Hardcover. Condizione: Very Good. Hardcover and dust jacket. Good binding and cover. Shelf wear. Clean, unmarked pages. xx, 408 pages, 24 cm. "The long-awaited study of Flaubert and the modern literary field that constitutes the definitive work on the sociology of art by one of the world's leading social theorists.".
Lingua: Inglese
Editore: Stanford University Press, Stanford, CA, 1996
ISBN 10: 0804725683 ISBN 13: 9780804725682
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. A nice, clean copy. ; Meridian: Crossing Aesthetics; 8vo 8" - 9" tall; 432 pages.
Da: Nighttown Books, Powell, WY, U.S.A.
Prima edizione
Hard Cover. Condizione: As New. Condizione sovraccoperta: As New. First Edition. First Printing in dust jacket, Fine in Fine, no remainder or other markings, a pristine unread copy (dj in mylar protector); 8vo; (xxii) 408pp indexed.
EUR 45,45
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: As New. Condizione sovraccoperta: As New.
Da: Book House in Dinkytown, IOBA, Minneapolis, MN, U.S.A.
Membro dell'associazione: IOBA
Prima edizione
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good+ Dust Jacket. First Edition. 1st printing of 1st English-language edition. Very good hardcover with good+/very good- DJ, from a personal collection (NOT ex-library). Interior appears free of markings. Binding is tight, sturdy, and square. Top outer corner has a small spot of sun-fading. Unclipped dust jacket has rubbing and a quarter-inch closed tear at edge. Ships from Dinkytown in Minneapolis, Minnesota.
Da: Labyrinth Books, Princeton, NJ, U.S.A.
Condizione: New.
Da: BennettBooksLtd, Los Angeles, CA, U.S.A.
hardcover. Condizione: New. In shrink wrap. Looks like an interesting title!
Lingua: Inglese
Editore: Stanford University Press, US, 1996
ISBN 10: 0804725683 ISBN 13: 9780804725682
Da: Rarewaves USA, OSWEGO, IL, U.S.A.
EUR 162,59
Quantità: Più di 20 disponibili
Aggiungi al carrelloHardback. Condizione: New. Written with verve and intensity (and a good bit of wordplay), this is the long-awaited study of Flaubert and the modern literary field that constitutes the definitive work on the sociology of art by one of the world's leading social theorists. Drawing upon the history of literature and art from the mid-nineteenth century to the present, Bourdieu develops an original theory of art conceived as an autonomous value. He argues powerfully against those who refuse to acknowledge the interconnection between art and the structures of social relations within which it is produced and received. As Bourdieu shows, art's new autonomy is one such structure, which complicates but does not eliminate the interconnection. The literary universe as we know it today took shape in the nineteenth century as a space set apart from the approved academies of the state. No one could any longer dictate what ought to be written or decree the canons of good taste. Recognition and consecration were produced in and through the struggle in which writers, critics, and publishers confronted one another.
EUR 55,65
Quantità: 2 disponibili
Aggiungi al carrelloCondizione: Sehr gut. Zustand: Sehr gut | Seiten: 432 | Sprache: Englisch | Produktart: Bücher | 0;"The Rules of Art" is consistently interesting, sometimes enthrallingly so. It is written with a clarity not commonly encountered in French writers on art, and with an irascible authority to which Bourdieu7;s acuity and learning certainly entitle him.1;2;Arthur C. Danto, Johnsonian Professor Emeritus, Columbia University.
Lingua: Inglese
Editore: Stanford University Press, US, 1996
ISBN 10: 0804725683 ISBN 13: 9780804725682
Da: Rarewaves USA United, OSWEGO, IL, U.S.A.
EUR 165,12
Quantità: Più di 20 disponibili
Aggiungi al carrelloHardback. Condizione: New. Written with verve and intensity (and a good bit of wordplay), this is the long-awaited study of Flaubert and the modern literary field that constitutes the definitive work on the sociology of art by one of the world's leading social theorists. Drawing upon the history of literature and art from the mid-nineteenth century to the present, Bourdieu develops an original theory of art conceived as an autonomous value. He argues powerfully against those who refuse to acknowledge the interconnection between art and the structures of social relations within which it is produced and received. As Bourdieu shows, art's new autonomy is one such structure, which complicates but does not eliminate the interconnection. The literary universe as we know it today took shape in the nineteenth century as a space set apart from the approved academies of the state. No one could any longer dictate what ought to be written or decree the canons of good taste. Recognition and consecration were produced in and through the struggle in which writers, critics, and publishers confronted one another.
EUR 164,71
Quantità: Più di 20 disponibili
Aggiungi al carrelloGebunden. Condizione: New.
Da: Revaluation Books, Exeter, Regno Unito
EUR 223,51
Quantità: 2 disponibili
Aggiungi al carrelloHardcover. Condizione: Brand New. 1st edition. 408 pages. 9.50x6.25x1.25 inches. In Stock.
Lingua: Inglese
Editore: Stanford University Press Jul 1996, 1996
ISBN 10: 0804725683 ISBN 13: 9780804725682
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 228,71
Quantità: 2 disponibili
Aggiungi al carrelloBuch. Condizione: Neu. Neuware - Written with verve and intensity (and a good bit of wordplay), this is the long-awaited study of Flaubert and the modern literary field that constitutes the definitive work on the sociology of art by one of the world's leading social theorists. Drawing upon the history of literature and art from the mid-nineteenth century to the present, Bourdieu develops an original theory of art conceived as an autonomous value. He argues powerfully against those who refuse to acknowledge the interconnection between art and the structures of social relations within which it is produced and received. As Bourdieu shows, art's new autonomy is one such structure, which complicates but does not eliminate the interconnection. The literary universe as we know it today took shape in the nineteenth century as a space set apart from the approved academies of the state. No one could any longer dictate what ought to be written or decree the canons of good taste. Recognition and consecration were produced in and through the struggle in which writers, critics, and publishers confronted one another.