Isbn: 9781584560302 - charles fairfax murray: the unknown pre-raphaelite (9 risultati)

Condizione: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Hardcover 2000 edition. Text, dust jacket and boards in very good condition. Binding firm. Pages unmarked and clean. (266 pages) Size: 8vo - over 7¾" - 9¾" tall. Book.

Hardcover. Condizione: As New. First edition. ISBN 9781584560302. Hardback. First Printing. Near Fine Condition book in a Near Fine Condition Dustjacket. Tight, bright, attractive copy with no markings to the book. As new condition. Copy One.

First Edition. Cloth. Fine in dustjacket.; Small 4to.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. 1st Edition. First edition, first impression. xxii, 296pp, with colour and black and white plate illustrations. Black cloth-covered boards with gilt lettering front and spine. 8vo. Cloth very slightly rubbed at spine base and on one corner else neat, clean, bright and tight throughout. In its original dust wrapper, a little rubbed at edges and shelf worn.…

Hardcover. Condizione: Fine in Fine dj. dj. Hardcover. 8vo. NEW BOOK. Black cloth boards with gilt title to spine and front board. Pristine interior with several color illustrations. Tight binding. Black dj with white title to spine and front panel. Color illustration of Murray to front panel of dj. 266 pp. PRERAPH/101305B. …

Hardcover. Condizione: As New. First edition. ISBN 9781584560302. Hardback. First Printing. Near Fine Condition book in a Near Fine Condition Dustjacket. Tight, bright, attractive copy with no markings to the book. As new condition. Copy Two.

Hardcover. Black cloth boards with gilt stamped lettering. Glossy black and color-illustrated dust jacket with white lettering. xiv, 266 pp. Illustrations. "In the late nineteenth century art world, few could be unaware of Charles Fairfax Murray. By turns he was painter, dealer and connoisseur, collector and benefactor; friend of William Morris, Burne-Jones and the Rossettis, and protege of John Ruskin. The draper's son from Bow became the studio assistant to Burne-Jones and was later sent to Italy to make copies of Old Masters for Ruskin; as his travels increased and his knowledge grew, by application and through a prodigious memory he soon became an expert on classical Italian paintings and set up as a dealer and collector, whose remarkable gifts to the Fitzwilliam Museum, Dulwich Picture Gallery, the National Gallery and other institutions testify to his belief that the public must be given access to fine art." "He was, however, a much more private man than his flamboyant contemporaries, and his wish for anonymity was compounded by his having two large families, one in London, the other in Italy, neither of whom he lived with. This, the first biography of Fairfax Murray, is both a study of a multi-talented and influential man and an exploration of the Victorian art world."--Jacket. VG/VG- light interior foxing, minor scuffing and wear to dj extremities. …

Cloth, 8vo, 25 cm, xiv, 266 pp. "In the late nineteenth century art world, few could be unaware of Charles Fairfax Murray. By turns he was painter, dealer and connoisseur, collector and benefactor; friend of William Morris, Burne-Jones and the Rossettis, and protégé of John Ruskin. The draper's son from Bow became the studio assistant to Burne-Jones and was later sent to Italy to make copies of Old Masters for Ruskin; as his travels increased and his knowledge grew, by application and through a prodigious memory he soon became an expert on classical Italian paintings and set up as a dealer and collector whose remarkable gifts to the Fitzwilliam Museum, Dulwich Picture Gallery, the National Gallery and other institutions testify to his belief that the public must be given access to fine art. He was, however, a much more private man than his flamboyant contemporaries, and this wish for anonymity was compounded by his having two large families, one in London, the other in Italy, neither of whom he lived with. This, the first biography of Fairfax Murray, is both a study of a multi-talented and influential man and an exploration of the Victorian art world." - from the blurb. Fine in Fine dustwrapper.…