9781478032137 - after caliban: caribbean art in a global imaginary di james, erica moiah (18 risultati)
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Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
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8vo. Original pictorial card covers (softback) (Fine in publisher's unopened shrinkwrap). Pp. 304 (no inscriptions).
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Da: California Books, Miami, FL, U.S.A.California Books
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Da: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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Paperback. Condizione: new. Paperback. In After Caliban, Erica Moiah James examines the rise of global Caribbean artists in the 1990s and their production of a decolonized art history for the Caribbean. She draws on AimE CEsaires rewriting of Shakespeares The Tempest, in which Caliban becomes the sole author of his own story, di…ssolving his fixed position as colonized in relation to Prospero as colonizer. James shows how visual artists such as Marc Latamie, Janine Antoni, Belkis AyOn, Edouard Duval-CarriE, and Christopher Cozier followed CEsaires model by employing a range of practices and methodologies that refused marginalization. Just as CEsaire decolonized The Tempest, so too did these artists, who crafted a decolonial aesthetic that redefined their own cultural and historical narratives and positioned art as a key pathway toward a postcolonial future. By providing the foundation for a postcolonial, post-Caliban art world, these artists redefined the critical and popular notion of contemporary Caribbean art. At the same time, James argues, they fulfilled CEsaires dream for a postcolonial Caribbean while creating a nonhegemonic art historical practice that exists beyond modern binaries and borders. Drawing on AimE CEsaires rewriting of Shakespeares The Tempest, Erica Moiah James examines the rise of global Caribbean artists in the 1990s and their production of a decolonized art history for the Caribbean. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Paperback. Condizione: Brand New. 289 pages. 8.75x6.00x0.75 inches. In Stock.
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Paperback. Condizione: New. In After Caliban, Erica Moiah James examines the rise of global Caribbean artists in the 1990s and their production of a decolonized art history for the Caribbean. She draws on AimÉ CÉsaire's rewriting of Shakespeare's The Tempest, in which Caliban becomes the sole author of his own story, dissolving…his fixed position as colonized in relation to Prospero as colonizer. James shows how visual artists such as Marc Latamie, Janine Antoni, Belkis AyÓn, Edouard Duval-CarriÉ, and Christopher Cozier followed CÉsaire's model by employing a range of practices and methodologies that refused marginalization. Just as CÉsaire decolonized The Tempest, so too did these artists, who crafted a decolonial aesthetic that redefined their own cultural and historical narratives and positioned art as a key pathway toward a postcolonial future. By providing the foundation for a postcolonial, post-Caliban art world, these artists redefined the critical and popular notion of contemporary Caribbean art. At the same time, James argues, they fulfilled CÉsaire's dream for a postcolonial Caribbean while creating a nonhegemonic art historical practice that exists beyond modern binaries and borders.
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Paperback. Condizione: Brand New. 289 pages. 8.75x6.00x0.75 inches. In Stock.
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Da: Rarewaves USA United, HEBRON, KY, U.S.A.Rarewaves USA United
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Paperback. Condizione: New. In After Caliban, Erica Moiah James examines the rise of global Caribbean artists in the 1990s and their production of a decolonized art history for the Caribbean. She draws on AimÉ CÉsaire's rewriting of Shakespeare's The Tempest, in which Caliban becomes the sole author of his own story, dissolving…his fixed position as colonized in relation to Prospero as colonizer. James shows how visual artists such as Marc Latamie, Janine Antoni, Belkis AyÓn, Edouard Duval-CarriÉ, and Christopher Cozier followed CÉsaire's model by employing a range of practices and methodologies that refused marginalization. Just as CÉsaire decolonized The Tempest, so too did these artists, who crafted a decolonial aesthetic that redefined their own cultural and historical narratives and positioned art as a key pathway toward a postcolonial future. By providing the foundation for a postcolonial, post-Caliban art world, these artists redefined the critical and popular notion of contemporary Caribbean art. At the same time, James argues, they fulfilled CÉsaire's dream for a postcolonial Caribbean while creating a nonhegemonic art historical practice that exists beyond modern binaries and borders.
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Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
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Taschenbuch. Condizione: Neu. Neuware - In After Caliban, Erica Moiah James examines the rise of global Caribbean artists in the 1990s and their production of a decolonized art history for the Caribbean. She draws on AimÉ CÉsaire's rewriting of Shakespeare's The Tempest, in which Caliban becomes the sole author of his own story,… dissolving his fixed position as colonized in relation to Prospero as colonizer. James shows how visual artists such as Marc Latamie, Janine Antoni, Belkis AyÓn, Edouard Duval-CarriÉ, and Christopher Cozier followed CÉsaire's model by employing a range of practices and methodologies that refused marginalization. Just as CÉsaire decolonized The Tempest, so too did these artists, who crafted a decolonial aesthetic that redefined their own cultural and historical narratives and positioned art as a key pathway toward a postcolonial future. By providing the foundation for a postcolonial, post-Caliban art world, these artists redefined the critical and popular notion of contemporary Caribbean art. At the same time, James argues, they fulfilled CÉsaire's dream for a postcolonial Caribbean while creating a nonhegemonic art historical practice that exists beyond modern binaries and borders.
