9780262100724 - conversations at the castle: changing audiences and contemporary art di arts festival of atlanta (1996 atlanta, ga.) (10 risultati)

- Rilegato
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.Midtown Scholar Bookstore
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Buono
EUR 6,25
EUR 5,18 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: Good. no dj, some shelfwear/edgewear, still NICE! - may have remainder mark or previous owner's name Oversized.

- Rilegato
Da: Better World Books: West, Reno, NV, U.S.A.Better World Books: West
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 12,64
Spedizione gratuitaSpedito in U.S.A.Quantità: 1 disponibili
Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

- Rilegato
Da: Lowry's Books, Three Rivers, MI, U.S.A.Lowry's Books
Contatta il venditoreVenditore con 4 stelleCondizione: Usato - Buono
EUR 8,01
EUR 5,14 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Hard Cover. Condizione: Good. No Jacket. Some light wear. Text is clean and tight in binding. Due to size, this book will require additional shipping outside the U.S. Size: 4to - over 9¾" - 12" tall.

- Rilegato
- Prima edizione
Da: Atlantic Bookshop, Brooklyn, NY, U.S.A.Atlantic Bookshop
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 10,68
EUR 5,18 spedizioneSpedito in U.S.A.Quantità: 2 disponibili
Hardcover. Condizione: New. 1st Edition. 4to, illustrated boards, 173pp., ills. New and sealed. Extra postage may be asked.

- Rilegato
Da: Hennessey + Ingalls, Los Angeles, CA, U.S.A.Hennessey + Ingalls
Contatta il venditoreVenditore con 4 stelleCondizione: Usato - Buono
EUR 23,98
EUR 6,48 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: Used - Good. This book addresses one of the most troubling questions of contemporary art theory and practice: Who is contemporary art for? Although the divide between contemporary art and the public has long been acknowledged, this is the first time that artists, critics, and the public have come together…to debate the problem and to make artmaking, criticism, and public reaction part of the same process. Like the exhibitions, discussions, and seminars held at 'The Castle' during the summer 1996 Olympic Games in Atlanta, this book is based on the premise that contemporary artists and the general public have something to say to each other. By positing the space of 'conversation' as one in which artworks can be experienced as creative sites open to multilayered interpretations by changing audiences, the book provides an antidote to the modernist connoisseurial silence that has long been used to define quality. The book is divided into three sections. The first contains essays by project curator Mary Jane Jacob, critic and coeditor Michael Brenson, and cultural critic Homi K. Bhabha. Their essays describe fresh approaches to contemporary art and its audiences at a time of increased access through technology and decreased government funding. The second section contains essays by the six artists/collaborative teams involved in the project. Their works, aimed at public participation, included installation-performances, collaborations with Atlanta communities, cross-country tours, and the creation and presentation of food as a means to stimulate conversation and construct community. The artists are: artway of thinking (Italy), Ery Camara (Senegal/Mexico), Mauricio Dias andWalter Riedweg (Brazil/Switzerland), Regina Frank (Germany), IRWIN (Slovenia), and Maurice O'Connell (Ireland). The final section contains seven essays by the critics, curators, educators, administrators, and artists who led the 'Conversations on Culture' at The Castle. The essays are by Jacquelynn Baas, Michael Brenson, Lisa Graziose Corrin, Amina Dickerson and Tricia Ward, Steven Durland, Susan Krane, and Susan Vogel. This book addresses one of the most troubling questions of contemporary art theory and practice: Who is contemporary art for? Book has minor shelf wear.
Altre immaginiLingua: Inglese
Editore: MIT Pr/Arts Festival of Atlanta, Cambridge, MA, 1996
- Rilegato
Da: Pistil Books Online, IOBA, Seattle, WA, U.S.A.Pistil Books Online, IOBA
Contatta il venditoreVenditore con 5 stelleMembro dell’associazione: IOBA
Condizione: Usato - Ottimo
EUR 25,58
EUR 5,18 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Hard Cover. Condizione: Fine. No Jacket. A clean, unmarked book with a tight binding. 173 pages. Pictorial cover. "This book documents the exhibition program, 'Conversations at The Castle,' organized by Mary Jane Jacob under the auspices of the Arts Festival of Atlanta and on public view from June 28 to September 29, 1996." Keyw…ords: Arts Festival, Atlanta, Conversations on Culture, Regina Frank, Irwin, Ery Camara, Mauricio Dias, Walter Riedweg, Maurice O'Connell, Artway of Thinking.

- Rilegato
Da: ANARTIST, New York, NY, U.S.A.ANARTIST
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 31,14
EUR 4,32 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Hardcover with dustjacket; 174 pages; very good condition; light rubbing to dj; no internal marks. Includes essays by: Homi Bhabha, Regina Frank, Irwin, Susan Vogel, Steven Durland, and many others. Foreign shipping may be extra for this book.
Altre immagini- Rilegato
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.Mullen Books, ABAA
Contatta il venditoreVenditore con 4 stelleCondizione: Usato
EUR 26,67
EUR 11,22 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: VG- light corner bumping. Color-illustrated boards with navy and white lettering. 172 pp. Color and BW illustrations. This book addresses one of the most troubling questions of contemporary art theory and practice: Who is contemporary art for? Although the divide between contemporary art and the public has… long been acknowledged, this is the first time that artists, critics, and the public have come together to debate the problem and to make artmaking, criticism, and public reaction part of the same process. Like the exhibitions, discussions, and seminars held at "The Castle" during the summer 1996 Olympic Games in Atlanta, this book is based on the premise that contemporary artists and the general public have something to say to each other. By positing the space of "conversation" as one in which artworks can be experienced as creative sites open to multilayered interpretations by changing audiences, the book provides an antidote to the modernist connoisseurial silence that has long been used to define quality. -Amazon.

- Rilegato
Da: Fireside Bookshop, Stroud, GLOS, Regno UnitoFireside Bookshop
Contatta il venditoreVenditore con 5 stelleMembro dell’associazione: PBFA
Condizione: Usato - Molto buono
EUR 24,09
EUR 29,23 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
hardcover. Condizione: Very Good. Condizione sovraccoperta: No D/J as Published.

- Rilegato
Da: BennettBooksLtd, Los Angeles, CA, U.S.A.BennettBooksLtd
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 69,03
EUR 6,00 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.