Isbn: 9780674931503 - the use of poetry and use of criticism: studies in the relation of criticism to poetry in england (21 risultati)

Paperback. Condizione: Good. Tracing the rise of literary self-consciousness from the Elizabethan period to his own day, Eliot invites us to start with the supposition that we do not know what poetry is, or what it does or ought to do, or of what use it is; and try to find out, in examining the relation of poetry to criticism, what the use of both of them is.…

Paperback. Condizione: Fair. Reprint. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Good. Tracing the rise of literary self-consciousness from the Elizabethan period to his own day, Eliot invites us to start with the supposition that we do not know what poetry is, or what it does or ought to do, or of what use it is; and try to find out, in examining the relation of poetry to criticism, what the use of both of them is.…

Soft cover. Condizione: Very Good. 149 pages. The Charles Eliot Norton lectures of 1932-1933. Includes Preface to the Edition of 1964. Topics include Dryden, the English Romantic poets, and Matthew Arnold. Trade paperback, gray wraps sunned to aquamarine along spine, light wear to corners, very faint foxing to edges, pages bright. From the library of Prof. Warner Berthoff, his underscoring and/or marginalia in light pencil on approximately 25 pages.…

Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Softcover. Condizione: As New. First Edition; Fourth Printing. X + [150] pp. Price penciled on half title page.; The Charles Eliot Norton Lectures; 8vo 8" - 9" tall; 160 pages.

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Condizione: New.

Paperback or Softback. Condizione: New. The Use of Poetry and Use of Criticism: Studies in the Relation of Criticism to Poetry in England. Book.

Condizione: As New. Unread book in perfect condition.

Taschenbuch. Condizione: Sehr gut. Auflage: Reprint. 160 Seiten Fresh and clean copy in good condition. Frisches und sauberes Exemplar in gutem Zustand. Contents: Preface to the 1964 Edition - I. Introduction [November 4, 1932] - II. Apology for the Countess of Pembroke - III. The Age of Dryden - IV. Wordsworth and Coleridge - V. Shelley and Keats - VI. Matthew Arnold - VII. The Modern Mind - VIII. Conclusion ISBN 9780674931503 Sprache: Englisch Gewicht in Gramm: 252. …

Paperback. Condizione: Brand New. reprint edition. 160 pages. 8.25x5.50x0.50 inches. In Stock.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. pp. 160 Reprint edition.

Condizione: New. pp. 160.

Taschenbuch. Condizione: Neu. Neuware.

Condizione: New. Inhaltsverzeichnis1. Introduction 2. Apology for the Countness of Pembroke 3. The Age of Dryden 4. Wordsworth and Coleridge 5. Shelley and Keats 6. Matthew Arnold 7. The Modern Mind 8. ConclusionKlappentext.

Softcover. Condizione: Gut. Reprint. 160 S. Gutes Exemplar, geringe Gebrauchsspuren, Cover/SU berieben/bestoßen, innen alles in Ordnung. B251218ah60 ISBN: 9780674931503 Sprache: Englisch Gewicht in Gramm: 204.

Paperback. Condizione: new. Paperback. The 193233 Norton Lectures are among the best and most important of T. S. Eliots critical writings. Tracing the rise of literary self-consciousness from the Elizabethan period to his own day, Eliot does not simply examine the relation of criticism to poetry, but invites us to start with the supposition that we do not know what poetry is, or what it does or ought to do, or of what use it is; and try to find out, in examining the relation of poetry to criticism, what the use of both of them is.Eliot begins with the appearance of poetry criticism in the age of Dryden, when poetry became the province of an intellectual aristocracy rather than part of the mind and popular tradition of a whole people. Wordsworth and Coleridge, in their attempt to revolutionize the language of poetry at the end of the eighteenth century, made exaggerated claims for poetry and the poet, culminating in Shelleys assertion that poets are the unacknowledged legislators of mankind. And, in the doubt and decaying moral definitions of the nineteenth century, Arnold transformed poetry into a surrogate for religion.By studying poetry and criticism in the context of its time, Eliot suggests that we can learn what is permanent about the nature of poetry, and makes a powerful case for both its autonomy and its pluralism in this century. Tracing the rise of literary self-consciousness from the Elizabethan period to his own day, Eliot invites us to start with the supposition that we do not know what poetry is, or what it does or ought to do, or of what use it is; and try to find out, in examining the relation of poetry to criticism, what the use of both of them is. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. …