Lingua: Inglese
Editore: Princeton University Press, 2002
ISBN 10: 0691089728 ISBN 13: 9780691089720
Da: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Lingua: Inglese
Editore: Princeton University Press, 2002
ISBN 10: 0691089728 ISBN 13: 9780691089720
Da: Greenworld Books, Arlington, TX, U.S.A.
Condizione: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.
Lingua: Inglese
Editore: Princeton University Press, 2002
ISBN 10: 0691089728 ISBN 13: 9780691089720
Da: -OnTimeBooks-, Phoenix, AZ, U.S.A.
Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.
Lingua: Inglese
Editore: Princeton University Press, 2002
ISBN 10: 0691089728 ISBN 13: 9780691089720
Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Lingua: Inglese
Editore: Princeton University Press, Princeton, 2002
ISBN 10: 0691089728 ISBN 13: 9780691089720
Da: Magers and Quinn Booksellers, Minneapolis, MN, U.S.A.
hardcover. Condizione: Acceptable. May have underlining, highlighting, margin notes, remainder marks, inscriptions, book plates, tears, significant wear, and/or a missing dust jacket, box, or discs. Damaged item.
Lingua: Inglese
Editore: Princeton University Press, 2002
ISBN 10: 0691089728 ISBN 13: 9780691089720
Da: Bibliomonster Books, Rancho Cucamonga, CA, U.S.A.
hardcover. Condizione: As New. Used, hardcover like new with original dust jacket. Sharp, square, clean, fresh & serviceable copy. No highlighting, marginalia or tears.
Lingua: Inglese
Editore: Princeton University Press, 2002
ISBN 10: 0691089728 ISBN 13: 9780691089720
Da: G.J. Askins Bookseller, New Lebanon, NY, U.S.A.
Membro dell'associazione: SNEAB
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 344 page hardcover with many illustrations (156 color, 208 b/w). Foreword by Neil deGrasse Tyson. Text with illustrations, Chronology, Suggestions for Further Reading, Index. Book and dust jacket in very good condition - unmarked, tight and clean.
Lingua: Inglese
Editore: Princeton University Press, 2002
ISBN 10: 0691089728 ISBN 13: 9780691089720
Da: Artless Missals, DENVER, CO, U.S.A.
HARDCOVER. Condizione: Good. No dust jacket. Binding solid, pages crisp and clean, no markings found. Maroon and black illustrated covers bright and shiny with very light scuffs and dents. Extremities lightly bumped with minimal tip wear. No expedited or international shipping, oversize.
Lingua: Inglese
Editore: Princeton University Press, Princeton & Oxford, 2002
ISBN 10: 0691089728 ISBN 13: 9780691089720
Da: Barnaby, Oxford, Regno Unito
EUR 32,63
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Good. Dust jacket is complete but rubbed and worn at edges and corners. Contents mostly clean and unmarked, with uncreased pages. A good used copy with no significant flaws. Publisher's note: This sumptuous and stunningly illustrated book reveals that the world beyond the naked eye-made visible by advances in science-has been a major inspiration for artists ever since, influencing the subjects they choose as well as their techniques and modes of representation. 135 color illustrations. 217 halftones. "Modern science since Darwin and Einstein has revolutionized our understanding of mind and cosmos, presenting a world as strange and paradoxical as it is wonderful, and challenging deeply held beliefs and values. That visual artists would be influenced by this still-continuing transformation is not surprising. Lynn Gamwell traces this response through the twists and turns of modern and postmodern art and aesthetics, providing fresh and interesting interpretations, and a treasury of visual images, to stimulate the thinking of both scientist and artist."--Torsten N. Wiesel, neuroscientist and Nobel Laureate. "This pathbreaking study is daring, innovative, and above all, clearly written. I suspect it will be the one book students will be able to consult in order to correlate what are usually considered the almost antagonistic fields of science and art; and I suspect, too, that thanks to its amazingly readable, lucid style, it will find its way into the libraries of post-collegiate readers. Nobody before has dared to tackle this huge topic. Art historians don't know enough about science; scientists don't know enough about art. Miraculously, probably uniquely, Lynn Gamwell seems equally at home in both areas."-Robert Rosenblum, New York University. "Exploring the Invisible is very stimulating and accessible to the nonexpert (in science or art). As a scientist, I found it enjoyable and highly informative. It provides many new and exciting insights. Dr. Gamwell receives my admiration for this fine connection between art and science."-Arthur Greenberg, University of New Hampshire. This sumptuous and stunningly illustrated book shows through words and images how directly, profoundly, and indisputably modern science has transformed modern art. Beginning in the mid-nineteenth century, a strange and exciting new world came into focus-a world of microorganisms in myriad shapes and colors, prehistoric fossils, bizarre undersea creatures, spectrums of light and sound, molecules of water, and atomic particles. Exploring the Invisible reveals that the world beyond the naked eye-made visible by advances in science-has been a major inspiration for artists ever since, influencing the subjects they choose as well as their techniques and modes of representation. Lynn Gamwell traces the evolution of abstract art through several waves, beginning with Romanticism. She shows how new windows into telescopic and microscopic realms-combined with the growing explanatory importance of mathematics and new definitions of beauty derived from science-broadly and profoundly influenced Western art. Art increasingly reflected our more complex understanding of reality through increasing abstraction. For example, a German physiologist's famous demonstration that color is not in the world but in the mind influenced Monet's revolutionary painting with light. As the first wave of enthusiasm for science crested, abstract art emerged in Brussels and Munich. By 1914, it could be found from Moscow to Paris. Throughout the book are beautiful images from both science and art-some well known, others rare-that reveal the scientific sources mined by Impressionist and Symbolist painters, Art Nouveau sculptors and architects, Cubists, and other nineteenth-and twentieth-century artists. With a foreword by astronomer Neil deGrasse Tyson, Exploring the Invisible appears in an age when both artists and scientists are exploring the deepest meanings of life, consciousness, and the universe. Size.
Lingua: Inglese
Editore: Princeton University Press, 2002
ISBN 10: 0691089728 ISBN 13: 9780691089720
Da: SHIMEDIA, Brooklyn, NY, U.S.A.
Condizione: New. Satisfaction Guaranteed or your money back.