Isbn: 9780199738861 - mr. collier's letter racks: a tale of art and illusion at the threshold of the modern information age (27 risultati)

Hardcover. Condizione: Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Standard-sized.

Soft cover. Condizione: Very Good. NOTE that this s an uncorrected advance reading copy. SOFT COVER/no dj; VERY GOOD 263pp. Has 'Aug' written and underlined on front cover. Please email w/questions or to request picture(s); refer to our book inventory number. Free media mail shipping. LOC white shelf 3.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Light wear on jacket edge with rubbing on jacket panels.: 288 pages.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condizione: new. New Copy. Customer Service Guaranteed.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Hard covers in clean, tidy condition with a similar dust jacket which is a little sunned on the spine, 275pp Size: 8vo - over 7¾" - 9¾" tall.

Condizione: New.

Hardback. Condizione: New. For 300 years, a unique and complex artistic puzzle has been hidden, the solution of which reveals an extraordinary critique of what can be described as the first modern media revolution. The mind behind this puzzle was a Dutch/British still-life painter named Edward Collier. Working around 1700, Collier has been neglected, even forgotten, precisely because his secret messages have never been noticed, let alone understood. Until now. In this book, Dror Wahrman recovers the tale of an extraordinary illusionist artist who engaged in a wholly original way with a major transformation of his generation: an unprecedented explosion in cheap print - newspapers, pamphlets, informational publications, artistic prints - that was produced for immediate release and far-flung circulation faster and in larger quantities that ever before. Edward Collier developed a secret language within his still-life paintings - replete with minutely coded messages, witty games, intricate allusions, and private jokes - in order to draw attention to the potential and the pitfalls of this new information age, uncannily prefiguring the modern perspectives of the media-savvy 21st century. This heretofore obscure artist embedded in his paintings an ingenious commentary on the media revolution of his period, on the birth of modern politics, and on art itself.…

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New. In English.

Condizione: As New. Unread book in perfect condition.

Condizione: New. 2012. Illustrated. Hardcover. Uncovers an artistic puzzle in the illusionist paintings by Edward Collier, a Dutch-British still-life painter who moved to London at the end of the seventeenth century and encoded a sophisticated critique of the information revolution that ushered in the modern information age. Num Pages: 288 pages, 100 color. BIC Classification: 1DDN; 3JD; ACQ; AFC; AGB. Category: (G) General (US: Trade). Dimension: 235 x 165 x 24. Weight in Grams: 846. . . . . . Books ship from the US and Ireland.…

Condizione: New. 2012. Illustrated. Hardcover. Uncovers an artistic puzzle in the illusionist paintings by Edward Collier, a Dutch-British still-life painter who moved to London at the end of the seventeenth century and encoded a sophisticated critique of the information revolution that ushered in the modern information age. Num Pages: 288 pages, 100 color. BIC Classification: 1DDN; 3JD; ACQ; AFC; AGB. Category: (G) General (US: Trade). Dimension: 235 x 165 x 24. Weight in Grams: 846. . . . . .…

Hardcover. Condizione: Brand New. 288 pages. 9.00x6.00x1.00 inches. In Stock.

Hardback. Condizione: New. For 300 years, a unique and complex artistic puzzle has been hidden, the solution of which reveals an extraordinary critique of what can be described as the first modern media revolution. The mind behind this puzzle was a Dutch/British still-life painter named Edward Collier. Working around 1700, Collier has been neglected, even forgotten, precisely because his secret messages have never been noticed, let alone understood. Until now. In this book, Dror Wahrman recovers the tale of an extraordinary illusionist artist who engaged in a wholly original way with a major transformation of his generation: an unprecedented explosion in cheap print - newspapers, pamphlets, informational publications, artistic prints - that was produced for immediate release and far-flung circulation faster and in larger quantities that ever before. Edward Collier developed a secret language within his still-life paintings - replete with minutely coded messages, witty games, intricate allusions, and private jokes - in order to draw attention to the potential and the pitfalls of this new information age, uncannily prefiguring the modern perspectives of the media-savvy 21st century. This heretofore obscure artist embedded in his paintings an ingenious commentary on the media revolution of his period, on the birth of modern politics, and on art itself.…

Hardcover. Condizione: New. Three hundred years ago, an unprecedented explosion in inexpensive, disposable print--newspapers, pamphlets, informational publications, artistic prints--ushered in a media revolution that forever changed our relationship to information. One unusually perceptive man, an obscure Dutch/British still life painter named Edward Collier, understood the full significance of these momentous changes and embedded in his work secret warnings about the inescapable slippages between author and print, meaning and text, viewer and canvas, perception and reality. Working around 1700, Collier has been neglected, even forgotten, precisely because his secret messages have never been noticed, let alone understood. Until now. In Mr. Collier's Letter Racks, Dror Wahrman recovers the tale of an extraordinary illusionist artist who engaged in a wholly original way with a major transformation of his generation. Wahrman shows how Collier developed a hidden language within his illusionist paintings--replete with minutely coded messages, witty games, intricate allusions, and private jokes--to draw attention to the potential and the pitfalls of this new information age. A remarkably shrewd and prescient commentator on the changes unfolding around him, not least the advent of a new kind of politics following the Glorious Revolution, Collier performed a post-modernist critique of modernity long before the modern age. His trompe l'oeil paintings are filled with seemingly disconnected, enigmatic objects--letters, seals, texts of speeches, magnifying glasses, title pages--and with teasingly significant details that require the viewer to lean in and peer closely. Wahrman does just that, taking on the role of detective/cultural historian to unravel the layers of deceptions contained within Collier's extraordinary paintings. Written with passionate enthusiasm and including more than 70 color illustrations, Mr. Collier's Letter Racks is a spell-binding feat of cultural history, illuminating not only the work of an eccentric genius but the media revolution of his period, the birth of modern politics, and the nature of art itself.…

Condizione: new. Questo è un articolo print on demand.

HRD. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Uncovers an artistic puzzle in the illusionist paintings by Edward Collier, a Dutch-British still-life painter who moved to London at the end of the seventeenth century and encoded a sophisticated critique of the information revolution that ushered in the .…

Hardcover. Condizione: new. Hardcover. Three hundred years ago, an unprecedented explosion in inexpensive, disposable print--newspapers, pamphlets, informational publications, artistic prints--ushered in a media revolution that forever changed our relationship to information. One unusually perceptive man, an obscure Dutch/British still life painter named Edward Collier, understood the full significance of these momentous changes and embedded in his work secret warnings about the inescapable slippages between author and print, meaning and text, viewer and canvas, perception and reality.Working around 1700, Collier has been neglected, even forgotten, precisely because his secret messages have never been noticed, let alone understood. Until now. In Mr. Collier's Letter Racks , Dror Wahrman recovers the tale of an extraordinary illusionist artist who engaged in a wholly original way with a major transformation of his generation. Wahrman shows how Collier developed a hidden language within his illusionist paintings--replete with minutely coded messages, witty games, intricate allusions, and private jokes--to draw attention to the potential and the pitfalls of this new information age. A remarkably shrewd and prescient commentator on the changes unfolding around him, not least the advent of a new kind of politics following the Glorious Revolution, Collier performed a post-modernist critique of modernity long before the modern age. His trompe l'oeil paintings are filled with seemingly disconnected, enigmatic objects--letters, seals, texts of speeches, magnifying glasses, title pages--and with teasingly significant details that require the viewer to lean in and peer closely. Wahrman does just that, taking on the role of detective/cultural historian to unravel the layers of deceptions contained within Collier's extraordinary paintings.Written with passionate enthusiasm and including more than 70 color illustrations, Mr. Collier's Letter Racks is a spell-binding feat of cultural history, illuminating not only the work of an eccentric genius but the media revolution of his period, the birth of modern politics, and the nature of art itself. Uncovers an artistic puzzle in the illusionist paintings by Edward Collier, a Dutch-British still-life painter who moved to London at the end of the seventeenth century and encoded a sophisticated critique of the information revolution that ushered in the modern information age. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condizione: New. Print on Demand pp. 352 100 Illus. (Col.).

Condizione: New. Print on Demand pp. 352.

Condizione: New. PRINT ON DEMAND pp. 352.

Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - For 300 years, a unique and complex artistic puzzle has been hidden, the solution of which reveals an extraordinary critique of what can be described as the first modern media revolution. The mind behind this puzzle was a Dutch/British still-life painter named Edward Collier. Working around 1700, Collier has been neglected, even forgotten, precisely because his secret messages have never been noticed, let alone understood. Until now. In this book, Dror Wahrman recovers the tale of an extraordinary illusionist artist who engaged in a wholly original way with a major transformation of his generation: an unprecedented explosion in cheap print - newspapers, pamphlets, informational publications, artistic prints - that was produced for immediate release and far-flung circulation faster and in larger quantities that ever before. Edward Collier developed a secret language within his still-life paintings - replete with minutely coded messages, witty games, intricate allusions, and private jokes - in order to draw attention to the potential and the pitfalls of this new information age, uncannily prefiguring the modern perspectives of the media-savvy 21st century. This heretofore obscure artist embedded in his paintings an ingenious commentary on the media revolution of his period, on the birth of modern politics, and on art itself.…

Buch. Condizione: Neu. Mr. Collier's Letter Racks | A Tale of Art & Illusion at the Threshold of the Modern Information Age | Dror Wahrman | Buch | Gebunden | Englisch | 2012 | Oxford University Press | EAN 9780199738861 | Verantwortliche Person für die EU: Deutsche Bibelgesellschaft, Postfach:81 03 40, 70567 Stuttgart, vertrieb[at]dbg[dot]de | Anbieter: preigu Print on Demand.…