9780980161724 - color pictures: march 3 - april 14, 2012 di colpitt, frances (11 risultati)
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Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.
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Da: California Books, Miami, FL, U.S.A.California Books
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Paperback. Condizione: new. Paperback. An exhibition of recent photography organized by Frances Colpitt, Color Pictures examines color as a subject matter in works by John Baldessari, Sarah Charlesworth, William Eggleston, Russell Lee, Thomas Ruff, Stephen Shore, Allison V. Smith, and Ann Stautberg. The exhibition charts the mer…ger of art and photography from the 1970s to the present. During this period, both the photo world and the art world were transformed by the conflict between photographys high technical and aesthetic standards and the intentionally amateur and nonchalant approach to the camera by conceptually-oriented artists who used the camera to document their often ephemeral materials and elusive ideas. Their rocky fusion led not only to the acceptance of the photographic medium as a legitimate tool for art making, but also to unparalleled growth in the number of artists using the camera in the 1980s and 1990s. Both the exhibit and the catalogue offer a variety of insights into the meaningful role of color in visual art and in the visible world. The catalogue includes essays and color plates from the exhibition, as well as an introductory essay by Colpitt that outlines the issues at stake in the use of color in recent photography. Commentaries on Individual artists were written by graduate students in TCUs School of Art who participated in a graduate art history seminar, Photography In/As/ Not As Art, spring 2012. An exhibition of recent photography organised by Frances Colpitt, Color Pictures examines colour as a subject matter in works by John Baldessari, Sarah Charlesworth, William Eggleston, Russell Lee, Thomas Ruff, Stephen Shore, Allison V. Smith, and Ann Stautberg. The exhibition charts the merger of art and photography from the 1970s to the present. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Condizione: New. Num Pages: 26 pages, illustrations. BIC Classification: AGC; AGZ; AJC. Category: (G) General (US: Trade). Dimension: 203 x 254 x 2. Weight in Grams: 122. . 2012. Paperback. . . . .
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Condizione: New. Num Pages: 26 pages, illustrations. BIC Classification: AGC; AGZ; AJC. Category: (G) General (US: Trade). Dimension: 203 x 254 x 2. Weight in Grams: 122. . 2012. Paperback. . . . . Books ship from the US and Ireland.
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Paperback. Condizione: Brand New. 26 pages. 7.75x9.75x0.25 inches. In Stock.
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Da: moluna, Greven, Germaniamoluna
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Condizione: New. An exhibition of recent photography organised by Frances Colpitt, Color Pictures examines colour as a subject matter in works by John Baldessari, Sarah Charlesworth, William Eggleston, Russell Lee, Thomas Ruff, Stephen Shore, Allison V. Smith, and Ann Staut.
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Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
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Taschenbuch. Condizione: Neu. Neuware - An exhibition of recent photography organized by Frances Colpitt, "Color Pictures" examines color as a subject matter in works by John Baldessari, Sarah Charlesworth, William Eggleston, Russell Lee, Thomas Ruff, Stephen Shore, Allison V. Smith, and Ann Stautberg. The exhibition charts the…merger of art and photography from the 1970s to the present. During this period, both the photo world and the art world were transformed by the conflict between photography's high technical and aesthetic standards and the intentionally amateur and nonchalant approach to the camera by conceptually-oriented artists who used the camera to document their often ephemeral materials and elusive ideas. Their rocky fusion led not only to the acceptance of the photographic medium as a legitimate tool for art making, but also to unparalleled growth in the number of artists using the camera in the 1980s and 1990s.> Both the exhibit and the catalogue offer a variety of insights into the meaningful role of color in visual art and in the visible world. The catalogue includes essays and color plates from the exhibition, as well as an introductory essay by Colpitt that outlines the issues at stake in the use of color in recent photography. Commentaries on Individual artists were written by graduate students in TCU's School of Art who participated in a graduate art history seminar, Photography In/As/ Not As Art, spring 2012.
