9780226461199 - the escape: from a seventeenth-century drawing manual of the face and its expressions di schutter, david; schwabsky, barry; roelstraete, dieter (20 risultati)

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Da: Open Books, Chicago, IL, U.S.A.Open Books
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hardcover. Condizione: Very Good. Open Books is a nonprofit social venture that provides literacy experiences for thousands of readers each year through inspiring programs and creative capitalization of books.

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Da: The Compleat Scholar, Rochester, NY, U.S.A.The Compleat Scholar
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hardcover. Condizione: As New. Never read, no marks or highlighting in the book. Our copy is hardback, no dust jacket, showing light shelf-wear.

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Da: Museum Exchange, New York, NY, U.S.A.Museum Exchange
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Hardcover. Condizione: New. New, in plastic.

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Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.Midtown Scholar Bookstore
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hardcover. Condizione: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Standard-sized.

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Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.Midtown Scholar Bookstore
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hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

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- Prima edizione
Da: Don Kelly Books, London, Regno UnitoDon Kelly Books
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Hardcover. Condizione: New. 1st Edition.

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Da: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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Condizione: new.

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Da: PBShop.store US, Wood Dale, IL, U.S.A.PBShop.store US
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HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Condizione: New. 2020. Illustrated. Hardcover. . . . . .

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Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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Hardback. Condizione: New. Charles Le Brun's drawing manual on human emotions has been used for centuries by artists and students as a model for depicting facial expressions. In David Schutter's work, Le Brun's manual is set to a different direction--a series of abstract drawings recalling vestiges of the human face animated by…emotion. But Schutter's drawings are neither copies nor portraiture. Rather, they are reflections on how Lebrun's renderings were made. Collected here, Schutter's work recreates not the subject matter but the very values of Lebrun's drawings--light, gesture, scale, and handling of materials. The cross-hatching in the original was used to make classical tone and volume, in Schutter's hand the technique makes for unstable impressions of strained neck and deeply furrowed brow, or for drawing marks and scribbles unto themselves. As such, these drawings end up denying a neat closure--unlike their academic source material--and render unsettling states of mind that require repeated viewing. Accompanied by essays from art critic Barry Schwabsky and Neubauer Collegium curator Dieter Roelstraete, The Escape will appeal to students, critics, and admirers of seventeenth-century, modern, and contemporary art alike.

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Da: Majestic Books, Hounslow, Regno UnitoMajestic Books
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Condizione: New.

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Da: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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Condizione: New. 2020. Illustrated. Hardcover. . . . . . Books ship from the US and Ireland.

Lingua: Inglese
Editore: The University of Chicago Press, Chicago, IL, 2021
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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Hardcover. Condizione: new. Hardcover. Charles Le Bruns drawing manual on human emotions has been used for centuries by artists and students as a model for depicting facial expressions. In David Schutters work, Le Bruns manual is set to a different directiona series of abstract drawings recalling vestiges of the human face anima…ted by emotion. But Schutters drawings are neither copies nor portraiture. Rather, they are reflections on how Lebruns renderings were made. Collected here, Schutters work recreates not the subject matter but the very values of Lebruns drawingslight, gesture, scale, and handling of materials. The cross-hatching in the original was used to make classical tone and volume, in Schutters hand the technique makes for unstable impressions of strained neck and deeply furrowed brow, or for drawing marks and scribbles unto themselves. As such, these drawings end up denying a neat closureunlike their academic source materialand render unsettling states of mind that require repeated viewing. Accompanied by essays from art critic Barry Schwabsky and Neubauer Collegium curator Dieter Roelstraete, The Escape will appeal to students, critics, and admirers of seventeenth-century, modern, and contemporary art alike. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Hardcover. Condizione: Brand New. 129 pages. 11.50x9.00x0.75 inches. In Stock.

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Da: Books Puddle, New York, NY, U.S.A.Books Puddle
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Condizione: New.

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Da: THE SAINT BOOKSTORE, Southport, Regno UnitoTHE SAINT BOOKSTORE
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Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Editore: University of Chicago press
Da: INDOO, Avenel, NJ, U.S.A.INDOO
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Condizione: New. Brand New.

Lingua: Inglese
Editore: The University of Chicago Press, Chicago, IL, 2021
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Da: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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Hardcover. Condizione: new. Hardcover. Charles Le Bruns drawing manual on human emotions has been used for centuries by artists and students as a model for depicting facial expressions. In David Schutters work, Le Bruns manual is set to a different directiona series of abstract drawings recalling vestiges of the human face anima…ted by emotion. But Schutters drawings are neither copies nor portraiture. Rather, they are reflections on how Lebruns renderings were made. Collected here, Schutters work recreates not the subject matter but the very values of Lebruns drawingslight, gesture, scale, and handling of materials. The cross-hatching in the original was used to make classical tone and volume, in Schutters hand the technique makes for unstable impressions of strained neck and deeply furrowed brow, or for drawing marks and scribbles unto themselves. As such, these drawings end up denying a neat closureunlike their academic source materialand render unsettling states of mind that require repeated viewing. Accompanied by essays from art critic Barry Schwabsky and Neubauer Collegium curator Dieter Roelstraete, The Escape will appeal to students, critics, and admirers of seventeenth-century, modern, and contemporary art alike. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

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Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
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Hardback. Condizione: New. Charles Le Brun's drawing manual on human emotions has been used for centuries by artists and students as a model for depicting facial expressions. In David Schutter's work, Le Brun's manual is set to a different direction--a series of abstract drawings recalling vestiges of the human face animated by…emotion. But Schutter's drawings are neither copies nor portraiture. Rather, they are reflections on how Lebrun's renderings were made. Collected here, Schutter's work recreates not the subject matter but the very values of Lebrun's drawings--light, gesture, scale, and handling of materials. The cross-hatching in the original was used to make classical tone and volume, in Schutter's hand the technique makes for unstable impressions of strained neck and deeply furrowed brow, or for drawing marks and scribbles unto themselves. As such, these drawings end up denying a neat closure--unlike their academic source material--and render unsettling states of mind that require repeated viewing. Accompanied by essays from art critic Barry Schwabsky and Neubauer Collegium curator Dieter Roelstraete, The Escape will appeal to students, critics, and admirers of seventeenth-century, modern, and contemporary art alike.