9780262026475 - Hall of Mirrors: Roy Lichtenstein and the Face of Painting in the 1960s di Bader, Graham (21 risultati)

hardcover. Condizione: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

Condizione: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Standard-sized.

Hardcover. Condizione: Very Good. 1st Edition. 258 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. A very good to near fine copy in a very good to near fine dust jacket. Small (one tiny dot) remainder mark on bottom fore-edge. This copy is smyth sewn. Smyth sewing is a method of bookbinding where groups of folded pages (referred to as signatures) are stitched together using binder thread. Each folded signature is sewn together individually with multiple stitches and then joined with other signatures to create the complete book block. This is the traditional and best method of bookbinding.

Hardcover. Condizione: Used-Very Good. Minimal shelf wear, clean internals. Remainder mark.

Hard Cover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Ex-Library.

Hardcover. Condizione: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized.

Hardcover. 258pp., illustrated in black & white. Near new, fresh unused condition, covers bright, text clean & binding tight / slightly ruffled but still bright near new dust jacket.

Hardcover. Condizione: As New. Condizione sovraccoperta: Very Good. First Edition.

Hardcover. Condizione: NF. Hardback in Near Fine condition with Near Fine dust jacket. . October Books. 9.1 X 6.7 X 1.0 inches. 258 pages. * Quick Shipping * All Books Mailed in Boxes * Free Tracking Provided *.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. First Edition (1st printing), This is a New and Unread copy of the first edition (1st printing)l.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Fine. 1st Edition. First Edition. 9.25 x 7.25 inches. xxxiv, 258 pp. with b/w illustrations throughout. Navy cloth lettered in silver. Normal shelf-wear. Illustrated jacket. Near Fine in Fine dust jacket. In mylar dust wrapper.

First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. Physical description; xxxiv, 258 p. : ill. ; 24 cm. Summary; A sustained study of Lichtenstein's pop oeuvre, offering new readings of such canonical works as Look Mickey and Happy Tears. In Hall of Mirrors, Graham Bader traces the development of Roy Lichtenstein's art into, through, and beyond his classic pop oeuvre of the 1960s. Bader charts the trajectory of Lichtenstein's practice from his student days in the late 1940s to his mirror paintings of the 1970s, offering new readings of such canonical paintings as Look Mickey and Girl with Ball as well as examinations of lesser-known works across a range of media. Bader's analysis goes beyond the standard critical view of pop as a reaction to the high-culture pieties of abstract expressionism. Instead, Bader sees Lichtenstein's work as motivated by the forces of "unoriginal originality"-Lichtenstein's discovery that he could make art by "borrowing" from other images-and "disembodied bodies"-his use of flattened and schematic forms to reinvigorate figurative painting. Bader argues that 1961's Look Mickey, Lichtenstein's inaugural pop work, established a template for the tension between embodiment and disembodiment that animates much of his 1960s practice: between an evacuation of sensory experience, on the one hand, and a repeated focus on emphatic bodily acts (squeezing, kissing, crying, etc.) on the other. A similar dialectical friction exists between Lichtenstein's process and product: consistently hand-painted canvases that increasingly feign the look of industrial production. Hall of Mirrors moves chronologically, beginning with Lichtenstein's studies at Ohio State University and late-'50s moves toward pop, through his seminal canvases of the early 1960s, to his late-'60s experiments across sculpture, painting, installation, and film. The book ends with an examination of Lichtenstein's Mirror paintings of 1969-72. These little-discussed works, Bader argues, exemplify Lichtenstein's late-'60s shift of focus to the embodied experience of his own viewers-and thus culminate and conclude his practice of the decade. Subjects; Lichtenstein, Roy 1923-1997 Criticism and interpretation. Mirrors in art. Pop art United States. 3 Kg.

hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. 1st edition, 1st printing with complete number line. Hardcover with very good dust-jacket. Remainder mark on bottom edge of textblock. Otherwise, clean and solid. No tears, stains, or odors. NOT a book club edition. NOT ex-library. Hand-wrapped and packaged in cardboard.

First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. Physical description; xxxiv, 258 p. : ill. ; 24 cm. Summary; A sustained study of Lichtenstein's pop oeuvre, offering new readings of such canonical works as Look Mickey and Happy Tears. In Hall of Mirrors, Graham Bader traces the development of Roy Lichtenstein's art into, through, and beyond his classic pop oeuvre of the 1960s. Bader charts the trajectory of Lichtenstein's practice from his student days in the late 1940s to his mirror paintings of the 1970s, offering new readings of such canonical paintings as Look Mickey and Girl with Ball as well as examinations of lesser-known works across a range of media. Bader's analysis goes beyond the standard critical view of pop as a reaction to the high-culture pieties of abstract expressionism. Instead, Bader sees Lichtenstein's work as motivated by the forces of "unoriginal originality"-Lichtenstein's discovery that he could make art by "borrowing" from other images-and "disembodied bodies"-his use of flattened and schematic forms to reinvigorate figurative painting. Bader argues that 1961's Look Mickey, Lichtenstein's inaugural pop work, established a template for the tension between embodiment and disembodiment that animates much of his 1960s practice: between an evacuation of sensory experience, on the one hand, and a repeated focus on emphatic bodily acts (squeezing, kissing, crying, etc.) on the other. A similar dialectical friction exists between Lichtenstein's process and product: consistently hand-painted canvases that increasingly feign the look of industrial production. Hall of Mirrors moves chronologically, beginning with Lichtenstein's studies at Ohio State University and late-'50s moves toward pop, through his seminal canvases of the early 1960s, to his late-'60s experiments across sculpture, painting, installation, and film. The book ends with an examination of Lichtenstein's Mirror paintings of 1969-72. These little-discussed works, Bader argues, exemplify Lichtenstein's late-'60s shift of focus to the embodied experience of his own viewers-and thus culminate and conclude his practice of the decade. Subjects; Lichtenstein, Roy 1923-1997 Criticism and interpretation. Mirrors in art. Pop art United States. 1 Kg.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. Nice clean copy, no ownershio names or inscriptions. 'T' stamped to bottom of text block. Very nice clean and untorn d/w.

hardcover. Condizione: Very Good. First Edition. Light shelf wear to extremities. Several small indentations to D/J.

Condizione: Very good.

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condizione: New.