ISBN: 9780876750131 - the illustrator's notebook (11 risultati)

hardcover. Condizione: fair. The Horn Book, Incorporated, Boston, 1978, 8-1/2"x11", cloth, 153pp., many illusts., ex-lib.- spine label, pocket, stamps, peel marked endpapers, badly shaken - the hinges haven't split but the paper has peeled partly off the boards, so text block will pull an inch out in front of the foredges of the boards. Otherwise a neat copy so not bad as a reader in a good dj. $.…

Condizione: Good. 1st. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condizione: As New. Used, hardcover like new with original dust jacket as issued. No underlining, highlighting or soiling. A square, sharp copy.

hardcover. Condizione: Very Good. Horn Book Boston, MA 1978.

Condizione: Very Good. 1st. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Cloth. Condizione: Very Good. Very Good -. 1978, 153pp, illus., light shelfwear to cover, owner's name to fep, slight edgewear to dj, contents clean.

tan & gilt illustrated full cloth hardcover ~ 4to ~ 4º (quarto ~ 8"x11"). large book. dustwrapper in protective plastic book jacket cover. fine cond. binding square & tight. covers clean. edges clean. contents free of markings. dustwrapper in vg cond. couple of 1" tears, rubbing at spine top & bottom, minor wrinkling & edge nicks, not price clipped. nice clean copy. no library markings, store stamps, stickers, bookplates, no names, inking, underlining, remainder markings etc~. first edition. first printing (nap). frontis. illustration. xvii+153p. 47 full color illustrations, some full page. 55 b&w illustrations. bibliography. index. approximately 53 contributors. art history. art books. biography. literary history. ~ "Apart from the knowledge and proper use of the artist's equipment," writes Leonard Weisgard in his article "Influences and Applications" included in this volume, "it is my job [as an illustrator] to implement communication, to enhance the word, to extend, provoke, possibly simplify a learning experience that must be pleasurable . to involve the reader as viewer, sharer, fellow explorer; to dramatize space, integrate the illustration with space and type . and to prepare properly the artwork for the mechanical steps of reproducing the illustrations . " . In THE ILLUSTRATOR'S NOTEBOOK artists discuss their philosophy and standards of illustration, the history of illustration, its place in the arts, its place as a means of communication today, and their own experiences with various illustration techniques ~ such as collage, lithography, woodcut, scratchboard, cardboard cuts, crowquill pen, and several ways of preparing color illustration by preseparated art. In its exploration of the illustrator's concerns, this volume is multi~purpose. It is intended for artists who need knowledge of the development and history of illustration, particularly in the children's book field; for those with fine arts training who need to discover the scope of technical or commercial illustration problems; for those with technical or commercial training who need to respond to a fine arts approach; and for authors, teachers, students, and librarians who are interested in" children's book illustration in general. As the title implies, the form is that of notes or excerpts from longer articles which appeared in The Horn Book Magazine, including articles from "The Artist at Work" series and the "Artist's Choice" series. The editor, Lee Kingman, a graduate of Smith College and a former children's book editor for Houghton Millin, edited Newbery and Caldecott Medal Books 1956~1965; Newbery and Caldecott Medal Books 1966~1975; and Illustrators of Children's Books 1957~1966. She has also written twenty~five books for children and young people. With 47 illustrations in color and 55 illustrations in black~and~white. The jacket drawing by Lynd Ward is of the colophon he made for "The Artist at Work" series. …

Hard Cover. Condizione: Very Good. Condizione sovraccoperta: Good. Hardback with protected dust-wrapper. 153pp. Frontis. Illus. Top edge foxed. A little wear to d/w. A pleasing copy. (a13).

Hardcover. Condizione: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Images are beautiful bright and vivid. No notes or highlighting. See images. Fantastic book. About the book >.>.> Artists discuss their philosophy and stan- dards of illustration, the history of illustra- tion, its place in the arts, its place as a means of communication today, and their own ex- periences with various illustration tech- niques such as collage, lithography, woodcut, scratchboard, cardboard cuts, crowquill pen, and several ways of prepar- ing color illustration by preseparated art. In its exploration of the illustrator's con- cerns, this volume is multi-purpose. It is intended for artists who need knowledge of the development and history of illustration, particularly in the children's book field; for those with fine arts training who need to discover the scope of technical or commer- cial illustration problems; for those with technical or commercial training who need to respond to a fine arts approach; and for authors, teachers, students, and librarians who are interested in children's book illus- tration in general. As the title implies, the form is that of notes.…

Condizione: New. Satisfaction Guaranteed or your money back.