9780252068676 - Citizen Critics: Literary Public Spheres di Eberly, Rosa A. (20 risultati)

Condizione: New. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. The condition of our public discussions about literary and cultural works has much to say about the state of our democracy. Classrooms, newspapers, magazines, Internet forums, and many other places grant citizens a place to hold public discourses-and claim a voice on national artistic matters. Rosa A. Eberly looks at four censorship controversies where professionals asserted their authority to deny citizen critics a voice-and effectively removed discussion of literature from the public sphere. Eberly compares the outrage sparked by the publication of James Joyce's Ulysses and Henry Miller's Tropic of Cancer with the relative quiescence that greeted the much more violent and sexually explicit content of Bret Easton Ellis's American Psycho and Andrea Dworkin's Mercy. Through a close reading of letters to the editor, reviews, media coverage, and court cases, Eberly shows how literary critics and legal experts defused censorship debates-and undercut the authority of citizen critics-by shifting the focus from content to aesthetics and from social values to publicity.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: new.

Paperback. Condizione: new. Paperback. The condition of our public discussions about literary and cultural works has much to say about the state of our democracy. Classrooms, newspapers, magazines, Internet forums, and many other places grant citizens a place to hold public discourses-and claim a voice on national artistic matters. Rosa A. Eberly looks at four censorship controversies where professionals asserted their authority to deny citizen critics a voice-and effectively removed discussion of literature from the public sphere. Eberly compares the outrage sparked by the publication of James Joyce's Ulysses and Henry Miller's Tropic of Cancer with the relative quiescence that greeted the much more violent and sexually explicit content of Bret Easton Ellis's American Psycho and Andrea Dworkin's Mercy. Through a close reading of letters to the editor, reviews, media coverage, and court cases, Eberly shows how literary critics and legal experts defused censorship debates-and undercut the authority of citizen critics-by shifting the focus from content to aesthetics and from social values to publicity. A study of the links among literature, rhetoric, and democracy that explores the public debate generated by amateur and professional readers about four controversial literary works: two that were censored in the United States and two that created conflict because they were not censored. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: Brand New. 199 pages. 9.00x6.25x0.75 inches. In Stock.

Condizione: New. pp. 224.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780252068676.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780252068676.

Condizione: New. A study of the links among literature, rhetoric, and democracy that explores the public debate generated by amateur and professional readers about four controversial literary works: two that were censored in the United States and two that created conflict because they were not censored. Num Pages: 224 pages. BIC Classification: DS; JFC; JHM. Category: (P) Professional & Vocational. Dimension: 227 x 151 x 16. Weight in Grams: 345. . 2000. Paperback. . . . .

Condizione: New. pp. 224.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. A study of the links among literature, rhetoric, and democracy that explores the public debate generated by amateur and professional readers about four controversial literary works: two that were censored in the United States and two that created conflict because they were not censored. Num Pages: 224 pages. BIC Classification: DS; JFC; JHM. Category: (P) Professional & Vocational. Dimension: 227 x 151 x 16. Weight in Grams: 345. . 2000. Paperback. . . . . Books ship from the US and Ireland.

Paperback. Condizione: new. Paperback. The condition of our public discussions about literary and cultural works has much to say about the state of our democracy. Classrooms, newspapers, magazines, Internet forums, and many other places grant citizens a place to hold public discourses-and claim a voice on national artistic matters. Rosa A. Eberly looks at four censorship controversies where professionals asserted their authority to deny citizen critics a voice-and effectively removed discussion of literature from the public sphere. Eberly compares the outrage sparked by the publication of James Joyce's Ulysses and Henry Miller's Tropic of Cancer with the relative quiescence that greeted the much more violent and sexually explicit content of Bret Easton Ellis's American Psycho and Andrea Dworkin's Mercy. Through a close reading of letters to the editor, reviews, media coverage, and court cases, Eberly shows how literary critics and legal experts defused censorship debates-and undercut the authority of citizen critics-by shifting the focus from content to aesthetics and from social values to publicity. A study of the links among literature, rhetoric, and democracy that explores the public debate generated by amateur and professional readers about four controversial literary works: two that were censored in the United States and two that created conflict because they were not censored. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condizione: New. The condition of our public discussions about literary and cultural works has much to say about the state of our democracy. Classrooms, newspapers, magazines, Internet forums, and many other places grant citizens a place to hold public discourses-and claim a voice on national artistic matters. Rosa A. Eberly looks at four censorship controversies where professionals asserted their authority to deny citizen critics a voice-and effectively removed discussion of literature from the public sphere. Eberly compares the outrage sparked by the publication of James Joyce's Ulysses and Henry Miller's Tropic of Cancer with the relative quiescence that greeted the much more violent and sexually explicit content of Bret Easton Ellis's American Psycho and Andrea Dworkin's Mercy. Through a close reading of letters to the editor, reviews, media coverage, and court cases, Eberly shows how literary critics and legal experts defused censorship debates-and undercut the authority of citizen critics-by shifting the focus from content to aesthetics and from social values to publicity.