ISBN: 9780893812416 - samaras: photographis, 1969-1986aras (26 risultati)

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. Oblong folio in black cloth, spine title in red. A Near Fine copy in like dustjacket.

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. 1st Edition. Black boards [6]+7-183p,cp,cep,pl.

Cloth. Condizione: Almost As New. Condizione sovraccoperta: Fine +. First Edition.

Condizione: like_new. No signs of wear.

Condizione: good. Signs of wear and consistent use.

Later printing. Oblong hardcover. 183 pages. A reissue of this classic book but with no mention of printing. Essay by Ben Lifson. A then retrospective look at the wildly inventive color photographs of Samaras. A very fine copy in a very fine dust jacket and still in the publisher's shrinkwrap.

Hardcover. Condizione: Near Fine. No Jacket. 1st Edition. First edition 1987. Published by Aperture, "Aperture Monograph" series. Hardcover in full black cloth without DJ. Condition fine, square and tight book, corners not bumped, one bump to lower edge, no names, no underlinings, no highlights, no bent page corners, spine not sunned, not a reminder. Oblong folio, 184 pages, illustrated throughout with color photography. Heavy book will require additional postage for international orders.…

Condizione: Very Good. First Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Condizione: Acceptable.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Very good with remainder stamp on lower edge of text block. No interior markings. Oblong format. In very good dust jacket with no chips or tears.

Hardcover. Condizione: As New. Dust Jacket Included. HEPH998749 Samaras, Lucas Samaras Photographs, An Aperture Book, 1987, HC w dj, 9.75"x12.5", color, 183 pages Slight rubbing & slight 3" crease in back cover dj, otherwise new.

Hardcover. A monograph of provocative and influential photographic images by Lucas Samaras, chosen by the artist himself as representative of his best work. These photographs were selected from every phase of his career, and include the now-famous Polaroid self-portraits: manipulated and composite images with which Samaras broke ground as a conceptual artist and defined a new visual vocabulary. Photographs by Lucas Samaras; essay by Ben Lifson. First edition, first printing. 184 pages; 74 color plates with 114 images and 12 b&w plates with 23 images + 6 text illustrations; 12.5 x 9.5 inches. Chronology, bibliography. Condition: Fine, almost as new, clothbound hardcover in a Fine dust jacket with a hint of shelf wear. Note that the white line along the spine in our photo is the reflection of the flash. All dust jackets are protected by a clear mylar cover. Ships the next business day, wrapped in padding, in a box. Due to size and weight, international and expedited shipping may be more than quoted.…

Hardcover. Condizione: Very Good. Dust Jacket Included. Hardcover, 12 1/2 x 10 x 1 in., 3 lbs 5 oz., Dust Jacket: normal shelf wear especially on back of jacket; Book: normal shelf wear, pages in very good condtions; Overall; very good condidtion.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st. Cloth, 183 pages, illustrations (some colour); 25 x 32 cm. Firm binding, clean inside copy. Fine DJ. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A massive coffee-table book. Richly illustrated with colour plates. *** "Photographer, painter, sculptor, Lucas Samaras is one of the most influential and provocative artists of our time. Once again available to readers, this long out-of-print volume presents a thorough compilation of Samaras' photographic work, beginning with his earliest 'Auto-Polaroids.' This exhaustive body of work paved the way for a generation of contemporary photo-artists, expanding the expressive possibilities of the medium. Using Polaroid materials, large--sometimes life-sized--formats, manipulated imagery, and composites, Samaras helped forge a vocabulary employed by artists and photographers throughout the eighties. In his most profound achievement, he adopted one of photography's basic genres--portraiture--and used it as a basis for an inquiry into the self, which remains unmatched in its intensity and boundless in its ramifications. Photography critic Ben Lifson provides a trenchant critique and history of Samaras's work. 'Samaras split himself into model, actor, director, audience, and critic,' Lifson writes. 'To each of these roles he brought a skilled artist's hand an an eye deeply informed by the historical traditions and motifs of art and by the vernacular and popular traditions of photography. He became a rare figure in American art, not an artist who occasionally uses photography for tactical reasons . . . but an artist who made photography central to his aesthetic campaign. / Photographer, sculptor, painter, and performance artist, Lucas Samaras is one of the most influential and provocative artists of all time. In 1973, Samaras discovered that the wet dyes of Polaroid prints were highly malleable, allowing him to create what he calls 'Photo-Transformations.' His work has been exhibited widely at such institutions as the Whitney Museum of American Art and the Museum of Contemporary Art, Chicago and is held in major museum collections around the world. Ben Lifson is a writer, critic, and photographer. His articles have appeared in many periodicals including Art in America, The Village Voice, Artforum, and Aperture. He is represented in the collections of the International Museum of Photography, George Eastman House, the National Museum of American Art, and the Minneapolis Art Institute." - Publisher. *** CONTENTS: Introduction; AutoPolaroids (1969-1971); Splits (1973); Photo-Transformations (1973-1976); Still-Lifes & Figures (1978-1980); 8 x 10 Sittings (1978-1980); 20 x 24 Sittings (1980); Ultra-Large (1983); Panoramas (1983-1986); Heads (1986); Adjustment (1986); Notes; Chronology; Bibliography. Size: Oblong. Collectible.…

hardcover. Condizione: near fine. Condizione sovraccoperta: very good. Essay by Ben Lifson. Illustrated. 183pp., oblong 8vo, black cloth, d.w.; small tear to dust wrapper at foot of spine. New York: Aperture, (1987). First edition. A near fine copy in a very good dust wrapper.

Hardcover. Condizione: new. New Copy. Customer Service Guaranteed.

Hardcover. Condizione: New. 1st Edition. New book in shrink wrap.

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

quer 4°, 183 S. mit zahlreichen farbigen Abbildungen und Tafeln. Orig.-Leinen im Orig.-Umschlag. Erste Ausgabe.- Umschlag minimal berieben. Gutes Exemplar.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition.

Hardcover. Condizione: As New. 1st Edition. Large hb; 1st ed; unmarked; jacket superb.

Original-Leinwand mit farbig illustriertem Original-Schutzumschlag; quer 4°; 183 (1) Seiten; durchgehend farbig bebildert. Anstreichungen auf den Seiten 7 - 11; sonst sehr gutes Exemplar. Sprache: Englisch 1550 gr.

Condizione: New. Satisfaction Guaranteed or your money back.