Isbn: 9780826203892 - lectures on the affinity of painting with other fine arts (26 risultati)

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condizione: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. 1st, Date Same on Title & Copyright Page. …

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. 1st, Date Same on Title & Copyright Page.

Hardcover. Condizione: Very Good. light shelfwear, NICE! Oversized.

Hardcover. Condizione: Good. Condizione sovraccoperta: Good. Fading to spine/.

Hardcover. Condizione: As New in As New dust jacket. 145 pages. A series of lectures delivered for the New York Athenaeum in 1826, soon after Morse became first president of the National Academy of Design. Explains the principles of painting, rather than the technicalities, by comparing them with principles of other arts.; 7 x 10 ".…

Hardcover. Condizione: New. Condizione sovraccoperta: New. First Edition. Nice , Clean, New book.RETAIL INVENTORY WHICH HAS BEEN IN LONG TERM STORAGE.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. DJ has some light scuffing. Front endpaper has private bookplate. ; 145 pages.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condizione: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized.

Hardcover. Condizione: VG. Condizione sovraccoperta: VG. Crisp, bright hardback with attractive DJ showing minimal wear. Not library discard. .

Hardcover. Condizione: New. Condizione sovraccoperta: New. in stock, new pristing copy.

Hardcover. 145pp. As new, clean, tight & bright condition, with bright and crisp dust jacket which is now in a clear protective mylar sleeve.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. 1st Edition. Clean, unmarked with sharp corners, firm hinges and DJ in NF condition. BP/Art Crit.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. 8vo - over 7¾" - 9¾" A very good+ copy in very good+ dust jacket. Tall 8vo with DJ [8]+145 Edited, with an introduction and notes, by Nicolai Cikovsky, Jr. Freitag #6834.40 b/w Illustrations (including facsimiles).

Hardcover w/DJ. Condizione: Used-Very Good/Used-Very Good. MO: Univ of MO. Used-Very Good/Used-Very Good. 1983. Hardcover w/DJ. Sm 4to., 145 pp. . Black & White Photographs (illustratore).

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Fine. 1st. Cloth, 145 pages, illustrations; 26 cm. Firm binding, clean inside copy. Dust spotting/top edge. Dust jacket protected in a mylar cover. *** "The first publication of a series of lectures delivered by the 19th-century American painter to the New York Athenaeum in 1826, soon after he became president of the National Academy of Design. The four lectures marked an important step in the development of the artistic profession in the United States. Because Morse's audience was more familiar with literature and science than with painting, his strategy in these lectures was to explain the principles of painting, rather than the technicalities, by comparing them with the principles of other arts." - Publisher. Size: 4to.…

Hardcover. Condizione: Fine. Near Fine. Edited with an introduction by Nicolai Cikovsky, Jr. First edition. Fine in a near fine (a bit faded along the spine) dust jacket.

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good+. 7.5 X 0.75 X 10.5 inches; 145 pages; B&W illustrations. Minor creasing on the front DJ flap. Very Good condition otherwise. No other noteworthy defects. No markings. Unclipped DJ; no price printed on front flap.; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence. 1st Edition (Unstated); No Printing Stated.…

Hardcover. Red cloth/boards; gilt lettering on black spine title line. Orange dj with color image and red lettering. 145 pp. with occasional bw illustrations. Edited and with an introduction by Nicolai Cikovsky, Jr. Four lectures, text alterations, 3 appendices, a chronology of Morse's Artistic Life, bibliography, and an index. Well-illustrated. The first publication of a series of lectures delivered by the 19th-century American painter to the New York Athenaeum in 1826, soon after he became president of the National Academy of Design. The four lectures marked an important step in the development of the artistic profession in the US. VG-/VG- clean, tight copy; former owner's name on ffep (Boston art curator). A lovely copy with only a hint of shelf wear.…

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. First Edition. First edition. Near fine in near fine dust jacket. Edited by Nicolai Cikovsky, Jr. Pages clean and tight. Corners slightly rubbed. Red cloth cover. Dustwrapper spine faded. Nice clean condition.

Hardcover with dust jacket. Condizione: Gut. 145 p. Dust jacket slightly rubbed, with a tear, otherwise a good copy without markings. - The recent sale of Samuel F. B. Morse's painting Gallery of the Louvre for $3.25 million, perhaps the most ever paid for an American painting, is an indication of the increasing awareness among the public and the art community of Morse's im- portance as an artist. A major part of that career as an artist was the series of lec- tures, published here for the first time, that Morse originally delivered for the New York Athenaeum in 1826, soon af- ter he became the first president of the National Academy of Design. Represent- ing the first critical discussion of painting by a practicing artist in America, the four lectures marked an important step in the development of the artistic profession in the United States and are a significant resource for the study of American art and culture. Because Morse's audience was more familiar with literature and science than with painting, his strategy in these lec- tures was to explain the principles of painting, rather than the technicalities, by comparing them with the principles of other arts. He intended to instruct his audience, hoping to enlighten patronage and create in America the conditions in which high art would find encourage- ment. In this edition of the lectures, Cikovsky presents an accurate text, gives extensive notes, and provides the many textual al- terations that Morse made in the lectures as he continued to present them to other audiences for nearly two decades. Many of the works of art to which Morse refers as well as several of Morse's own works are illustrated in the text. / Contents Acknowledgments, Editor's Introduction, Lectures Lecture 1, Lecture 2, Lecture 3, Lecture 4, Text Alterations, Appendix 1, Appendix 2, Appendix 3, Chronology of Morse's Artistic Life, Bibliography, Index. ISBN 9780826203892 Sprache: Englisch Gewicht in Gramm: 496.…

Trade Paperback. Condizione: Fine. Condizione sovraccoperta: Near Fine. Dust jacket shows very light shelf wear. Book is in excellent condition in every respect with a red stamp on the front endpaper from the former owner.

Hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.

Condizione: New. Satisfaction Guaranteed or your money back.