9780521815222 - The Parallel Worlds of Classical Art and Text di Small, Jocelyn Penny (23 risultati)

Hardcover. Condizione: Used-Very Good. Cloth, d.j. Some shelf-wear. Else clean copy.

Hardcover with dust jacket. VG/VG shelf worn 253 pp.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good+. Book is fine. DJ has very light shelfwear. ; Considering the relationship between artists and texts throughout classical antiquity, this study systematically applies new and objective criteria to judge the fidelity between picture and text. It becomes clear that artists illustrate stories, not texts, and Jocelyn Penny Small argues that artistic transmissions follow the model of oral, not textual, transmission where the variant rules and there is no original. Pictures on vases, she demonstrates, should not be used to reconstruct lost literary works. ; 10.2 X 7.2 X 0.8 inches; 270 pages.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. 1st Edition. Black boards and spine, the latter lettered in gilt. Jacket has a 1.5 cm tear on lower leading corner. Internally 'Damaged' stamped in red on front free end paper. No other faults.

Hardcover with dust jacket. Condizione: Sehr gut. 253 p.: Ill. Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Lediglich der Schutzumschlag ist leicht berieben. Sonst ein sehr gutes und sauberes Exemplar/ Only the dust jacket is slightly rubbed. Otherwise a very good and clean copy. - What does it mean to illustrate a text? The Evidence from Archaic and Early Classical Greek Art Literacy, Labels, and Stock Components What constitutes dependency of pictures on text? Examples of Artists Ignoring Texts The Importance of the Salient Detail Analysis of a Typical Representation of a Story Told by Homer Conclusion The Evidence for Greek Plays Choruses and Actors Representations of Andromeda The View Primarily from Statistics Representations of Medea Theatrical Representations on South Italian Vases The Importance of the Salient Detail and Telephos Further Reality on Vases Another View of Choice of Subject Conclusion The Evidence from Hellenistic and Roman Art Hellenistic Relief Bowls Odyssey Iphigeneia in Aulis An Excursus on Titles in Art The Relief Bowls with Iphigeneia in Aulis Hellenistic Sculpture Roman Art The Iliac Tablets Theoretical Background The Odyssey Landscapes Representations of Ovid Representations of Menanders Comedies Iphigeneia among the Taurians Mosaics with Texts Historical Subjects Conclusion Illustrated Text from Antiquity Maps and Plans Diagrams and Figures Portraits Reproduction of Pictures Representations of Rolls in Art The Physical Evidence: Extant Illustrated Papyri An Excursus on Scenes and the Codex Manuscripts of the Aeneid Conclusion There is no original! Polygnotus and His Sources The Argument from Literacy Why illustrate text? Jocelyn Penny Small is a Professor II at Rutgers University in the Department of Art History and the Library. A recipient of the Woodrow Wilson, Guggenheim, and other fellowships, she is the author of books and articles on various aspects of classical art, most recently Wax Tablets of the Mind: Cognitive Studies of Literacy and Memory in Classical Antiquity. ISBN 9780521815222 Sprache: Englisch Gewicht in Gramm: 780.

Hardcover. Condizione: New.

Hardcover. From the library of the well known classicist Karl Kilinski II. 253pp., 74 b&w illus. Kilinski's signature on front free endpaper, else as new, clean, tight and bright condition / bright and crisp dust jacket.

Condizione: New. In.

Hardcover. Condizione: Brand New. illustrated edition. 253 pages. 9.75x7.00x0.75 inches. In Stock.

Condizione: New. pp. xv + 253.

Buch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Considering the relationship between artists and texts throughout classical antiquity, this study systematically applies new and objective criteria to judge the fidelity between picture and text. It becomes clear that artists illustrate stories, not texts, and Jocelyn Penny Small argues that artistic transmissions follow the model of oral, not textual, transmission where the variant rules and there is no original. Pictures on vases, she demonstrates, should not be used to reconstruct lost literary works.

Condizione: New. This book argues that artistic transmissions follow the model of oral, not textual, transmission. Num Pages: 270 pages, 10 line diagrams 64 half-tones. BIC Classification: 1QDAG; ABA; AC. Category: (P) Professional & Vocational. Dimension: 247 x 174 x 21. Weight in Grams: 786. . 2003. Illustrated. hardcover. . . . . Books ship from the US and Ireland.

Condizione: New. This book argues that artistic transmissions follow the model of oral, not textual, transmission. Num Pages: 270 pages, 10 line diagrams 64 half-tones. BIC Classification: 1QDAG; ABA; AC. Category: (P) Professional & Vocational. Dimension: 247 x 174 x 21. Weight in Grams: 786. . 2003. Illustrated. hardcover. . . . .

Hardcover. Condizione: new. Hardcover. The Parallel Worlds of Classical Art and Text is the first study to consider the relationship between artists and texts throughout classical antiquity and to cover the entire range of illustrated text from traditional literary to technical works. By systematically applying new and objective criteria to judge the fidelity between picture and text, it becomes clear that artists illustrate stories, not texts. Jocelyn Penny Small argues that artistic transmissions follow the model of oral, not textual, transmission where the variant rules and where there is no original. Pictures on vases, she demonstrates, should not be used to reconstruct lost literary works. Finally, Small offers an analysis of literary sources on pictures in texts, proving that the appearance of the first illustrated literary classical texts occurred at the end of the Late Roman Republic. The Parallel Worlds of Classical Art and Text considers the relationship between artists and texts throughout classical antiquity. Systematically applying new and objective criteria judging the fidelity between picture and text, she argues artists illustrated stories, not texts, and that artistic transmissions follow the model of oral, not textual, transmission. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condizione: Brand New. illustrated edition. 253 pages. 9.75x7.00x0.75 inches. In Stock. This item is printed on demand.

Hardback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Hardcover. Condizione: new. Hardcover. The Parallel Worlds of Classical Art and Text is the first study to consider the relationship between artists and texts throughout classical antiquity and to cover the entire range of illustrated text from traditional literary to technical works. By systematically applying new and objective criteria to judge the fidelity between picture and text, it becomes clear that artists illustrate stories, not texts. Jocelyn Penny Small argues that artistic transmissions follow the model of oral, not textual, transmission where the variant rules and where there is no original. Pictures on vases, she demonstrates, should not be used to reconstruct lost literary works. Finally, Small offers an analysis of literary sources on pictures in texts, proving that the appearance of the first illustrated literary classical texts occurred at the end of the Late Roman Republic. Considering the relationship between artists and texts throughout classical antiquity, this study systematically applies new and objective criteria to judge the fidelity between picture and text. It becomes clear that artists illustrate stories, not texts, and Jocelyn Penny Small argues that artistic transmissions follow the model of oral, not textual, transmission where the variant rules and there is no original. Pictures on vases, she demonstrates, should not be used to reconstruct lost literary works. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Gebunden. Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. The Parallel Worlds of Classical Art and Text considers the relationship between artists and texts throughout classical antiquity. Systematically applying new and objective criteria judging the fidelity between picture and text, she argues artists illustrat.

Condizione: New. Print on Demand pp. xv + 253 Illus.

Condizione: New. PRINT ON DEMAND pp. xv + 253.

Hardcover. Condizione: new. Hardcover. The Parallel Worlds of Classical Art and Text is the first study to consider the relationship between artists and texts throughout classical antiquity and to cover the entire range of illustrated text from traditional literary to technical works. By systematically applying new and objective criteria to judge the fidelity between picture and text, it becomes clear that artists illustrate stories, not texts. Jocelyn Penny Small argues that artistic transmissions follow the model of oral, not textual, transmission where the variant rules and where there is no original. Pictures on vases, she demonstrates, should not be used to reconstruct lost literary works. Finally, Small offers an analysis of literary sources on pictures in texts, proving that the appearance of the first illustrated literary classical texts occurred at the end of the Late Roman Republic. The Parallel Worlds of Classical Art and Text considers the relationship between artists and texts throughout classical antiquity. Systematically applying new and objective criteria judging the fidelity between picture and text, she argues artists illustrated stories, not texts, and that artistic transmissions follow the model of oral, not textual, transmission. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.