Isbn: 9781478031857 - the disturbing profane: hip hop, blackness, and the sacred (27 risultati)

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Paperback or Softback. Condizione: New. The Disturbing Profane: Hip Hop, Blackness, and the Sacred. Book.

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Paperback. Condizione: New. In The Disturbing Profane, Joseph R. Winters explores how hip hop's religiosity is found in qualities associated with the dark sacred. Rather than purity and wholeness, this expression of the sacred signifies death and pleasure, opacity and contamination, and exorbitance and anguish. Winters draws on religious studies, Black studies, Black feminist thought, and critical theory to bear on contemporary hip hop in order to trouble distinctions between the sacred and the profane. He shows how artists like Notorious B.I.G., Lauryn Hill, Kendrick Lamar, Lupe Fiasco, and Nicki Manaj undermine stable meanings of the sacred to reveal listeners' investments in unpleasant realities. Hip hop opens its audience to a volatile notion of the sacred and the unruly qualities of Blackness. Moreover, Winters demonstrates that hip hop's dark sacrality makes it inseparable from its expression of, participation in, and resistance to the anti-Black and Black gendered violence that organizes the social world.…

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Condizione: New. 2025. paperback. . . . . .

Paperback. Condizione: New. In The Disturbing Profane, Joseph R. Winters explores how hip hop's religiosity is found in qualities associated with the dark sacred. Rather than purity and wholeness, this expression of the sacred signifies death and pleasure, opacity and contamination, and exorbitance and anguish. Winters draws on religious studies, Black studies, Black feminist thought, and critical theory to bear on contemporary hip hop in order to trouble distinctions between the sacred and the profane. He shows how artists like Notorious B.I.G., Lauryn Hill, Kendrick Lamar, Lupe Fiasco, and Nicki Manaj undermine stable meanings of the sacred to reveal listeners' investments in unpleasant realities. Hip hop opens its audience to a volatile notion of the sacred and the unruly qualities of Blackness. Moreover, Winters demonstrates that hip hop's dark sacrality makes it inseparable from its expression of, participation in, and resistance to the anti-Black and Black gendered violence that organizes the social world.…

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Paperback. Condizione: new. Paperback. In The Disturbing Profane, Joseph R. Winters explores how hip hops religiosity is found in qualities associated with the dark sacred. Rather than purity and wholeness, this expression of the sacred signifies death and pleasure, opacity and contamination, and exorbitance and anguish. Winters draws on religious studies, Black studies, Black feminist thought, and critical theory to bear on contemporary hip hop in order to trouble distinctions between the sacred and the profane. He shows how artists like Notorious B.I.G., Lauryn Hill, Kendrick Lamar, Lupe Fiasco, and Nicki Manaj undermine stable meanings of the sacred to reveal listeners investments in unpleasant realities. Hip hop opens its audience to a volatile notion of the sacred and the unruly qualities of Blackness. Moreover, Winters demonstrates that hip hops dark sacrality makes it inseparable from its expression of, participation in, and resistance to the anti-Black and Black gendered violence that organizes the social world. Joseph R. Winters explores how hip hop troubles notions of the sacred and the profane, arguing that it opens up its audience to a volatile notion of the sacred and the unruly qualities of Blackness. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New. 2025. paperback. . . . . . Books ship from the US and Ireland.

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Paperback. Condizione: Brand New. 216 pages. 9.00x6.00x9.00 inches. In Stock.

Paperback. Condizione: New. In The Disturbing Profane, Joseph R. Winters explores how hip hop's religiosity is found in qualities associated with the dark sacred. Rather than purity and wholeness, this expression of the sacred signifies death and pleasure, opacity and contamination, and exorbitance and anguish. Winters draws on religious studies, Black studies, Black feminist thought, and critical theory to bear on contemporary hip hop in order to trouble distinctions between the sacred and the profane. He shows how artists like Notorious B.I.G., Lauryn Hill, Kendrick Lamar, Lupe Fiasco, and Nicki Manaj undermine stable meanings of the sacred to reveal listeners' investments in unpleasant realities. Hip hop opens its audience to a volatile notion of the sacred and the unruly qualities of Blackness. Moreover, Winters demonstrates that hip hop's dark sacrality makes it inseparable from its expression of, participation in, and resistance to the anti-Black and Black gendered violence that organizes the social world.…

Paperback. Condizione: new. Paperback. In The Disturbing Profane, Joseph R. Winters explores how hip hops religiosity is found in qualities associated with the dark sacred. Rather than purity and wholeness, this expression of the sacred signifies death and pleasure, opacity and contamination, and exorbitance and anguish. Winters draws on religious studies, Black studies, Black feminist thought, and critical theory to bear on contemporary hip hop in order to trouble distinctions between the sacred and the profane. He shows how artists like Notorious B.I.G., Lauryn Hill, Kendrick Lamar, Lupe Fiasco, and Nicki Manaj undermine stable meanings of the sacred to reveal listeners investments in unpleasant realities. Hip hop opens its audience to a volatile notion of the sacred and the unruly qualities of Blackness. Moreover, Winters demonstrates that hip hops dark sacrality makes it inseparable from its expression of, participation in, and resistance to the anti-Black and Black gendered violence that organizes the social world. Joseph R. Winters explores how hip hop troubles notions of the sacred and the profane, arguing that it opens up its audience to a volatile notion of the sacred and the unruly qualities of Blackness. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Taschenbuch. Condizione: Neu. The Disturbing Profane | Hip Hop, Blackness, and the Sacred | Joseph R. Winters | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2025 | Duke University Press | EAN 9781478031857 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu.…

Paperback. Condizione: New. In The Disturbing Profane, Joseph R. Winters explores how hip hop's religiosity is found in qualities associated with the dark sacred. Rather than purity and wholeness, this expression of the sacred signifies death and pleasure, opacity and contamination, and exorbitance and anguish. Winters draws on religious studies, Black studies, Black feminist thought, and critical theory to bear on contemporary hip hop in order to trouble distinctions between the sacred and the profane. He shows how artists like Notorious B.I.G., Lauryn Hill, Kendrick Lamar, Lupe Fiasco, and Nicki Manaj undermine stable meanings of the sacred to reveal listeners' investments in unpleasant realities. Hip hop opens its audience to a volatile notion of the sacred and the unruly qualities of Blackness. Moreover, Winters demonstrates that hip hop's dark sacrality makes it inseparable from its expression of, participation in, and resistance to the anti-Black and Black gendered violence that organizes the social world.…

Paperback. Condizione: Brand New. 216 pages. 9.00x6.00x9.00 inches. In Stock. This item is printed on demand.

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -In The Disturbing Profane, Joseph R. Winters explores how hip hop's religiosity is found in qualities associated with the dark sacred. Rather than purity and wholeness, this expression of the sacred signifies death and pleasure, opacity and contamination, and exorbitance and anguish. Winters draws on religious studies, Black studies, Black feminist thought, and critical theory to bear on contemporary hip hop in order to trouble distinctions between the sacred and the profane. He shows how artists like Notorious B.I.G., Lauryn Hill, Kendrick Lamar, Lupe Fiasco, and Nicki Manaj undermine stable meanings of the sacred to reveal listeners' investments in unpleasant realities. Hip hop opens its audience to a volatile notion of the sacred and the unruly qualities of Blackness. Moreover, Winters demonstrates that hip hop's dark sacrality makes it inseparable from its expression of, participation in, and resistance to the anti-Black and Black gendered violence that organizes the social world. 208 pp. Englisch.…

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Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In The Disturbing Profane, Joseph R. Winters explores how hip hop's religiosity is found in qualities associated with the dark sacred. Rather than purity and wholeness, this expression of the sacred signifies death and pleasure, opacity and contamination, and exorbitance and anguish. Winters draws on religious studies, Black studies, Black feminist thought, and critical theory to bear on contemporary hip hop in order to trouble distinctions between the sacred and the profane. He shows how artists like Notorious B.I.G., Lauryn Hill, Kendrick Lamar, Lupe Fiasco, and Nicki Manaj undermine stable meanings of the sacred to reveal listeners' investments in unpleasant realities. Hip hop opens its audience to a volatile notion of the sacred and the unruly qualities of Blackness. Moreover, Winters demonstrates that hip hop's dark sacrality makes it inseparable from its expression of, participation in, and resistance to the anti-Black and Black gendered violence that organizes the social world.…

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt.

Paperback. Condizione: new. Paperback. In The Disturbing Profane, Joseph R. Winters explores how hip hops religiosity is found in qualities associated with the dark sacred. Rather than purity and wholeness, this expression of the sacred signifies death and pleasure, opacity and contamination, and exorbitance and anguish. Winters draws on religious studies, Black studies, Black feminist thought, and critical theory to bear on contemporary hip hop in order to trouble distinctions between the sacred and the profane. He shows how artists like Notorious B.I.G., Lauryn Hill, Kendrick Lamar, Lupe Fiasco, and Nicki Manaj undermine stable meanings of the sacred to reveal listeners investments in unpleasant realities. Hip hop opens its audience to a volatile notion of the sacred and the unruly qualities of Blackness. Moreover, Winters demonstrates that hip hops dark sacrality makes it inseparable from its expression of, participation in, and resistance to the anti-Black and Black gendered violence that organizes the social world. Joseph R. Winters explores how hip hop troubles notions of the sacred and the profane, arguing that it opens up its audience to a volatile notion of the sacred and the unruly qualities of Blackness. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…