Isbn: 9780844405087 - printer and the pardoner (20 risultati)

hardcover. Condizione: Good.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condizione: Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized.

Condizione: Good. First Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Mass Market Paperback. Condizione: Good. This hardcover edition shows wear on the edges, typical of a book of its age, but remains in good condition overall. There is no dust jacket. The binding is intact, and the pages are clean without inscriptions or library markings. Perfect for collectors or historians seeking a reliable copy for study. no jacket, hardcover shows wear on edges.…

First Edition. F/G, DJ tears and chips missing head of spine, small piece missing bottom edge rear panel, minor cornerwear, small nicks and tears around edges. Overall a tight solid copy (despite mylar protected DJ) with clean unmarked text. ; 4to, green cloth with gilt lettering, DJ, 101pp, appendices, index, concordances. An unrecorded indulgence printed by William Caxton for the Hospital of St. Mary Rounceval, Charing Cross. Illustrated. …

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. 1st Edition. A fine, clean and tight hardcover copy in a very good, clean and bright dustjacket/brodart covered, First Edition. Spine of dustjacket has some edge rubbing. Otherwise, this is a very nice copy. = We ship all books with Delivery Confirmation. = We have been selling Used Books for over 29 years.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Done up nicely in green cloth with spine and front panel lettering gilt, quarto, pp. 101 + colophon. This copy complete with the fold out illustration showing quire strips from the Rosenwald Sammelband. Other black and white illustrations, as well.…

Hardcover. Condizione: Near Fine. Near Fine. First edition. Book-plate on front paste-down, else near fine in a near fine dust jacket.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. Washington, DC: Library of Congress, 1986. First edition, 1986. Illustrated in black and white. Green cloth with dustjacket. About fine condition, tight binding, clean pages, no names or other markings, dustjacket in mylar protector. First Edition. Hard Cover. Very Good/Very Good. 4to - over 9¾" - 12" tall.…

Hardback. Condizione: Near Fine. Condizione sovraccoperta: Fine. ~Dustwrapper unfaded, unclipped and protected in removable clear plastic sleeve. Mild foxing to top edges, otherwise fine. No ownership marks. ~Robust packaging. Overseas tracking available on request. Used books are exempt from USA tariffs. Hardback. Size: 101pp., 18 illus. 4to: 22 x 29cm. With dustwrapper.…

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good +. First Edition. First Edition. NF/VG+. Hardcover, green cloth with gilt titles, DJ, 101 pp, b&w illustrations with fold-out, quarto, some edgewear to DJ, else a clean and crisp copy.

Hardcover. Condizione: Near Fine. Dust Jacket Included. 1st Edition. 4to. Nice copy in dustwrapper. Loosely inserted a flyer for the author's Sandars Lectures, 2005.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition.

Cloth, gilt cover-title, 4to, 29 cm 101 pp, [18 ills including 1 fold-out plate. From the blurb: "In a remarkable feat of synthesis and historical imagination, Needham weaves together the stories of William Caxton, the wealthy cloth merchant who at fifty years of age mastered the newly invented art of printing and took the craft to England, of the broadside indulgence he printed, and of the institution he printed it for. The most common surviving form of early job-printing, indulgence instruments were used to raise funds for the Roman church and its institutions. The Printer & the Pardoner: An Unrecorded Indulgence Printed by William Caxton for the Hospital of St, Mary Rounceval, Charing Cross tells the story of that hospital, notorious for fund-raising activities carried on by such as Chaucer's Pardoner. Literary history, church history, printing history, and political and social history intersect in the study of the Rounceval indulgence. This newly discovered broadside from Caxton's shop becomes the forty-fourth item in a new census of Caxton imprints, published as Appendix D in The Printer & the Pardoner. This "Checklist of Caxton's Printing" includes 111 items, printed in Cologne, Bruges, Westminster, and Paris. It identifies every known piece of printing done by William Caxton and ranges them in a chronological sequence based on Needham's bibliographical researches. The text of the St. Mary Rounceval indulgence is presented in Appendix A. All thirteen vellum strips are reproduced on a foldout page at the same size as the originals. Appendix B lists representative Caxton tract volumes, both extant and dispersed. These are volumes containing groups of separate editions, which came into the covers of single bindings either in the bookshop or when an owner gathered a group of unbound books or pamphlets and had a binding put on them. Considered as units, such volumes can suggest a great deal about the marketing of the books. Appendix C, ''Binder's Waste and Caxton's Printing," lists thirteen examples of Caxton's printing surviving solely through their preservation in bindings. Nineteen black-and-white illustrations include - besides the thirteen vellum strips of the Rounceval indulgence itself - depictions of the Pardoner from the Ellesmere Chaucer and the second edition of The Canterbury Tales (1483). a marginal illumination from "Piers Plowman" of a priest holding a pardon, views from the City of London to Westminster, of Charing Cross, and of the hospital of St. Mary Rounceval, the seal of the hospital, and drawings by Margaret R. Brown illustrating how quire guards are sewn .into a binding." Contents include: Preface; William Caxton, England's First Printer; The Rosenwald Sammelband and Other Caxton Tract Volumes; An Unrecorded Caxton Indulgence Preserved as Binder's Waste; Early Indulgence Printing and Its Survival; Indulgence Printing in England; The Hospital of St. Mary Rounceval; Indulgences Issued by St. Mary Rounceval; The Rosenwald Sammelband Revisited; Notes; Appendix A: The Text of the St. Mary Rounceval Indulgence; Appendix B: Caxton Tract Volumes - A Sample List; Appendix C: Binder s Waste and Caxton's Printing; Appendix D: Checklist of Caxton's Printing. Near Fine in a dustwrapper. which is slightly worn at the extremities.…

Cloth, 4to, 29 cm 101 pp, [1] folded leaf of plates. From the blurb: "In a remarkable feat of synthesis and historical imagination, Needham weaves together the stories of William Caxton, the wealthy cloth merchant who at fifty years of age mastered the newly invented art of printing and took the craft to England, of the broadside indulgence he printed, and of the institution he printed it for. The most common surviving form of early job-printing, indulgence instruments were used to raise funds for the Roman church and its institutions. The Printer & the Pardoner: An Unrecorded Indulgence Printed by William Caxton for the Hospital of St, Mary Rounceval, Charing Cross tells the story of that hospital, notorious for fund-raising activities carried on by such as Chaucer's Pardoner. Literary history, church history, printing history, and political and social history intersect in the study of the Rounceval indulgence. This newly discovered broadside from Caxton's shop becomes the forty-fourth item in a new census of Caxton imprints, published as Appendix D in The Printer & the Pardoner. This "Checklist of Caxton's Printing" includes 111 items, printed in Cologne, Bruges, Westminster, and Paris. It identifies every known piece of printing done by William Caxton and ranges them in a chronological sequence based on Needham's bibliographical researches. The text of the St. Mary Rounceval indulgence is presented in Appendix A. All thirteen vellum strips are reproduced on a foldout page at the same size as the originals. Appendix B lists representative Caxton tract volumes, both extant and dispersed. These are volumes containing groups of separate editions, which came into the covers of single bindings either in the bookshop or when an owner gathered a group of unbound books or pamphlets and had a binding put on them. Considered as units, such volumes can suggest a great deal about the marketing of the books. Appendix C, ''Binder's Waste and Caxton's Printing," lists thirteen examples of Caxton's printing surviving solely through their preservation in bindings. Nineteen black-and-white illustrations include - besides the thirteen vellum strips of the Rounceval indulgence itself - depictions of the Pardoner from the Ellesmere Chaucer and the second edition of The Canterbury Tales (1483). a marginal illumination from "Piers Plowman" of a priest holding a pardon, views from the City of London to Westminster, of Charing Cross, and of the hospital of St. Mary Rounceval, the seal of the hospital, and drawings by Margaret R. Brown illustrating how quire guards are sewn .into a binding." Contents include: Preface; William Caxton, England's First Printer; The Rosenwald Sammelband and Other Caxton Tract Volumes; An Unrecorded Caxton Indulgence Preserved as Binder's Waste; Early Indulgence Printing and Its Survival; Indulgence Printing in England; The Hospital of St. Mary Rounceval; Indulgences Issued by St. Mary Rounceval; The Rosenwald Sammelband Revisited; Notes; Appendix A: The Text of the St. Mary Rounceval Indulgence; Appendix B: Caxton Tract Volumes - A Sample List; Appendix C: Binder s Waste and Caxton's Printing; Appendix D: Checklist of Caxton's Printing. Near Fine in Near Fine dustwrapper.…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. An unblemished edition housed in an equally Fine dust-jacket; 1892.The Printer & the Pardoner is a story about a printer and a pardoner. The printer is trying to make money and the pardoner is trying to find forgiveness for his sins.; 4to; 101 pages; $6.00. …

Condizione: New. Satisfaction Guaranteed or your money back.

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condizione: Fine condition. Very Good dust jacket. First Edition. Washington D.C.: Library of Congress, 1986. Bradley Martin's copy. Laid in is a two page letter on Pierpont Morgan Library stationary to Bradley Martin. It is dated 6 May 1987 and mentions a possible exhibition of Martin's treasures at the Morgan Library "in the fall." Without saying so, the letter hints that the Morgan would be an appropriate repository for Martin's incredible library. The attempt proved to be futile as the Martin collection was sold at auction in 1989 and 1990, realizing a total of $35,303,000. Fine condition in a Very Good dust jacket which has 1 small chip to the rear panel. The jacket is protected by a removable Brodart clear-plastic sleeve. NO owner's name or bookplate. NOT a library discard. Pages are crisp, clean and unmarked. 1986. First Edition. Includes a bibliography of printing by Caxton in Cologne, Bruges, and Westminster. This book discusses a previously unknown Caxton printing and reproduces in facsimile vellum strips utilized in the binding of a volume of other Caxton imprints from the Rosenwald collection. Illustrated with 19 b/w reproductions. Bound in the original gilt-stamped green cloth. From the dust jacket: "In a remarkable feat of synthesis and historical imagination, Needham weaves together the stories of William Caxton, the wealthy cloth merchant who at fifty years of age mastered the newly invented art of printing and took the craft to England, of the broadside indulgence he printed, and of the institution he printed it for. The most common surviving form of early job-printing, indulgence instruments were used to raise funds for the Roman church and its institutions. THE PRINTER & THE PARDONER: AN UNRECORDED INDULGENCE PRINTED BY WILLIAM CAXTON FOR THE HOSPITAL OF ST, MARY ROUNCEVAL, CHARING CROSS tells the story of that hospital, notorious for fund-raising activities carried on by such as Chaucer's Pardoner. Literary history, church history, printing history, and political and social history intersect in the study of the Rounceval indulgence. This newly discovered broadside from Caxton's shop becomes the forty-fourth item in a new census of Caxton imprints, published as Appendix D in THE PRINTER & THE PARDONER. This 'Checklist of Caxton's Printing' includes 111 items, printed in Cologne, Bruges, Westminster, and Paris. It identifies every known piece of printing done by William Caxton and ranges them in a chronological sequence based on Needham's bibliographical researches." Oversize Hardcover. 8.75" wide by 11.25" tall. First Edition. Oversize Hardcover. Fine condition/Very Good dust jacket. Illus. by NOT a library discard. 101pp. Great Packaging, Fast Shipping. NOT a library discard (illustratore).…