Isbn: 9780199250325 - allusion to the poets (30 risultati)

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  • Lingua: Inglese

    Editore: Oxford University Press, 2002

    0199250324 / 9780199250325

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    Condizione: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.…

  • Lingua: Inglese

    Editore: Oxford University Press, 2002

    0199250324 / 9780199250325

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    Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

  • Lingua: Inglese

    Editore: Oxford University Press, 2002

    0199250324 / 9780199250325

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    Condizione: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

  • Lingua: Inglese

    Editore: Oxford University Press, Incorporated, 2002

    0199250324 / 9780199250325

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    Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

  • Lingua: Inglese

    Editore: Oxford University Press, 2002

    0199250324 / 9780199250325

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    Hardback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

  • Lingua: Inglese

    Editore: Oxford University Press, 2002

    0199250324 / 9780199250325

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    Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780199250325.…

  • Lingua: Inglese

    Editore: Oxford University Press, 2002

    0199250324 / 9780199250325

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  • Lingua: Inglese

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  • Lingua: Inglese

    Editore: Oxford University Press, GB, 2002

    0199250324 / 9780199250325

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    Hardback. Condizione: New. Allusion to the words and phrases of ancestral voices is one of the hiding-places of poetry's power. Poets appreciate the great debts that they owe to previous poets, and are often duly and newly grateful. Allusion to the Poets consists of twelve essays - four published here for the first time - on allusion and its relations, in particular on the use that poets in English have made of the very words of poets in English. The first half of the book, on 'The Poet as Heir', consists of six chapters devoted to individual poets, Augustan, Romantic, and Victorian: Dryden and Pope, Burns, Wordsworth, Byron, Keats, and Tennyson. Allusion is always a form of inheritance, not to be hoarded or squandered. The critical and creative question is its imaginative co-operation with other kinds of legacy - with whatever for a particular poet or for a particular time is judged to be an unignorable inheritance: of a throne, perhaps, or of land; of intermixed languages; of the human senses; of money; of literature itself; or of our planet, long-lived but not eternal. The second half of the book is six essays on allusion's affiliations: to plagiarism (allusion being plagiarism's responsible opposite); to metaphor (allusion being a form that metaphor may take); to loneliness in poetry (allusion constituting company). And on allusion within poetry to prose (A E. Housman); on translation as exercising allusion (David Ferry); and on the clash between one poet's practice and his critical principles (Yvor Winters).…

  • Lingua: Inglese

    Editore: Oxford University Press, 2002

    0199250324 / 9780199250325

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  • Lingua: Inglese

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    First Edition. Fine cloth copy in a near-fine, very slightly edge-nicked and dust-dulled dust-wrapper. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; 345 pages ; 23 cm. Subjects; Criticism, interpretation. Engels. Influence Literary, artistic. English poetry. History and criticism. Intertextuality. plagiarism. 1 Kg. …

  • Lingua: Inglese

    Editore: Oxford University Press, 2002

    0199250324 / 9780199250325

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    Condizione: New. In English.

  • Lingua: Inglese

    Editore: Oxford Univ Pr, 2002

    0199250324 / 9780199250325

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    Hardcover. Condizione: Brand New. 320 pages. 9.00x5.75x1.00 inches. In Stock.

  • Lingua: Inglese

    Editore: Oxford University Press, 2002

    0199250324 / 9780199250325

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  • Lingua: Inglese

    Editore: Oxford University Press OUP, 2002

    0199250324 / 9780199250325

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    Condizione: New. pp. 352.

  • Lingua: Inglese

    Editore: Oxford : Oxford University Press, 2002

    0199250324 / 9780199250325

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    Condizione: Sehr gut. 345 p. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Overall very good and clean. Includes review of the book. With author dedication to Wolfgang Haase. - Allusion to the words and phrases of ancestral voices is one of the hidingplaces of poetrys power. Poets appreciate the great debts that they owe to previous poets, and are often duly and newly grateful. Allusion to the Poets consists of twelve essaysfour published here for the first timeon allusion and its relations, in particular on the use that poets in English have made of the very words of poets in English. The first half of the book, on The Poet as Heir, consists of six chapters devoted to individual poets, Augustan, Romantic, and Victorian: Dryden and Pope, Burns, Wordsworth, Byron, Keats, and Tennyson. Allusion is always a form of inheritance, not to be hoarded or squandered. The critical and creative question is its imaginative co-operation with other kinds of legacywith whatever for a particular poet or for a particular time is judged to be an unignorable inheritance: of a throne, perhaps, or of land; of intermixed languages; of the human senses; of money; of literature itself; or of our planet, long-lived but not eternal. The second half of the book is six essays on allusions affiliations: to plagiarism (allusion being plagiarisms responsible opposite); to metaphor (allusion being a form that metaphor may take); to loneliness in poetry (allusion constituting company). And on allusion within poetry to prose (A. E. Housman); on translation as exercising allusion (David Ferry); and on the clash between one poets practice and his critical principles (Yvor Winters). - Christopher Ricks is Warren Professor of the Humanities and Co-Director of the Editorial Insitute at Boston University. His many OUP books include Becktt's Dying Words, Essays in Appreciation, The Force of Poetry, The New Oxford Book of Victorian Verse, and The Oxford Book of English Verse. ISBN 9780199250325 Sprache: Englisch Gewicht in Gramm: 536 Original cloth with dust jacket.…

  • Lingua: Inglese

    Editore: OUP Oxford, 2002

    0199250324 / 9780199250325

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    Condizione: New. This third collection of essays by Christopher Ricks focuses on the theme of how writers - especially but not exclusively poets - make use of other writers' work: from the subtle courtesies of different kinds of allusion to the extreme discourtesy of plagiarism. Num Pages: 352 pages, index. BIC Classification: 2AB; DSC. Category: (P) Professional & Vocational. Dimension: 167 x 224 x 30. Weight in Grams: 604. . 2002. hardcover. . . . .…

  • Lingua: Inglese

    Editore: Oxford University Press, GB, 2002

    0199250324 / 9780199250325

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    Hardback. Condizione: New. Allusion to the words and phrases of ancestral voices is one of the hiding-places of poetry's power. Poets appreciate the great debts that they owe to previous poets, and are often duly and newly grateful. Allusion to the Poets consists of twelve essays - four published here for the first time - on allusion and its relations, in particular on the use that poets in English have made of the very words of poets in English. The first half of the book, on 'The Poet as Heir', consists of six chapters devoted to individual poets, Augustan, Romantic, and Victorian: Dryden and Pope, Burns, Wordsworth, Byron, Keats, and Tennyson. Allusion is always a form of inheritance, not to be hoarded or squandered. The critical and creative question is its imaginative co-operation with other kinds of legacy - with whatever for a particular poet or for a particular time is judged to be an unignorable inheritance: of a throne, perhaps, or of land; of intermixed languages; of the human senses; of money; of literature itself; or of our planet, long-lived but not eternal. The second half of the book is six essays on allusion's affiliations: to plagiarism (allusion being plagiarism's responsible opposite); to metaphor (allusion being a form that metaphor may take); to loneliness in poetry (allusion constituting company). And on allusion within poetry to prose (A E. Housman); on translation as exercising allusion (David Ferry); and on the clash between one poet's practice and his critical principles (Yvor Winters).…

  • Lingua: Inglese

    Editore: OUP Oxford, 2002

    0199250324 / 9780199250325

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    Condizione: New. This third collection of essays by Christopher Ricks focuses on the theme of how writers - especially but not exclusively poets - make use of other writers' work: from the subtle courtesies of different kinds of allusion to the extreme discourtesy of plagiarism. Num Pages: 352 pages, index. BIC Classification: 2AB; DSC. Category: (P) Professional & Vocational. Dimension: 167 x 224 x 30. Weight in Grams: 604. . 2002. hardcover. . . . . Books ship from the US and Ireland.…

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    0199250324 / 9780199250325

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    HRD. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

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    Condizione: New. Print on Demand pp. 352 44:B&W 5.5 x 8.5 in or 216 x 140 mm (Demy 8vo) Case Laminate on Creme w/Gloss Lam.

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    Condizione: New. PRINT ON DEMAND pp. 352.

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    Einband - fest (Hardcover). Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This third collection of essays by Christopher Ricks focuses on the theme of how writers - especially but not exclusively poets - make use of other writers work: from the subtle courtesies of different kinds of allusion to the extreme discourtesy of plagia.…

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    Hardcover. Condizione: new. Hardcover. Allusion to the words and phrases of ancestral voices is one of the hiding-places of poetry's power. Poets appreciate the great debts that they owe to previous poets, and are often duly and newly grateful. Allusion to the Poets consists of twelve essays - four published here for the first time - on allusion and its relations, in particular on the use that poets in English have made of the very words of poets in English.The first half of thebook, on 'The Poet as Heir', consists of six chapters devoted to individual poets, Augustan, Romantic, and Victorian: Dryden and Pope, Burns, Wordsworth, Byron, Keats, and Tennyson. Allusion is always aform of inheritance, not to be hoarded or squandered. The critical and creative question is its imaginative co-operation with other kinds of legacy - with whatever for a particular poet or for a particular time is judged to be an unignorable inheritance: of a throne, perhaps, or of land; of intermixed languages; of the human senses; of money; of literature itself; or of our planet, long-lived but not eternal.The second half of the book is six essays on allusion'saffiliations: to plagiarism (allusion being plagiarism's responsible opposite); to metaphor (allusion being a form that metaphor may take); to loneliness in poetry (allusion constituting company). And onallusion within poetry to prose (A E. Housman); on translation as exercising allusion (David Ferry); and on the clash between one poet's practice and his critical principles (Yvor Winters). Christopher Ricks' third collection of essays, several newly written for this book, is focused on the theme of how writers - especially but not exclusively poets - make use of other writers' work: from the subtle courtesies of different kinds of allusion to the extreme discourtesy of plagiarism. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

  • Lingua: Inglese

    Editore: OUP Oxford, 2002

    0199250324 / 9780199250325

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    Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Allusion to the words and phrases of ancestral voices is one of the hiding-places of poetry's power. Poets appreciate the great debts that they owe to previous poets, and are often duly and newly grateful. Allusion to the Poets consists of twelve essays - four published here for the first time - on allusion and its relations, in particular on the use that poets in English have made of the very words of poets in English. The first half of the book, on 'The Poet as Heir', consists of six chapters devoted to individual poets, Augustan, Romantic, and Victorian: Dryden and Pope, Burns, Wordsworth, Byron, Keats, and Tennyson. Allusion is always a form of inheritance, not to be hoarded or squandered. The critical and creative question is its imaginative co-operation with other kinds of legacy - with whatever for a particular poet or for a particular time is judged to be an unignorable inheritance: of a throne, perhaps, or of land; of intermixed languages; of the human senses; of money; of literature itself; or of our planet, long-lived but not eternal. The second half of the book is six essays on allusion's affiliations: to plagiarism (allusion being plagiarism's responsible opposite); to metaphor (allusion being a form that metaphor may take); to loneliness in poetry (allusion constituting company). And on allusion within poetry to prose (A E. Housman); on translation as exercising allusion (David Ferry); and on the clash between one poet's practice and his critical principles (Yvor Winters). …

  • Lingua: Inglese

    Editore: OUP Oxford, 2002

    0199250324 / 9780199250325

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    Buch. Condizione: Neu. Allusion to the Poets | Christopher Ricks | Buch | Englisch | 2002 | OUP Oxford | EAN 9780199250325 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

  • Lingua: Inglese

    Editore: Oxford University Press, Oxford, 2002

    0199250324 / 9780199250325

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    Hardcover. Condizione: new. Hardcover. Allusion to the words and phrases of ancestral voices is one of the hiding-places of poetry's power. Poets appreciate the great debts that they owe to previous poets, and are often duly and newly grateful. Allusion to the Poets consists of twelve essays - four published here for the first time - on allusion and its relations, in particular on the use that poets in English have made of the very words of poets in English. The first half of thebook, on 'The Poet as Heir', consists of six chapters devoted to individual poets, Augustan, Romantic, and Victorian: Dryden and Pope, Burns, Wordsworth, Byron, Keats, and Tennyson. Allusion is always aform of inheritance, not to be hoarded or squandered. The critical and creative question is its imaginative co-operation with other kinds of legacy - with whatever for a particular poet or for a particular time is judged to be an unignorable inheritance: of a throne, perhaps, or of land; of intermixed languages; of the human senses; of money; of literature itself; or of our planet, long-lived but not eternal. The second half of the book is six essays on allusion'saffiliations: to plagiarism (allusion being plagiarism's responsible opposite); to metaphor (allusion being a form that metaphor may take); to loneliness in poetry (allusion constituting company). And onallusion within poetry to prose (A E. Housman); on translation as exercising allusion (David Ferry); and on the clash between one poet's practice and his critical principles (Yvor Winters). Christopher Ricks' third collection of essays, several newly written for this book, is focused on the theme of how writers - especially but not exclusively poets - make use of other writers' work: from the subtle courtesies of different kinds of allusion to the extreme discourtesy of plagiarism. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…