1. Harington, Ariosto's Orlando furioso, 1591 -- 2. Milton, A maske (Comus), 1634 -- 3. Richardson, Pamela, 1741 -- 4. Swift, Directions to servants, 1745 -- 5. Scott, The Heart of Mid-Lothian, 1818 -- 6. Tennyson, 'OEnone', 1833 -- 7. Dickens, David Copperfield, 1850 -- 8. Thackeray, Henry Esmond, 1852 -- 9. Hawthorne, The marble faun, 1860 -- 10. Hardy, The woodlanders, 1887 -- 11. Joyce, Ulysses, 1922 -- 12. Stoppard, Travesties, 1974. Subjects: English literature History and criticism. Editing English literature.Editing Decision-making. 1 Kg. Item is Shipped from Ireland or US locations.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:019818171X.

Hardback. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. FROM WRITER TO READER. Studies in Editorial Method. Philip Gaskell. Oxford University Press, Oxford. 1978 first edition ISBN 019818171X 268pp Illustrated Hardback. This copy is in FINE condition. There is a small neat signature to the front paste down which is hidden by the dustwrapper front flap. The dustwrapper is mildly sunned to the spine but is otherwise FINE. An authoritative and illustrative guide to modern editorial methods using standard texts. Ref R1.

Cloth, 8vo, 24 cm, xiii, 268 pp, ills. From the blurb: "Most of the major works of English literature are readily available today only in versions that are sadly inadequate. There are few reliable specialist editions; much worse, the majority of the paperback texts of English and American authors that are sold in their millions to students and general readers are corrupt and misleading. This is as unnecessary as it is undesirable. By combining a critical judgement with an understanding of textual bibliography, an editor can establish a 'critical text' that is as authoritative as the evidence allows, and can present it in the form best suited to his intended audience. The examples given in this book show how this may be done. Dr. Gaskell presents extracts from the early texts of twelve works of literature. He has chosen them not only because of their importance as works of art but also on account of the quantity and variety of the surviving textual evidence; and so by skilfully following each extract through its surviving stages from writer to reader he encompasses a variety of subjects and treatments. His authors are Harington (Ariosto's Orlando Furioso), Milton (Comus), Richardson (Pamela), Swift (Directions to Servants), Scott (The Heart of Mid-Lothian), Tennyson (OEnone), Dickens (David Copperfield), Thackeray (Henry Esmond), Hawthorne (The Marble Faun), Hardy (The Woodlanders), Joyce (Ulysses), and Tom Stoppard (Travesties)." Very Good in a dustwrapper which is slightly faded around the spine.

Cloth. Condizione: Near Fine. Condizione sovraccoperta: Very Good. DJ lightly rubbed with a few small scratches to rear and sunning to spine and top. Top edge foxed, else very tidy. Size: 8vo 0.0.

Hardback. Hardback. 268pp. How to establish an authoritative text a practical guide for editors with 10 examples drawn from writers as diverse as John Milton and Tom Stoppard. Cloth with gilt titles to spine is clean, bright and neat. Dust wrapper is rubbed to edges and unevenly faded. Near fine, bright copy in good dust wrapper Near fine, bright copy in good dust wrapper.

Couverture rigide. Condizione: bon. RO60111589: 1878. In-8. Relié. Etat d'usage, Couv. légèrement passée, Coiffe en tête abîmée, Intérieur acceptable. 268 pages. Illustré de nombreuses photos en noir et blanc dans et hors texte. Jaquette abîmée et défraîchie. Avec Jaquette. . . Classification Dewey : 420-Langue anglaise. Anglo-saxon.

8vo, (240x160mm), xiv,268p. 8 full-page illustrations. A good copy in original dark blue cloth, gile lettered, dustjacket spine faded; previous owner's signature on the front free endleaf.