ISBN: 9780321750440 - photographically speaking: a deeper look at creating stronger images (20 risultati)

Condizione: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Paperback. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: good. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May include "From the library of" labels. Shrink wrap, dust covers, or boxed set case may be missing. Item may be missing bundled media.…

Condizione: good. Gently used with minimal wear on the corners and cover. A few pages may contain light highlighting or writing, but the text remains fully legible. Dust jacket may be missing, and supplemental materials like CDs or codes may not be included. May be ex-library with library markings. Ships promptly. …

Condizione: very_good.

Paperback. Condizione: Good. When looking at a photograph, too often a conversation starts?and, unfortunately, ends?with a statement such as, ?I like it.? The logical next question, ?Why??, often goes unasked and unanswered. As photographers, we frequently have difficulty speaking about images because, frankly, we don?t know how to think about them. And if we don?t know how to think about a photograph and its ?visual language?? how an image is constructed, how it works, and why it works?then, when we?re behind the camera, are we really making images that best communicate our vision, our original intent? Vision?crucial as it is?is not the ultimate goal of photography; expression is the goal. And to best express ourselves, it is necessary to learn and use the grammar and vocabulary of the visual language.Photographically Speaking is about learning photography?s visual language to better speak to why and how a photograph succeeds, and in turn to consciously use that visual language in the creation of our own photographs, making us stronger photographers who are able to fully express and communicate our vision. By breaking up the visual language into two main components??elements? make up its vocabulary, and ?decisions? are its grammar?David duChemin transforms what has traditionally been esoteric and difficult subject matter into an accessible and practical discussion that photographers can immediately use to improve their craft. Elements are the ?words? of the image, what we place within the frame?lines, curves, light, color, contrast. Decisions are the choices we make in assembling those elements to best express and communicate our vision?the use of framing, perspective, point of view, balance, focus, exposure.All content within the frame has meaning, and duChemin establishes that photographers must consciously and deliberately choose the elements that go within their frame and make the decisions about how that frame is constructed and presented. In the second half of the book, duChemin applies this methodology to his own craft, as he explores the visual language in 20 of his own images, discussing how the intentional choices of elements and decisions that went into their creation contribute to their success.…

Paperback. Condizione: Very Good. Voices That Matter. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: Good. When looking at a photograph, too often a conversation starts?and, unfortunately, ends?with a statement such as, ?I like it.? The logical next question, ?Why??, often goes unasked and unanswered. As photographers, we frequently have difficulty speaking about images because, frankly, we don?t know how to think about them. And if we don?t know how to think about a photograph and its ?visual language?? how an image is constructed, how it works, and why it works?then, when we?re behind the camera, are we really making images that best communicate our vision, our original intent? Vision?crucial as it is?is not the ultimate goal of photography; expression is the goal. And to best express ourselves, it is necessary to learn and use the grammar and vocabulary of the visual language.Photographically Speaking is about learning photography?s visual language to better speak to why and how a photograph succeeds, and in turn to consciously use that visual language in the creation of our own photographs, making us stronger photographers who are able to fully express and communicate our vision. By breaking up the visual language into two main components??elements? make up its vocabulary, and ?decisions? are its grammar?David duChemin transforms what has traditionally been esoteric and difficult subject matter into an accessible and practical discussion that photographers can immediately use to improve their craft. Elements are the ?words? of the image, what we place within the frame?lines, curves, light, color, contrast. Decisions are the choices we make in assembling those elements to best express and communicate our vision?the use of framing, perspective, point of view, balance, focus, exposure.All content within the frame has meaning, and duChemin establishes that photographers must consciously and deliberately choose the elements that go within their frame and make the decisions about how that frame is constructed and presented. In the second half of the book, duChemin applies this methodology to his own craft, as he explores the visual language in 20 of his own images, discussing how the intentional choices of elements and decisions that went into their creation contribute to their success.…

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover. Condizione: Fine. Leichte Kratzer / Abnutzungen / Druckstellen; Leichte Verformung / umgeknickte Seiten. In this follow-up to the bestselling "Within the Frame," duChemin offers a practical primer on visual language. The overarching question at the heart of this book is, "What makes a good photograph?" Why is this important? Because once a photographer understands what makes a good photograph--once he or she learns the visual language--then that photographer is well on the way to being able to "speak" that language, creating stronger images that communicate and connect his or her intention with the viewer.…

Paperback. Condizione: new. New Copy. Customer Service Guaranteed.

Paperback. Condizione: Fair. When looking at a photograph, too often a conversation startsand, unfortunately, endswith a statement such as, I like it. The logical next question, Why?, often goes unasked and unanswered. As photographers, we frequently have difficulty speaking about images because, frankly, we dont know how to think about them. And if we dont know how to think about a photograph and its visual language how an image is constructed, how it works, and why it worksthen, when were behind the camera, are we really making images that best communicate our vision, our original intent? Visioncrucial as it isis not the ultimate goal of photography; expression is the goal. And to best express ourselves, it is necessary to learn and use the grammar and vocabulary of the visual language.Photographically Speaking is about learning photographys visual language to better speak to why and how a photograph succeeds, and in turn to consciously use that visual language in the creation of our own photographs, making us stronger photographers who are able to fully express and communicate our vision. By breaking up the visual language into two main componentselements make up its vocabulary, and decisions are its grammarDavid duChemin transforms what has traditionally been esoteric and difficult subject matter into an accessible and practical discussion that photographers can immediately use to improve their craft. Elements are the words of the image, what we place within the framelines, curves, light, color, contrast. Decisions are the choices we make in assembling those elements to best express and communicate our visionthe use of framing, perspective, point of view, balance, focus, exposure.All content within the frame has meaning, and duChemin establishes that photographers must consciously and deliberately choose the elements that go within their frame and make the decisions about how that frame is constructed and presented. In the second half of the book, duChemin applies this methodology to his own craft, as he explores the visual language in 20 of his own images, discussing how the intentional choices of elements and decisions that went into their creation contribute to their success. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration. …

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condizione: Brand New. 1st edition. 272 pages. 9.00x8.00x0.80 inches. In Stock.

Condizione: Sehr gut. XV, 254 S., zahlr. fotogr. Farbabbild., 24 cm x 20 cm. English edition. farb. ill. brosch. Eb., Kanten minimal berieben u. eine Ecke marginal bestossen, ansonsten sehr guter Zustand. Unzugeordnet Altersfreigabe FSK ab 0 Jahre Sprache: Englisch Gewicht in Gramm: 800.