9780500236772 - History of Italian Renaissance Art: Painting, Sculpture, Architecture di Hartt, Frederick (21 risultati)

Hardback. Condizione: Fine.

Hardback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Condizione: Very Good. Fourth Edition. Hardcover. Very Good / Very Good dust jacket. Free of any markings and no writings inside. Clear Text. Minor shelf-wear. Pricing sticker on bottom of back dust jacket. For any additional information or pictures, please inquire.

Paperback. Condizione: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2950grams, ISBN:9780500236772.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2750grams, ISBN:0500236771.

Condizione: Refurbished. Most items will be dispatched the same or the next working day.

Condizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Condizione: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In fair condition, suitable as a study copy. No dust jacket. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,3000grams, ISBN:0500236771.

Hardcover. Condizione: Used; Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

paperback. Condizione: Very Good. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Fourth Edition. Very good cloth copy in a very good if slightly edge-nicked and dust-toned dust-wrapper, now mylar-sleeved. Remains particularly well-preserved overall. Physical description: 696 pages : illustrations (some color), facsimiles, 1 map, plans, portraits ; 30 cm. Subjects: Art, Italian; Art, Medieval Italy; Art, Renaissance Italy; Painting, Renaissance Italy; Sculpture, Renaissance Italy; Architecture, Renaissance Italy. 3 Kg.

Hardcover. Condizione: Good +. Fourth Edition. Fourth Edition, revised by David G. Wilkins. No markings, annotations, or inscriptions. Internally fine. Two lights marks to the text block fore edge. Unclipped dust jacket. No tears or conspicuous damage, but with some light rubbing to the corners, some clear surface scratches (no perforations), and some minor creasing. Grey cloth with bright gilt titling to the spine, Thames and Hudson gilt colophon to the front. The boards are clean and sound, BUT show conspicuous moisture staining to the front and back top edges, and also to the spine. (Note: the staining to the boards is anomalous, showing neither to the dust jacket nor to the interior of the book, save for the very slightest rippling. It is evident only when the jacket is removed.) Remains a clean and unmarked reading or study copy. 696pp. Illustrated. (Please note: this is a very heavy book. International shipping will likely be prohibitive.).

Fourth Edition. Very good cloth copy in a very good if slightly edge-nicked and dust-toned dust-wrapper, now mylar-sleeved. Remains particularly well-preserved overall. Physical description: 696 pages : illustrations (some color), facsimiles, 1 map, plans, portraits ; 30 cm. Subjects: Art, Italian; Art, Medieval Italy; Art, Renaissance Italy; Painting, Renaissance Italy; Sculpture, Renaissance Italy; Architecture, Renaissance Italy. 1 Kg.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Reprint. Light signs of use. The dustjacket has some fading to the spine and some small tears around the edges.

Hard Cover. Condizione: Fine. Condizione sovraccoperta: Fine. Fourth Edition, Revised & Expanded. VERY HEAVY. 696pp, index, bibliography, glossary, 846 ills (135 col), front endpaper gatefold. As new. Or gray cloth in jacket. This newly designed edition of this standard work features an extended presentation of the Quattrocentro and Cinquecentro in Florence, Rome and Venice, as well as additional reproduced works by north Italian artists and by Florentine artists of the Maniera. The text covers with authority and eloquence the sculpture, architecture and painting of more than four centuries. VERY HEAVY-check for postage rates Size: Folio.

Hardcover. Condizione: Fine. 4th Edition. 1994 4th edition, Thames & Hudson, 4to., 696pp., 135 coloured & 711 plain illustrations, fine, cloth, dust jacket.

gebundene Ausgabe. Condizione: Gut. Auflage: 4th Revised edition. 696 Seiten Frisches und sauberes Hardcover-Exemplar mit Schutzumschlag in gutem Zustand. Contents - A portfolio of the Italian Renaissance - The Late Middle Ages - Italy and Italian Art - Duecento Art in Tuscany adn Rome - Florentine Art of the Early Trecento - Sienese Art of the Early Trecento - Later Gothic Art in Tuscany and Northern Italy - The Quattrocento - The Beginnings of Renaissance Architecture - Gothic and Renaissance in Tuscan Sculpture - Gothic and Renaissance in Florentine Painting - The Heritage of Masaccio and the Second Renaissance Style - The Second Renaissance Style in Architecture and Sculpture - Absolute and Perfect Painting - The Second Renaissance Style - Crisis and Crosscurrents - Science, Poetry, and Prose, - The Renaissance in Central Italy - Gothic and Renaissance in Venice and Norther n Italy - The Cinquecento - The High Renaisaance in Florence - The High Renaissance in Rome - High Renaissance and Mannerism - High and Late renaissance in Venice and on the mainland - Michelangelo and the Maniera ISBN 9780500236772 Sprache: Englisch Gewicht in Gramm: 2840.

Condizione: Very good.

Condizione: Sehr gut. Fourth Edition. 23 cm x 30 cm. 696 pages with hundreds of illustrations. Original Hardcover with original dustjacket in protective collector's mylar. Excellent condition with only very minor signs of external wear. Includes for example the following essays: Italy and Italian Art / Duecento Art in Tuscany and Rome / Florentine Art of the Early Trecento / Sienese Art of the Early Trecento / The Beginnings of Renaissance Architecture / Gothic and Renaissance in Tuscan Sculpture / The Heritage of Masaccio and the Second Renaissance Style / Science, Poetry and Prose / The Renaissance in Central Italy / The High Renaissance in Florence / The High Renaissance and Mannerism / Michelangelo and the Maniera etc. "For sophomore/senior survey courses of Italian Renaissance painting, sculpture, and architecture. Long hailed as one of the most comprehensive and richly detailed chronologies of painting, sculpture, and architecture in Italy from c. 1200 AD to c. 1594 AD, this text focuses on the works of art, their creators, and the circumstances affecting their creation. This revision is designed to provide students with a more streamlined approach to understanding Italian Renaissance art without losing the enthusiasm and appreciation that Hartt demonstrated for this area and which earlier editions of this book conveyed so successfully to generations of students. The text is organized first of all chronologically, with individual chapters dedicated to developments in different areas or cities, such as Florence, Tuscany, Rome, Venice, and North Italy. There is a strong emphasis on understanding the works of individual artists as examples of their specific approach and style." (Amazon) " Frederick Hartt's History of Italian Renaissance Art remains an unrivaled classic. As absorbing to read as it is authoritative in content, the book covers over four centuries of Italian painting, sculpture, and architecture. Its sumptuous color illustrations, fine writing, and in-depth scholarship bring into focus all the elements of this extraordinarily creative period and the amazing personalities who gave it life. Building on the book's more than thirty-year tradition, revising author David G. Wilkins skillfully blends new scholarly discoveries with Hartt's original emphasis on stylistic developments between the twelfth and sixteenth centuries. Wilkins's approach retains the enthusiasm and appreciation that Hartt so successfully conveyed to generations of students and admirers of Italian Renaissance art. The fifth edition has a striking new design with more than half the works of art now illustrated in color. A lavish color portfolio of the Italian Renaissance opens the book and launches the reader on a dazzling adventure across time. New views of frescoes and sculptures photographed in their original locations offer a dynamic insight into the way Renaissance men and women experienced their art. Since the release of the fourth edition, many more works have been restored, including Michelangelo's Last Judgment in the Sistine Chapel and Raphael's Stanze frescoes in the Vatican. Fresh views of renowned works are included with art commissioned or produced by women. Extended captions identify Renaissance patrons and provide details about historical context, emphasizing how art was created and why, while in-depth visual analysis clarifies the aesthetic developments that emerged in key artistic centers such as Florence, Rome, Venice, and Siena. New iconographic diagrams and computerized reconstructions add dimension to the meanings behind classical, secular, and sacred motifs. Architectural plans, maps in color, and an expanded glossary and bibliography complete this well-rounded picture of the Italian Renaissance. Frederick Hartt and David Wilkins's History of Italian Renaissance Art invites us to experience a rich artistic legacy in painting, sculpture, and architecture. Through an engaging narrative complemented by a cascade of illustrations, Hartt and Wilkins connect us with the remarkable artists whose innovations and visions shaped the Renaissance. "(Publisher).