9780715638262 - theorising performance: greek drama, cultural history and critical practice (22 risultati)

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Da: Marlowes Books and Music, Ferny Grove, QLD, AustraliaMarlowes Books and Music
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Paperback. Condizione: Very Good. Condizione sovraccoperta: None Issued. First Edition. 305 pages. Ex-Library. Book is in Very good condition throughout.

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Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

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Condizione: New. pp. 320 1st Edition.

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Condizione: New. pp. 320 Illus.

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paperback. Condizione: New.

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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Da: Borkert, Schwarz und Zerfaß GbR, Berlin, GermaniaBorkert, Schwarz und Zerfaß GbR
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Original brochure. Condizione: Sehr gut. New edition. 305 p., w/ pictures. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Very minimally scuffed binding. Otherwise in perfect condition. - Content: Introduction - Edith Hall and Stephe Harrop; T…owards a Theory of Performance Reception - Edith Hall; Performance as Event - Reception as Transformation - Erika Fischer-Lichte; Greek and Shakespearean Plays in Performance: Their Different Academic Receptions - David Wiles; Cultural History and Aesthetics: Why Kant is No Place to Start Reception Studies - Simon Goldhill; Performance, Reception, Aesthetics: Or Why Reception Studies Need Kant - Charles Martindale; From a la carte to Convergence: Symptoms of Interdisciplinarity in Reception Theory - Zachary Dunbar; Archiving Events, Performing Documents: On the Seductions and Challenges of Performance Archives - Pantelis Michelakis; Bringing Together Nature and Culture: On the Uses and Limits of Cognitive Science for the Study of Performance Reception - Felix Budelmann; Does a Deleuzean Philosophy of Radical Physicality Lead to the Death of Tragedy? Some Thoughts on the Dismissal of the Climactic Orientation of Greek Tragedy - Freddy Decreus; Generic Ambiguity in Modern Productions and New Versions of Greek Tragedy - Helene Foley; Revising Authenticity in Staging Ancient Mediterranean Drama - Mary-Kay Gamel; Towards Theorising the Place of Costume in Performance Reception - Rosie Wyles; Performance Reception and the Textual Twist: Towards a Theory of Literary Reception - Simon Perris; Negotiating Translation for the Stage - Lorna Hardwick; From Translation to Performance Reception: The Death of the Author and the Performance Text - Eleftheria loannidou; Acting Perspectives: The Phenomenology of Performance as a Route to Reception - Jane Montgomery Griffiths; Physical Performance and the Languages of Translation -Stephe Harrop; Spatial Poetics and Greek Drama: Scenography as Reception - Paul Monaghan; Translating Greek Drama for Performance - Blake Morrison. ISBN 9780715638262 Sprache: Englisch Gewicht in Gramm: 477.

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Da: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Paperback. Condizione: Brand New. 320 pages. 9.06x6.14x1.02 inches. In Stock.

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PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

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Paperback. Condizione: new. Paperback. This exciting collection constitutes the first analysis of the modern performance of ancient Greek drama from a theoretical perspective. The last three decades have seen a remarkable revival of the performance of ancient Greek drama; some ancient plays - "Sophocles", "Oedipus", "Euripides",… and "Medea" - have established a distinguished place in the international performance repertoire, and attracted eminent directors including Peter Stein, Ariane Mnouchkine, Peter Sellars, and Katie Mitchell. Staging texts first written two and a half thousand years ago, for all-male, ritualised, outdoor performance in masks in front of a pagan audience, raises quite different intellectual questions from staging any other canonical drama, including Shakespeare. But the discussion of this development in modern performance has until now received scant theoretical analysis. This book provides the solution in the form of a lively interdisciplinary dialogue, inspired by a conference held at the Archive of Performances of Greek & Roman Drama (APGRD) in Oxford, between sixteen experts in Classics, Drama, Music, Cultural History and the world of professional theatre.The book will be of great interest to scholars and students of Classics and Drama alike. Constitutes the first analysis of the modern performance of ancient Greek drama from a theoretical perspective. This book provides the solution to different intellectual questions from staging any other canonical drama in the form of an interdisciplinary dialogue, inspired by a conference held at the Archive of Performances of Greek & Roman Drama. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Da: Biblios, frankfurt am main, HESSE, GermaniaBiblios
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Condizione: New. PRINT ON DEMAND pp. 320.

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Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

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Paperback. Condizione: new. Paperback. This exciting collection constitutes the first analysis of the modern performance of ancient Greek drama from a theoretical perspective. The last three decades have seen a remarkable revival of the performance of ancient Greek drama; some ancient plays - "Sophocles", "Oedipus", "Euripides",… and "Medea" - have established a distinguished place in the international performance repertoire, and attracted eminent directors including Peter Stein, Ariane Mnouchkine, Peter Sellars, and Katie Mitchell. Staging texts first written two and a half thousand years ago, for all-male, ritualised, outdoor performance in masks in front of a pagan audience, raises quite different intellectual questions from staging any other canonical drama, including Shakespeare. But the discussion of this development in modern performance has until now received scant theoretical analysis. This book provides the solution in the form of a lively interdisciplinary dialogue, inspired by a conference held at the Archive of Performances of Greek & Roman Drama (APGRD) in Oxford, between sixteen experts in Classics, Drama, Music, Cultural History and the world of professional theatre.The book will be of great interest to scholars and students of Classics and Drama alike. Constitutes the first analysis of the modern performance of ancient Greek drama from a theoretical perspective. This book provides the solution to different intellectual questions from staging any other canonical drama in the form of an interdisciplinary dialogue, inspired by a conference held at the Archive of Performances of Greek & Roman Drama. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

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Da: moluna, Greven, Germaniamoluna
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Kartoniert / Broschiert. Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Constitutes the first analysis of the modern performance of ancient Greek drama from a theoretical perspective. This book provides the solution to different intellectual questions from stagin…g any other canonical drama in the form of an interdisciplinary di.

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Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
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Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This exciting collection constitutes the first analysis of the modern performance of ancient Greek drama from a theoretical perspective. The last three decades have seen a remarkable revival of the performance of ancient Greek drama; so…me ancient plays - 'Sophocles', 'Oedipus', 'Euripides', and 'Medea' - have established a distinguished place in the international performance repertoire, and attracted eminent directors including Peter Stein, Ariane Mnouchkine, Peter Sellars, and Katie Mitchell. Staging texts first written two and a half thousand years ago, for all-male, ritualised, outdoor performance in masks in front of a pagan audience, raises quite different intellectual questions from staging any other canonical drama, including Shakespeare. But the discussion of this development in modern performance has until now received scant theoretical analysis. This book provides the solution in the form of a lively interdisciplinary dialogue, inspired by a conference held at the Archive of Performances of Greek & Roman Drama (APGRD) in Oxford, between sixteen experts in Classics, Drama, Music, Cultural History and the world of professional theatre.The book will be of great interest to scholars and students of Classics and Drama alike.