9780748646890 - Digital Imaging in Popular Cinema di Purse, Lisa (12 risultati)

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:9780748646890.

Paperback. Condizione: New. Explores how film analysis can take account of the presence of digital images in cinemaDigital images are now ubiquitous elements within the cinematic frame but, as we analyse films or film moments, it can often be difficult to be sure how - and how much - to talk about digital elements. This accessible book demystifies the relationship of digital imaging to processes of watching and reading films, and gives scholars and students the tools to engage with digital imaging in cinema with ease. A wide-ranging series of case studies demonstrates how digital elements can be discussed and analysed in different scenarios, and a language is developed to describe digital elements accurately. Not just for digital effects enthusiasts, this book is essential for anyone interested in how to approach film critically: it is a toolbox for contemporary film analysis.Key Features: * The first book exploring how the presence of digital imaging in film affectsthe production of meaning.* Locates contemporary digital effects practice in relation to historical traditions offilmmaking and special effects practice.* Proposes a fresh, flexible approach to the close textual analysis of film that can takeaccount of the digital* Uses case studies from the Lord of the Rings trilogy and Avatar to Alice in Wonderland and King Kong to demonstrate this approach in action.

Paperback. Condizione: new. Paperback. Explores how film analysis can take account of the presence of digital images in cinemaDigital images are now ubiquitous elements within the cinematic frame but, as we analyse films or film moments, it can often be difficult to be sure how - and how much - to talk about digital elements. This accessible book demystifies the relationship of digital imaging to processes of watching and reading films, and gives scholars and students the tools to engage with digital imaging in cinema with ease. A wide-ranging series of case studies demonstrates how digital elements can be discussed and analysed in different scenarios, and a language is developed to describe digital elements accurately. Not just for digital effects enthusiasts, this book is essential for anyone interested in how to approach film critically: it is a toolbox for contemporary film analysis.Key Features: * The first book exploring how the presence of digital imaging in film affectsthe production of meaning.* Locates contemporary digital effects practice in relation to historical traditions offilmmaking and special effects practice.* Proposes a fresh, flexible approach to the close textual analysis of film that can takeaccount of the digital* Uses case studies from the Lord of the Rings trilogy and Avatar to Alice in Wonderland and King Kong to demonstrate this approach in action. Explores how film analysis can take account of the presence of digital images in cinema. Not just for digital effects enthusiasts, this book is essential for anyone interested in how to approach film critically: it is a toolbox for contemporary film analysis. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New. pp. 208 15 Illus.

Paperback. Condizione: New.

Condizione: New. pp. 208 1st Edition.

Condizione: New. 2013. 1st Edition. Paperback. Digital images are now ubiquitous elements within the cinematic frame but, as we analyse films or film moments, it can often be difficult to be sure how - and how much - to talk about digital elements. This book demystifies the relationship of digital imaging to processes of watching and reading films. Num Pages: 208 pages, Illustrations. BIC Classification: APFA. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 159 x 11. Weight in Grams: 294. 208 pages, Illustrations. Digital images are now ubiquitous elements within the cinematic frame but, as we analyse films or film moments, it can often be difficult to be sure how - and how much - to talk about digital elements. This book demystifies the relationship of digital imaging to processes of watching and reading films. Cateogry: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. BIC Classification: APFA. Dimension: 234 x 159 x 11. Weight: 294. . . . . .

Condizione: New. pp. 208.

Condizione: New. 2013. 1st Edition. Paperback. Digital images are now ubiquitous elements within the cinematic frame but, as we analyse films or film moments, it can often be difficult to be sure how - and how much - to talk about digital elements. This book demystifies the relationship of digital imaging to processes of watching and reading films. Num Pages: 208 pages, Illustrations. BIC Classification: APFA. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 159 x 11. Weight in Grams: 294. 208 pages, Illustrations. Digital images are now ubiquitous elements within the cinematic frame but, as we analyse films or film moments, it can often be difficult to be sure how - and how much - to talk about digital elements. This book demystifies the relationship of digital imaging to processes of watching and reading films. Cateogry: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. BIC Classification: APFA. Dimension: 234 x 159 x 11. Weight: 294. . . . . . Books ship from the US and Ireland.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Paperback. Condizione: new. Paperback. Explores how film analysis can take account of the presence of digital images in cinemaDigital images are now ubiquitous elements within the cinematic frame but, as we analyse films or film moments, it can often be difficult to be sure how - and how much - to talk about digital elements. This accessible book demystifies the relationship of digital imaging to processes of watching and reading films, and gives scholars and students the tools to engage with digital imaging in cinema with ease. A wide-ranging series of case studies demonstrates how digital elements can be discussed and analysed in different scenarios, and a language is developed to describe digital elements accurately. Not just for digital effects enthusiasts, this book is essential for anyone interested in how to approach film critically: it is a toolbox for contemporary film analysis.Key Features: * The first book exploring how the presence of digital imaging in film affectsthe production of meaning.* Locates contemporary digital effects practice in relation to historical traditions offilmmaking and special effects practice.* Proposes a fresh, flexible approach to the close textual analysis of film that can takeaccount of the digital* Uses case studies from the Lord of the Rings trilogy and Avatar to Alice in Wonderland and King Kong to demonstrate this approach in action. Explores how film analysis can take account of the presence of digital images in cinema. Not just for digital effects enthusiasts, this book is essential for anyone interested in how to approach film critically: it is a toolbox for contemporary film analysis. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condizione: New. Explores how film analysis can take account of the presence of digital images in cinemaDigital images are now ubiquitous elements within the cinematic frame but, as we analyse films or film moments, it can often be difficult to be sure how - and how much - to talk about digital elements. This accessible book demystifies the relationship of digital imaging to processes of watching and reading films, and gives scholars and students the tools to engage with digital imaging in cinema with ease. A wide-ranging series of case studies demonstrates how digital elements can be discussed and analysed in different scenarios, and a language is developed to describe digital elements accurately. Not just for digital effects enthusiasts, this book is essential for anyone interested in how to approach film critically: it is a toolbox for contemporary film analysis.Key Features: * The first book exploring how the presence of digital imaging in film affectsthe production of meaning.* Locates contemporary digital effects practice in relation to historical traditions offilmmaking and special effects practice.* Proposes a fresh, flexible approach to the close textual analysis of film that can takeaccount of the digital* Uses case studies from the Lord of the Rings trilogy and Avatar to Alice in Wonderland and King Kong to demonstrate this approach in action.