Isbn: 9780804729833 - desiring women writing: english renaissance examples (29 risultati)

Paperback. Condizione: Good. In readings ranging from early-16th- through late-17th-century texts, this book aims to resituate women's writing in the English Renaissance by studying the possibilities available to these writers by virtue of their positions in society and by their articulation of the desire to write.…

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condizione: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Paperback. Condizione: Good. In readings ranging from early-16th- through late-17th-century texts, this book aims to resituate women's writing in the English Renaissance by studying the possibilities available to these writers by virtue of their positions in society and by their articulation of the desire to write.…

Paperback. Condizione: Very Good. crisp clean w/remainder mark Standard-sized.

Condizione: New.

Paperback. Condizione: New. In a set of readings ranging from early-sixteenth- through late-seventeenth-century texts, this book aims to resituate women's writing in the English Renaissance by studying the possibilities available to these writers by virtue of their positions in their culture and by their articulation of a variety of desires (including the desire to write) not bound by the usual prescriptions that limited women. The book is in three parts. The first part begins by pursuing linkages between feminine virtue and the canonical status of texts written by women of the period. It then confronts some received opinions and opens up new possibilities of evaluation through readings of Aemelia Lanyer's Salve Deus Rex Judaeorum and poems, plays, and fiction by Aphra Behn. The second part studies translation as an allowed (and therefore potentially devalued) sphere for women's writing, and offers accounts of Margaret Roper's translation of Erasmus and Mary Sidney's of Petrarch to show ways in which such work makes a central claim in Renaissance culture. In the third part, the author explores the thematics and practices of writing as exemplified in the women's hands in an early Tudor manuscript and through the character of Graphina in Elizabeth Cary's Mariam. Throughout, possibilities for these writers are seen to arise from the conjunction of their gender with their status as aristocrats or from their proximity to centers of power, even if this involves the "debasement" of prostitution for Lanyer or the perils of the marketplace for Behn. The author argues that moves outside the restriction of domesticity opened up opportunities for affirming female sexuality and for a range of desires not confined to marriage and procreation-desires that move across race in Oroonoko; that imagine female same-gender relations, often in proximity to male desires directed at other men; that implicate incestuous desires, even inflecting them anally, as in Roper's Devout Treatise.…

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: new.

Condizione: New. pp. 268.

Condizione: New. In a set of readings ranging from early-16th- through late 17th-century texts, this book aims to resituate women's writing in the English Renaissance by studying the possibilities available to these writers by virtue of their positions in their culture and a variety of desires. Num Pages: 268 pages, Illustrations. BIC Classification: 1DBKE; 2AB; DSBD; JFSJ1. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 142 x 216 x 17. Weight in Grams: 320. . 1997. 1st Edition. Paperback. . . . .…

Condizione: New. In English.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New.

Condizione: New. pp. 268.

Paperback. Condizione: Brand New. 1st edition. 268 pages. 8.75x5.75x0.75 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Condizione: New. In a set of readings ranging from early-16th- through late 17th-century texts, this book aims to resituate women's writing in the English Renaissance by studying the possibilities available to these writers by virtue of their positions in their culture and a variety of desires. Num Pages: 268 pages, Illustrations. BIC Classification: 1DBKE; 2AB; DSBD; JFSJ1. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 142 x 216 x 17. Weight in Grams: 320. . 1997. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.…

Paperback. Condizione: Gut. VII, 255 p. Ein gutes und sauberes Exemplar ohne Anstreichungen / A good and clean copy without markings. - Contents: PART ONE The Legend of Good Women Introduction Canonizing Aemelia Lanyer Aphra Behn's Female Pen PART TWO Translating Women Introduction Margaret Roper's Daughterly Devotions: Unnatural Translations The Countess of Pembroke's Literal Translation PART THREE Writing as a Woman Introduction Mary Shelton's Hand Graphina's Mark Notes Bibliography Index. ISBN 9780804729833 Sprache: Englisch Gewicht in Gramm: 315.…

[0-8047-2983-2] 1997. (Trade paperback) Very good plus. 255pp. Illustrated frontispiece, notes, bibliography, index. The spine is lightly faded. "In a set of readings ranging from early-sixteenth- through late-seventeenth-century texts, this book aims to resituate women's writing in the English Renaissance by studying the possibilities available to these writers by virtue of their positions in their culture and by their articulation of a variety of desires (including the desire to write) not bound by the usual prescriptions that limited women". Time Period 16th Century, 17th Century & Renaissance. Locale: England. (Ideas, Ideas, Literary Criticism, Women Writers, Writing).…

Paperback. Condizione: New. In a set of readings ranging from early-sixteenth- through late-seventeenth-century texts, this book aims to resituate women's writing in the English Renaissance by studying the possibilities available to these writers by virtue of their positions in their culture and by their articulation of a variety of desires (including the desire to write) not bound by the usual prescriptions that limited women. The book is in three parts. The first part begins by pursuing linkages between feminine virtue and the canonical status of texts written by women of the period. It then confronts some received opinions and opens up new possibilities of evaluation through readings of Aemelia Lanyer's Salve Deus Rex Judaeorum and poems, plays, and fiction by Aphra Behn. The second part studies translation as an allowed (and therefore potentially devalued) sphere for women's writing, and offers accounts of Margaret Roper's translation of Erasmus and Mary Sidney's of Petrarch to show ways in which such work makes a central claim in Renaissance culture. In the third part, the author explores the thematics and practices of writing as exemplified in the women's hands in an early Tudor manuscript and through the character of Graphina in Elizabeth Cary's Mariam. Throughout, possibilities for these writers are seen to arise from the conjunction of their gender with their status as aristocrats or from their proximity to centers of power, even if this involves the "debasement" of prostitution for Lanyer or the perils of the marketplace for Behn. The author argues that moves outside the restriction of domesticity opened up opportunities for affirming female sexuality and for a range of desires not confined to marriage and procreation-desires that move across race in Oroonoko; that imagine female same-gender relations, often in proximity to male desires directed at other men; that implicate incestuous desires, even inflecting them anally, as in Roper's Devout Treatise.…

paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

Kartoniert / Broschiert. Condizione: New. In readings ranging from early-16th- through late-17th-century texts, this book aims to resituate women s writing in the English Renaissance by studying the possibilities available to these writers by virtue of their positions in society and by their articu.

Taschenbuch. Condizione: Neu. Desiring Women Writing | English Renaissance Examples | Jonathan Goldberg | Taschenbuch | Einband - flex.(Paperback) | Englisch | 1997 | Stanford University Press | EAN 9780804729833 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu. …

Paperback. Condizione: Brand New. 1st edition. 268 pages. 8.75x5.75x0.75 inches. In Stock. This item is printed on demand.

Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 350.

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -In a set of readings ranging from early-sixteenth- through late-seventeenth-century texts, this book aims to resituate women's writing in the English Renaissance by studying the possibilities available to these writers by virtue of their positions in their culture and by their articulation of a variety of desires (including the desire to write) not bound by the usual prescriptions that limited women. The book is in three parts. The first part begins by pursuing linkages between feminine virtue and the canonical status of texts written by women of the period. It then confronts some received opinions and opens up new possibilities of evaluation through readings of Aemelia Lanyer's Salve Deus Rex Judaeorum and poems, plays, and fiction by Aphra Behn. The second part studies translation as an allowed (and therefore potentially devalued) sphere for women's writing, and offers accounts of Margaret Roper's translation of Erasmus and Mary Sidney's of Petrarch to show ways in which such work makes a central claim in Renaissance culture. In the third part, the author explores the thematics and practices of writing as exemplified in the women's hands in an early Tudor manuscript and through the character of Graphina in Elizabeth Cary's Mariam. Throughout, possibilities for these writers are seen to arise from the conjunction of their gender with their status as aristocrats or from their proximity to centers of power, even if this involves the 'debasement' of prostitution for Lanyer or the perils of the marketplace for Behn. The author argues that moves outside the restriction of domesticity opened up opportunities for affirming female sexuality and for a range of desires not confined to marriage and procreation-desires that move across race in Oroonoko; that imagine female same-gender relations, often in proximity to male desires directed at other men; that implicate incestuous desires, even inflecting them anally, as in Roper's Devout Treatise. 268 pp. Englisch.…

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In a set of readings ranging from early-sixteenth- through late-seventeenth-century texts, this book aims to resituate women's writing in the English Renaissance by studying the possibilities available to these writers by virtue of their positions in their culture and by their articulation of a variety of desires (including the desire to write) not bound by the usual prescriptions that limited women. The book is in three parts. The first part begins by pursuing linkages between feminine virtue and the canonical status of texts written by women of the period. It then confronts some received opinions and opens up new possibilities of evaluation through readings of Aemelia Lanyer's Salve Deus Rex Judaeorum and poems, plays, and fiction by Aphra Behn. The second part studies translation as an allowed (and therefore potentially devalued) sphere for women's writing, and offers accounts of Margaret Roper's translation of Erasmus and Mary Sidney's of Petrarch to show ways in which such work makes a central claim in Renaissance culture. In the third part, the author explores the thematics and practices of writing as exemplified in the women's hands in an early Tudor manuscript and through the character of Graphina in Elizabeth Cary's Mariam. Throughout, possibilities for these writers are seen to arise from the conjunction of their gender with their status as aristocrats or from their proximity to centers of power, even if this involves the 'debasement' of prostitution for Lanyer or the perils of the marketplace for Behn. The author argues that moves outside the restriction of domesticity opened up opportunities for affirming female sexuality and for a range of desires not confined to marriage and procreation-desires that move across race in Oroonoko; that imagine female same-gender relations, often in proximity to male desires directed at other men; that implicate incestuous desires, even inflecting them anally, as in Roper's Devout Treatise.…