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9781478032090 - The Human in Bits: Graphical Computers, Black Abstractions di Cohen, Kris (20 risultati)
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The Human in Bits: Graphical Computers, Black Abstractions
Da: Books From California, Simi Valley, CA, U.S.A.
Valutazione del venditore 4 su 5 stelle
paperback. Condizione: Good.
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The Human in Bits
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
Valutazione del venditore 5 su 5 stelle
EUR 26,85
Spedizione EUR 4,81
Spedito da Regno Unito a U.S.A.Quantità: 15 disponibili
Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
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The Human in Bits
Da: Rarewaves.com USA, London, LONDO, Regno Unito
Valutazione del venditore 5 su 5 stelle
EUR 32,60
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Spedito da Regno Unito a U.S.A.Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: New. In The Human in Bits, Kris Cohen examines black abstractionist painting to demonstrate how race and computation are intimately entangled with the personal computer's graphic user interface. He shows how the personal computer and the graphical field of its screen meant to transform the human by transforming what environments humans were to labor in. It also provided the means for whiteness to tie itself to notions of colorblind meritocracy. Cohen focuses on the post-1960s experiments of black abstractionists Alma Thomas, Jack Whitten, Charles Gaines, and Julie Mehretu, who developed a nonrepresentational approach to blackness that was oriented more toward constraint than human expression. From Gaines's use of grids to Mehretu's layering of paint, these artists - in their knowledge that black life had always been conflated with numbers and bits of information - flirted with repetition, systems, and formulas to test other ways of being human. By demonstrating how these artists bypassed the white fear that the human would become interchangeable with data, Cohen reframes modernism and modernist art to account for racialization in computational cultures.
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Human in Bits : Graphical Computers, Black Abstractions
Da: GreatBookPrices, Columbia, MD, U.S.A.
Valutazione del venditore 5 su 5 stelle
Condizione: New.
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The Human in Bits: Graphical Computers, Black Abstractions (Paperback or Softback)
Lingua: Inglese
Editore: Duke University Press 8/29/2025, 2025
ISBN 10: 147803209X ISBN 13: 9781478032090
Da: BargainBookStores, Grand Rapids, MI, U.S.A.
Valutazione del venditore 5 su 5 stelle
Paperback or Softback. Condizione: New. The Human in Bits: Graphical Computers, Black Abstractions. Book.
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Human in Bits : Graphical Computers, Black Abstractions
Da: GreatBookPrices, Columbia, MD, U.S.A.
Valutazione del venditore 5 su 5 stelle
Condizione: As New. Unread book in perfect condition.
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The Human in Bits: Graphical Computers, Black Abstractions (eng)
Da: Brook Bookstore On Demand, Napoli, NA, Italia
Valutazione del venditore 3 su 5 stelle
EUR 32,09
Spedizione EUR 5,50
Spedito da Italia a U.S.A.Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: new.
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The Human in Bits (Paperback)
Lingua: Inglese
Editore: Duke University Press, North Carolina, 2025
ISBN 10: 147803209X ISBN 13: 9781478032090
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Valutazione del venditore 5 su 5 stelle
Paperback. Condizione: new. Paperback. In The Human in Bits, Kris Cohen examines black abstractionist painting to demonstrate how race and computation are intimately entangled with the personal computers graphic user interface. He shows how the personal computer and the graphical field of its screen meant to transform the human by transforming what environments humans were to labor in. It also provided the means for whiteness to tie itself to notions of colorblind meritocracy. Cohen focuses on the post-1960s experiments of black abstractionists Alma Thomas, Jack Whitten, Charles Gaines, and Julie Mehretu, who developed a nonrepresentational approach to blackness that was oriented more toward constraint than human expression. From Gainess use of grids to Mehretus layering of paint, these artists - in their knowledge that black life had always been conflated with numbers and bits of information - flirted with repetition, systems, and formulas to test other ways of being human. By demonstrating how these artists bypassed the white fear that the human would become interchangeable with data, Cohen reframes modernism and modernist art to account for racialization in computational cultures. Kris Cohen examines black abstractionist painting to demonstrate how race and computation are intimately entangled in the graphic user interface of the personal computer. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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The Human in Bits Graphical Computers, Black Abstractions
Da: Revaluation Books, Exeter, Regno Unito
Valutazione del venditore 5 su 5 stelle
EUR 30,71
Spedizione EUR 11,56
Spedito da Regno Unito a U.S.A.Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 216 pages. 9.00x6.00x8.75 inches. In Stock.
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The Human in Bits: Graphical Computers, Black Abstractions
Da: Majestic Books, Hounslow, Regno Unito
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EUR 35,33
Spedizione EUR 7,51
Spedito da Regno Unito a U.S.A.Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New.
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The Human in Bits: Graphical Computers, Black Abstractions
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
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EUR 33,60
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Spedito da Irlanda a U.S.A.Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. 2025. paperback. . . . . .
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The Human in Bits: Graphical Computers, Black Abstractions
Da: THE SAINT BOOKSTORE, Southport, Regno Unito
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EUR 30,19
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Spedito da Regno Unito a U.S.A.Quantità: Più di 20 disponibili
Aggiungi al carrelloPaperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.
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The Human in Bits: Graphical Computers, Black Abstractions
Da: Books Puddle, New York, NY, U.S.A.
Valutazione del venditore 4 su 5 stelle
Condizione: New.
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The Human in Bits: Graphical Computers, Black Abstractions
Da: Kennys Bookstore, Olney, MD, U.S.A.
Valutazione del venditore 5 su 5 stelle
EUR 41,96
Spedizione EUR 9,04
Spedito in U.S.A.Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. 2025. paperback. . . . . . Books ship from the US and Ireland.
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The Human in Bits: Graphical Computers, Black Abstractions
Da: Russell Books, Victoria, BC, Canada
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EUR 37,11
Spedizione EUR 17,21
Spedito da Canada a U.S.A.Quantità: 14 disponibili
Aggiungi al carrellopaperback. Condizione: New. Special order direct from the distributor.
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The Human in Bits Graphical Computers, Black Abstractions
Da: Revaluation Books, Exeter, Regno Unito
Valutazione del venditore 5 su 5 stelle
EUR 45,81
Spedizione EUR 11,56
Spedito da Regno Unito a U.S.A.Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 216 pages. 9.00x6.00x8.75 inches. In Stock.
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The Human in Bits Graphical Computers, Black Abstractions
Da: Revaluation Books, Exeter, Regno Unito
Valutazione del venditore 5 su 5 stelle
EUR 45,81
Spedizione EUR 11,56
Spedito da Regno Unito a U.S.A.Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 216 pages. 9.00x6.00x8.75 inches. In Stock.
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EUR 37,13
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Spedito da Germania a U.S.A.Quantità: 1 disponibili
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EUR 27,72
Spedizione EUR 75,15
Spedito da Regno Unito a U.S.A.Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: New. In The Human in Bits, Kris Cohen examines black abstractionist painting to demonstrate how race and computation are intimately entangled with the personal computer's graphic user interface. He shows how the personal computer and the graphical field of its screen meant to transform the human by transforming what environments humans were to labor in. It also provided the means for whiteness to tie itself to notions of colorblind meritocracy. Cohen focuses on the post-1960s experiments of black abstractionists Alma Thomas, Jack Whitten, Charles Gaines, and Julie Mehretu, who developed a nonrepresentational approach to blackness that was oriented more toward constraint than human expression. From Gaines's use of grids to Mehretu's layering of paint, these artists - in their knowledge that black life had always been conflated with numbers and bits of information - flirted with repetition, systems, and formulas to test other ways of being human. By demonstrating how these artists bypassed the white fear that the human would become interchangeable with data, Cohen reframes modernism and modernist art to account for racialization in computational cultures.
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The Human in Bits : Graphical Computers, Black Abstractions
Lingua: Inglese
Editore: Duke University Press Aug 2025, 2025
ISBN 10: 147803209X ISBN 13: 9781478032090
EUR 47,56
Spedizione EUR 61,82
Spedito da Germania a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloTaschenbuch. Condizione: Neu. Neuware - In The Human in Bits, Kris Cohen examines black abstractionist painting to demonstrate how race and computation are intimately entangled with the personal computer's graphic user interface. He shows how the personal computer and the graphical field of its screen meant to transform the human by transforming what environments humans were to labor in. It also provided the means for whiteness to tie itself to notions of colorblind meritocracy. Cohen focuses on the post-1960s experiments of black abstractionists Alma Thomas, Jack Whitten, Charles Gaines, and Julie Mehretu, who developed a nonrepresentational approach to blackness that was oriented more toward constraint than human expression. From Gaines's use of grids to Mehretu's layering of paint, these artists - in their knowledge that black life had always been conflated with numbers and bits of information - flirted with repetition, systems, and formulas to test other ways of being human. By demonstrating how these artists bypassed the white fear that the human would become interchangeable with data, Cohen reframes modernism and modernist art to account for racialization in computational cultures.
