Lingua: Inglese
Editore: Pennsylvania State University Press, 2001
ISBN 10: 0271021403 ISBN 13: 9780271021409
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New.
Da: INDOO, Avenel, NJ, U.S.A.
EUR 136,97
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. Brand New.
Lingua: Inglese
Editore: Pennsylvania State University Press, 2001
ISBN 10: 0271021403 ISBN 13: 9780271021409
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Pennsylvania State University Press, 2001
ISBN 10: 0271021403 ISBN 13: 9780271021409
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 135,48
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
EUR 108,90
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Lingua: Inglese
Editore: Pennsylvania State University Press, University Park, 2001
ISBN 10: 0271021403 ISBN 13: 9780271021409
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condizione: new. Hardcover. The frescoes of the Cappella Nuova in the cathedral of Orvieto have fascinated visitors from Michelangelo to Freud and Czelow Milosz because of their dramatic portrayal of the end of the world and the Last Judgement. Creighton Gilbert's study draws on previously overlooked documents to explain the commissioning of this extraordinary cycle of paintings, begun by Fra Angelico in the early 1400s and completed a half-century later by Luca Signorelli. In contrast to most other art historians, who ascribe the iconographic and formal structure of the paintings to Signorelli, Gilbert contends that his predecessor, Fra Angelico, devised the entire programme of decoration. Gilbert also situates the cycle in the contexts of liturgical practice, humanistic studies and the rich body of texts and images shaping the Renaissance conception of the coming of the Antichrist and the world's final moments."How Fra Angelico and Signorelli Saw the End of the World" examines every element in the Cappella Nuova's architecture and complex decoration, which not only represents the coming of the Antichrist, the end of the world and the Last Judgement but also, on a high dado, features portraits of Dante and other poets, scenes from their texts and sinuous, grotesque ornament. Although Dante's likeness has long been recognized, Gilbert establishes that his great epic, "The Divine Comedy", exerted a profound influence on the chapel's iconographic programme. Creighton Gilbert's study of the frescoes of the Cappella Nuova in the cathedral of Orvieto explains the commissioning, iconography and structure of this extraordinary cycle of paintings, begun by Fra Angelico in the early 1400s and completed a half-century later by Luca Signorelli. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: Pennsylvania State University Press, 2001
ISBN 10: 0271021403 ISBN 13: 9780271021409
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 194,56
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: New.
Lingua: Inglese
Editore: Pennsylvania State University Press, 2001
ISBN 10: 0271021403 ISBN 13: 9780271021409
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 220,89
Quantità: 11 disponibili
Aggiungi al carrelloCondizione: New. Creighton Gilbert's study of the frescoes of the Cappella Nuova in the cathedral of Orvieto explains the commissioning, iconography and structure of this extraordinary cycle of paintings, begun by Fra Angelico in the early 1400s and completed a half-century later by Luca Signorelli. Num Pages: 200 pages, 95 b/w illus. BIC Classification: 1DST; 3H; ACND; AFC; AGB. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 279 x 216 x 19. Weight in Grams: 912. . 2001. Illustrated. hardcover. . . . .
Lingua: Inglese
Editore: Pennsylvania State University Press, 2001
ISBN 10: 0271021403 ISBN 13: 9780271021409
Da: moluna, Greven, Germania
EUR 188,33
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. Creighton Gilbert s study of the frescoes of the Cappella Nuova in the cathedral of Orvieto explains the commissioning, iconography and structure of this extraordinary cycle of paintings, begun by Fra Angelico in the early 1400s and completed a half-century.
Lingua: Inglese
Editore: Pennsylvania State Univ Pr, 2002
ISBN 10: 0271021403 ISBN 13: 9780271021409
Da: Revaluation Books, Exeter, Regno Unito
EUR 253,40
Quantità: 2 disponibili
Aggiungi al carrelloHardcover. Condizione: Brand New. illustrated edition. 200 pages. 10.25x8.25x0.75 inches. In Stock.
Lingua: Inglese
Editore: Pennsylvania State University Press, 2001
ISBN 10: 0271021403 ISBN 13: 9780271021409
Da: Books Puddle, New York, NY, U.S.A.
Condizione: New. pp. xix + 200.
Lingua: Inglese
Editore: Pennsylvania State University Press, 2001
ISBN 10: 0271021403 ISBN 13: 9780271021409
Da: Kennys Bookstore, Olney, MD, U.S.A.
Condizione: New. Creighton Gilbert's study of the frescoes of the Cappella Nuova in the cathedral of Orvieto explains the commissioning, iconography and structure of this extraordinary cycle of paintings, begun by Fra Angelico in the early 1400s and completed a half-century later by Luca Signorelli. Num Pages: 200 pages, 95 b/w illus. BIC Classification: 1DST; 3H; ACND; AFC; AGB. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 279 x 216 x 19. Weight in Grams: 912. . 2001. Illustrated. hardcover. . . . . Books ship from the US and Ireland.
Lingua: Inglese
Editore: Pennsylvania State University Press, 2001
ISBN 10: 0271021403 ISBN 13: 9780271021409
Da: Majestic Books, Hounslow, Regno Unito
EUR 283,17
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: New. pp. xix + 200 Illus.
Lingua: Inglese
Editore: Pennsylvania State University Press Nov 2001, 2001
ISBN 10: 0271021403 ISBN 13: 9780271021409
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 263,12
Quantità: 1 disponibili
Aggiungi al carrelloBuch. Condizione: Neu. Neuware - The frescoes of the Cappella Nuova in the Cathedral of Orvieto have fascinated visitors from Michelangelo to Freud and Czelow Milosz because of their dramatic portrayal of the end of the world and the Last Judgment. Creighton Gilbert's study draws on previously overlooked documents to explain the commissioning of this extraordinary cycle of paintings, begun by Fra Angelico in the early 1400s and completed a half-century later by Luca Signorelli. In contrast to most other art historians, who ascribe the iconographic and formal structure of the paintings to Signorelli, Gilbert contends that his predecessor, Fra Angelico, devised the entire program of decoration. Gilbert also situates the cycle in the contexts of liturgical practice, humanistic studies, and the rich body of texts and images shaping the Renaissance conception of the coming of the Antichrist and the world's final moments.