Isbn: 9780807846704 - sound states: innovative poetics and acoustical technologies (23 risultati)

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condizione: Good. paperback 100% of proceeds go to charity! Good condition with all pages in tact. Item shows signs of use and may have cosmetic defects.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condizione: Good. University of North Carolina Press, c.1997, 1st.trade paperbk.prtg., 349pp., creas to spine, some penciling, ow G $.

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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

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Condizione: New. The essays in this text investigate the relationship between acoustical technologies and 20th-century experimental poetics, aiming to rethink how we read, hear and talk about literary texts composed after telephones, radios and tape recorders became part of everyday life. Examples are provided. Editor(s): Morris, Adalaide Kirby. Num Pages: 360 pages, 5 illustrations, notes, bibliography, index. BIC Classification: 2AB; DSA; DSBH; DSC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 240 x 157 x 26. Weight in Grams: 626. . 1998. 1st Edition. Paperback. . . . .…

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Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: As New. Unread book in perfect condition.

paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

Condizione: New. The essays in this text investigate the relationship between acoustical technologies and 20th-century experimental poetics, aiming to rethink how we read, hear and talk about literary texts composed after telephones, radios and tape recorders became part of everyday life. Examples are provided. Editor(s): Morris, Adalaide Kirby. Num Pages: 360 pages, 5 illustrations, notes, bibliography, index. BIC Classification: 2AB; DSA; DSBH; DSC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 240 x 157 x 26. Weight in Grams: 626. . 1998. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.…

Condizione: New. In English.

PF. Condizione: New.

Paperback. Condizione: Brand New. paperback/cd edition. 349 pages. 9.25x6.25x0.75 inches. In Stock.

Paperback. Condizione: Brand New. paperback/cd edition. 349 pages. 9.25x6.25x0.75 inches. In Stock. This item is printed on demand.

Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. KlappentextrnrnBy investigating the relationship between acoustical technologies and twentieth-century experimental poetics, this collection, with an accompanying compact disc, aims to turn up the volume on printed works and rethink the way we.…

Taschenbuch. Condizione: Neu. Sound States | Innovative Poetics and Acoustical Technologies | Adalaide Morris | Taschenbuch | Einband - flex.(Paperback) | Englisch | 1998 | The University of North Carolina Press | EAN 9780807846704 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. …

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - By investigating the relationship between acoustical technologies and twentieth-century experimental poetics, this collection, with an accompanying compact disc, aims to 'turn up the volume' on printed works and rethink the way we read, hear, and talk about literary texts composed after telephones, phonographs, radios, loudspeakers, microphones, and tape recorders became facts of everyday life.The collection's twelve essays focus on earplay in texts by James Joyce, Ezra Pound, H.D., Samuel Beckett, William Burroughs, Amiri Baraka, Bob Kaufman, Robert Duncan, and Kamau Brathwaite and in performances by John Cage, Caribbean DJ-poets, and Cecil Taylor. From the early twentieth-century soundscapes of Futurist and Dadaist 'sonosphers' to Henri Chopin's electroacoustical audio-poämes, the authors argue, these states of sound make bold but wavering statements - statements held only partially in check by meaning.The contributors are Loretta Collins, James A. Connor, Michael Davidson, N. Katherine Hayles, Nathaniel Mackey, Steve McCaffery, Alec McHoul, Toby Miller, Adalaide Morris, Fred Moten, Marjorie Perloff, Jed Rasula, and Garrett Stewart.…