ISBN: 9780813039725 - original intentions: essays on production, reproduction, and interpretation in the arts of china (16 risultati)

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. 4to 11" - 13" tall; 302 pp; Excellent book in dust jacket with minor scuffing, nice tight and attractive book.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: New. Condizione sovraccoperta: New. folio; 312 pp; Very nice attractive new book.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 302 pp; Edge of spine is bumped else a nice tight and attractive book.

Hardcover. Condizione: Fine+. Condizione sovraccoperta: Fine. 312 pp; Dust jacket has light shelfwear, else book and jacket look new. Purchased from the publisher.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. 1st. Dust jacket in clear protector. Contains seven essays: 1. A Flash in the Pan: The "Bushell Bowl" Controversy Revisited by Nick Pearce; 2. Canon Formation and the Development of Western Chinese Art History by Roger Covey; 3. Pigment Style and Workshop Practice in the Yuan Dynasty Wall Paintings from the Lower Guangsheng Monastery by Ling-En Lu; 4. Qing Dynasty Emperors Kangxi and Qianlong: Rule through Replication in Architecture and the Arts by Jason Steuber; 5. Replicating the Past: Ink Rubbing and Its Related Ideas in Contemporary Chinese Art by Wei-Ching Lin; 6. Copying and Transmitting, Knowledge and Nonsense: From the Great Encyclopedia to "A Book from the Sky" by Shane McCausland; 7. Some Considerations of the Bronze Inscription Techniques Used during the Shang and Zhon Dynasties by Changping Zhang. Profusely illustrated in color. 302pp 4.82lb 12.2x10.5x1.1in. …

Hard Cover. Condizione: Near Fine. Near Fine. Essays on Production, Reproduction and interpretation in the Arts of China.

Condizione: New.

Hardcover. Condizione: new. Hardcover. For both museums and collectors, questions of ""authenticity"" often dominate the decision to acquire a new work. This issue is especially thorny for Westerners when dealing with Chinese art. Believing that everything has a precedent, Chinese artists were never bashful about reproducing art, typically seeing less of a difference between the original work and reproductions. As a result, replication has often been considered a fundamental mode of production in Chinese art, with roots extending to antiquity. In turn, some collectors would knowingly brandish originals next to replicas while others completely rejected the idea of imitations as artworks. The essays in Original Intentions explore the highly controversial questions of faking, copying, and replicating Chinese painting, bronzes, ceramics, works on paper, and sculpture. Offering a broad range of perspectives on conservation, technical analysis, social history, and collecting, the contributors to the volume explore the question of authenticity in the arts of China. Essays feature both theoretical and object-based research in a broad chronological framework, addressing a wide range of issues in both Chinese and Western contexts. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New. Editor(s): Pearce, Nicholas; Steuber, Jason. Num Pages: 320 pages, Illustrations (chiefly col.), col. map. BIC Classification: ACBP. Category: (G) General (US: Trade). Dimension: 305 x 254 x 33. Weight in Grams: 1200. . 2012. Hardcover. . . . .

Condizione: New. Editor(s): Pearce, Nicholas; Steuber, Jason. Num Pages: 320 pages, Illustrations (chiefly col.), col. map. BIC Classification: ACBP. Category: (G) General (US: Trade). Dimension: 305 x 254 x 33. Weight in Grams: 1200. . 2012. Hardcover. . . . . Books ship from the US and Ireland.

Condizione: New. &Uumlber den AutorNicholas Pearce, professor of Chinese art and Head of the School of Culture and Creative Arts at the University of Glasgow, is the author of Photographs of Peking, China, 1861-1908. Jason Steuber, Cofrin Curator of A.

Hardcover. Condizione: New. Condizione sovraccoperta: New. 302 pages : illustrations (chiefly colour), colour map ; 32 cm Contents: A flash in the pan : the "Bushell Bowl" controversy revisited / Nick Pearce -- Canon formation and the development of western Chinese art history / Roger Covey -- Pigment style and workshop practice in the Yuan dynasty wall paintings from the Lower Guangsheng Monastery / Ling-en Lu -- Qing dynasty emperors Kangxi and Qianlong : rule through replication in architecture and the arts / Jason Steuber -- Replicating the past : ink rubbing and its related ideas in contemporary Chinese art / Wei-Cheng Lin -- Copying and transmitting, knowledge and nonsense : from the Great encyclopedia to A book from the sky / Shane McCausland -- Some considerations of the bronze inscription techniques used during the Shang and Zhou dynasties / Changping Zhang. …

Hardcover. Condizione: Brand New. 302 pages. 9.75x11.00x1.00 inches. In Stock.

Buch. Condizione: Neu. Neuware - For both museums and collectors, questions of ''authenticity'' often dominate the decision to acquire a new work. This issue is especially thorny for Westerners when dealing with Chinese art. Believing that everything has a precedent, Chinese artists were never bashful about reproducing art, typically seeing less of a difference between the original work and reproductions. As a result, replication has often been considered a fundamental mode of production in Chinese art, with roots extending to antiquity. In turn, some collectors would knowingly brandish originals next to replicas while others completely rejected the idea of imitations as artworks. The essays in Original Intentions explore the highly controversial questions of faking, copying, and replicating Chinese painting, bronzes, ceramics, works on paper, and sculpture. Offering a broad range of perspectives on conservation, technical analysis, social history, and collecting, the contributors to the volume explore the question of authenticity in the arts of China. Essays feature both theoretical and object-based research in a broad chronological framework, addressing a wide range of issues in both Chinese and Western contexts.…

Hardcover. Condizione: New. Investigates the controversial practice of art replication"An excellent survey of scholarship surrounding some of the most fundamental issues in the study of Chinese art. Ranging from Chinese bronzes through Buddhist painting and imperial patronage to the development of the modern scholarly field of Chinese art history and contemporary art, it will be an important resource for many different readers."--Shawn Eichman, Honolulu Academy of ArtsFor both museums and collectors, questions of "authenticity" often dominate the decision to acquire a new work. This issue is especially thorny for Westerners when dealing with Chinese art. Believing that everything has a precedent, Chinese artists were never bashful about reproducing art, typically seeing less of a difference between the original work and reproductions. As a result, replication has often been considered a fundamental mode of production in Chinese art, with roots extending to antiquity. In turn, some collectors would knowingly brandish originals next to replicas while others completely rejected the idea of imitations as artworks. The essays in Original Intentions explore the highly controversial questions of faking, copying, and replicating Chinese painting, bronzes, ceramics, works on paper, and sculpture. Offering a broad range of perspectives on conservation, technical analysis, social history, and collecting, the contributors to the volume explore the question of authenticity in the arts of China. Essays feature both theoretical and object-based research in a broad chronological framework, addressing a wide range of issues in both Chinese and Western contexts.…