9780268036027 - defining acts: drama and the politics of interpretation in late medieval england di nisse, ruth (28 risultati)
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Paperback. Condizione: Very Good. Very Good paperback with light shelfwear - NICE! Standard-sized.
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Condizione: New. This study examines the social, political and theological issues that were brought to the late medieval stage. Examining plays, urban pageant cycles and travelling 'miracles' and morality plays, dating to the 14th and 15th centuries, Ruth Nisse explores how these translated contemporary issues and especially ver…nacular theology through performance. Num Pages: 226 pages. BIC Classification: 2AB; DSBB; DSG. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 232 x 158 x 18. Weight in Grams: 363. . 2005. paperback. . . . . Books ship from the US and Ireland.
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Condizione: New. This study examines the social, political and theological issues that were brought to the late medieval stage. Examining plays, urban pageant cycles and travelling 'miracles' and morality plays, dating to the 14th and 15th centuries, Ruth Nisse explores how these translated contemporary issues and especially ver…nacular theology through performance. Num Pages: 226 pages. BIC Classification: 2AB; DSBB; DSG. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 232 x 158 x 18. Weight in Grams: 363. . 2005. paperback. . . . .
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Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Paperback. Condizione: New. Defining Acts considers how the surviving English theatrical works of the fifteenth century represent competing practices of interpretation. The plays take up a series of contests over who could legitimately determine the meaning of texts-men or women, clerics or laity, rulers or subjects, Christians…or Jews-and transform these questions for audiences far beyond their original medieval academic contexts. Ruth Nisse focuses in particular on how theater translates the temporal ideas of textual exegesis into spatial models and politics. She situates medieval drama, therefore, both in its vernacular literary setting, as a genre composed against the same cultural background as The Canterbury Tales, Piers Plowman, and The Book of Margery Kempe, and in its performances, which negotiate a range of contemporary social and political issues. Defining Acts begins with an introductory chapter that reveals the dangers and pleasures of theater in a reading of Chaucer's antic Miller's Tale and the violently anti-theatrical Wycliffite Treatise of Miracle Playing. These two radically different works provide a dialectic entry into late-medieval controversies over biblical interpretation and vernacular theology, versions of which then reappear in dramatic texts themselves. Subsequent chapters engage problems such as the clash between civic rule and the authority of women's visionary experiences in the York Plays; competing ideas of labor and poverty in the Towneley Plays; and theories of Jewish exegesis that continue to haunt Christian and national understandings of history in the Croxton Play of the Sacrament. By reading medieval drama in relation to its intertexts, Nisse explores the ways in which ideas previously limited to academic discourse become elements of public theatrical performances, available to new audiences. Her pathbreaking approach to the study of medieval drama makes this book required reading for scholars and students alike.
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Paperback or Softback. Condizione: New. Defining Acts: Drama and the Politics of Interpretation in Late Medieval England. Book.
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Paperback. Condizione: New. Defining Acts considers how the surviving English theatrical works of the fifteenth century represent competing practices of interpretation. The plays take up a series of contests over who could legitimately determine the meaning of texts-men or women, clerics or laity, rulers or subjects, Christians…or Jews-and transform these questions for audiences far beyond their original medieval academic contexts. Ruth Nisse focuses in particular on how theater translates the temporal ideas of textual exegesis into spatial models and politics. She situates medieval drama, therefore, both in its vernacular literary setting, as a genre composed against the same cultural background as The Canterbury Tales, Piers Plowman, and The Book of Margery Kempe, and in its performances, which negotiate a range of contemporary social and political issues. Defining Acts begins with an introductory chapter that reveals the dangers and pleasures of theater in a reading of Chaucer's antic Miller's Tale and the violently anti-theatrical Wycliffite Treatise of Miracle Playing. These two radically different works provide a dialectic entry into late-medieval controversies over biblical interpretation and vernacular theology, versions of which then reappear in dramatic texts themselves. Subsequent chapters engage problems such as the clash between civic rule and the authority of women's visionary experiences in the York Plays; competing ideas of labor and poverty in the Towneley Plays; and theories of Jewish exegesis that continue to haunt Christian and national understandings of history in the Croxton Play of the Sacrament. By reading medieval drama in relation to its intertexts, Nisse explores the ways in which ideas previously limited to academic discourse become elements of public theatrical performances, available to new audiences. Her pathbreaking approach to the study of medieval drama makes this book required reading for scholars and students alike.
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Paperback. Condizione: Brand New. 226 pages. 8.75x6.00x0.75 inches. In Stock.
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Paperback. Condizione: New. Defining Acts considers how the surviving English theatrical works of the fifteenth century represent competing practices of interpretation. The plays take up a series of contests over who could legitimately determine the meaning of texts-men or women, clerics or laity, rulers or subjects, Christians…or Jews-and transform these questions for audiences far beyond their original medieval academic contexts. Ruth Nisse focuses in particular on how theater translates the temporal ideas of textual exegesis into spatial models and politics. She situates medieval drama, therefore, both in its vernacular literary setting, as a genre composed against the same cultural background as The Canterbury Tales, Piers Plowman, and The Book of Margery Kempe, and in its performances, which negotiate a range of contemporary social and political issues. Defining Acts begins with an introductory chapter that reveals the dangers and pleasures of theater in a reading of Chaucer's antic Miller's Tale and the violently anti-theatrical Wycliffite Treatise of Miracle Playing. These two radically different works provide a dialectic entry into late-medieval controversies over biblical interpretation and vernacular theology, versions of which then reappear in dramatic texts themselves. Subsequent chapters engage problems such as the clash between civic rule and the authority of women's visionary experiences in the York Plays; competing ideas of labor and poverty in the Towneley Plays; and theories of Jewish exegesis that continue to haunt Christian and national understandings of history in the Croxton Play of the Sacrament. By reading medieval drama in relation to its intertexts, Nisse explores the ways in which ideas previously limited to academic discourse become elements of public theatrical performances, available to new audiences. Her pathbreaking approach to the study of medieval drama makes this book required reading for scholars and students alike.
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Paperback. Condizione: New. Defining Acts considers how the surviving English theatrical works of the fifteenth century represent competing practices of interpretation. The plays take up a series of contests over who could legitimately determine the meaning of texts-men or women, clerics or laity, rulers or subjects, Christians…or Jews-and transform these questions for audiences far beyond their original medieval academic contexts. Ruth Nisse focuses in particular on how theater translates the temporal ideas of textual exegesis into spatial models and politics. She situates medieval drama, therefore, both in its vernacular literary setting, as a genre composed against the same cultural background as The Canterbury Tales, Piers Plowman, and The Book of Margery Kempe, and in its performances, which negotiate a range of contemporary social and political issues. Defining Acts begins with an introductory chapter that reveals the dangers and pleasures of theater in a reading of Chaucer's antic Miller's Tale and the violently anti-theatrical Wycliffite Treatise of Miracle Playing. These two radically different works provide a dialectic entry into late-medieval controversies over biblical interpretation and vernacular theology, versions of which then reappear in dramatic texts themselves. Subsequent chapters engage problems such as the clash between civic rule and the authority of women's visionary experiences in the York Plays; competing ideas of labor and poverty in the Towneley Plays; and theories of Jewish exegesis that continue to haunt Christian and national understandings of history in the Croxton Play of the Sacrament. By reading medieval drama in relation to its intertexts, Nisse explores the ways in which ideas previously limited to academic discourse become elements of public theatrical performances, available to new audiences. Her pathbreaking approach to the study of medieval drama makes this book required reading for scholars and students alike.
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Paperback. Condizione: Brand New. 226 pages. 8.75x6.00x0.75 inches. In Stock. This item is printed on demand.
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Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Defining Acts considers how the surviving English plays of the 15th century represent and transform competing late-medieval practices of interpretation. These works take up a series of contests over who could legitim…ately determine the meaning of texts.
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Taschenbuch. Condizione: Neu. Defining Acts | Drama and the Politics of Interpretaion in Late Medieval England | Ruth Nisse | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2005 | University of Notre Dame Press | EAN 9780268036027 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]…libri[dot]de | Anbieter: preigu Print on Demand.
