Elliot david b (78 risultati)

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Condizione: As New. Excellent, unread, like-new condition. Interior is pristine. No writing or markings of any kind.

Hardcover. Condizione: Very Good. hardcover with dust jacket, tight, pages clear and bright, shelf and edge wear, corners bumped, packaged in cardboard box for shipment, tracking on U.S. orders.

Condizione: very_good. This book is in Very good condition. There may be a few flaws like shelf wear and some light wear.

Condizione: good.

Hardcover. Condizione: Good. no dust jacket. Brief Edition. Pictorial boards show light shelf wear and minor bumping to the corners and spine ends. The white portions of the spine and covers show faint toning and a few small marks. The binding is firm and square. Internal pages are clean and free of writing or highlighting. No dust jacket as issued.…

hardcover. Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Hardcover. Condizione: Very good condition. Condizione sovraccoperta: Very good. xxxiii, 266 pp. LCC: 2002070990.

Soft cover. Condizione: Good. 1st Edition. Some damage to cover. From the collection of New York poet, Tom Savage and may contain minor markings from the poet in the book. We may request additional monies for international shipping, based on actual costs. Cover and/or pages may be lightly soiled/faded/discolored due to age or minor damage. Gilman, Elaine (illustratore).…

Soft cover. Condizione: Very Good. 108 pages. Roz Kaveney "Science Fiction in the 1970s: Some Dominant Themes and Personalities" / Raymond Z Gallun and Jeffrey M Elliot "The Profession of Science Fiction,24: The Making of a Pulp Write" / Patrick Parrinder "Siblings in Space: The Science Fiction of J.B.S. Haldane and Naomi Mitchison" / Brian Stableford "Man-Made Catastrophes in SF" (SL#24).…

Softcover. Condizione: Very Good. First Edition. First edition. 12mo. 155pp. Printed wrappers. Spine sunned, rubbing and a few creases on the wraps, owner name on the half-title, very good. Owner name being that of Scottish Christian theologian William F. Storrar.

Hardcover. Condizione: Very Good. Bright, clean pages. Binding is solid. Dust jacket has some wear at top edge; sticker on back cover. ; 10.90 X 8.70 X 1.10 inches; 248 pages.

Soft Cover. Condizione: Very Good. Vol. XLVII, No. 3, Spring 1995. 96 pp. Vol. XLVII, No. 3, Spring 1995 only! Solidly bound copy with minimal external wear, crisp pages and clean text. Occassional pen markings on text.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. 1st Edition. First edition, first impression. xxii, 296pp, with colour and black and white plate illustrations. Black cloth-covered boards with gilt lettering front and spine. 8vo. Cloth very slightly rubbed at spine base and on one corner else neat, clean, bright and tight throughout. In its original dust wrapper, a little rubbed at edges and shelf worn.…

Condizione: Used: Very Good. 1993 hardcover 4th Edition Name stamp in book/ on edge of pages text is clean and free of markings cover has some wear 613 pages H-7.

Softcover. Condizione: Fine. Stiff unmarked book in crisp covers with flaps. About new but for inscription to the title page that appears to be signed by Alicia Elliot.; 7 X 0.7 X 10 inches; 296 pages; Signed by Author. Audibert, Tara; Charles, Kyle; Chomichuk, GMB; Donovan, Natasha; Henderson, Scott B.; Lodwick, Andrew; Ford, Scott A.; Yaciuk, Donovan; Howe, Ryan; Storm, Jen (illustratore). …

Condizione: New.

hardcover. Condizione: Good. A Pre-Raphaelite Marriage: The Lives and Works of Marie Spartali Stillman & William James Stillman. Hardcover published by the Antique Collector's Club, 2006. Text looks free of notations/underlining. Wear to the exterior. Dust jacket has a few small tears and bumping.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Very Good. 1st Edition. spiral bound glossy red printed wraps; 432 clean, unmarked pages. fisgrams, tables, etc (illustratore).

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. 4to 11" - 13" tall; 247 pages; Oversize HC/DJ. 1st edition. Superb copy is tightly bound and exceptionally fresh in an immaculate color pictorial dust jacket. Feels and appears unread and as new. Illustrated throughout with color reproductions. F/F . Oversize book may require additional charges for expedited or international shipping.…

Condizione: New.

Condizione: New.

Hardcover. Condizione: Good.

Hardcover. Condizione: new. Hardcover. As occasional model for no less than Dante Gabriel Rossetti and Edward Burne-Jones, Marie Spartali Stillman (1844-1927) remains a well-known face of the Pre-Raphealite era. Born into a well-to-do Anglo-Greek family in London, she was greatly admired as one of 'The Three Graces', alongside Aglaia Coronio and Maria Zambaco, and photographed several times by Julia Margaret Cameron. Her circle of close friends included, among others, William Michael Rossetti, Lucy Madox Brown Rossetti, Ford Madox Brown, George Frederick Watts, Jane Morris, the Ionides family, and James Abbott MacNeill Whistler. What few people now realise is that behind the enigmatic face lay talent and determination. A gifted artist in her own right, Marie persuaded her father to allow her to study under Ford Madox Brown. She was a prolific painter throughout her long career - a career that she was determined to have in a time when women of her status were actively discouraged from doing so, and that she maintained throughout her marriage. She exhibited regularly at the Dudley from 1870, the Grosvenor from 1877 and at the New Gallery from 1887 until 1908, in addition to numerous exhibitions in the United States between 1875 and 1908. Her husband, William James Stillman (1828-1901), a New Englander by birth, was an early and important figure in the development of American taste for a domestic school of painting. In 1855 he founded and edited The Crayon , the first successful American fine art journal, with John Ruskin's encouragement and with William Michael Rossetti as his London correspondent. Stillman painted with members of the Hudson River school and was a pioneering and creative photographer. In Europe, following his marriage to Marie Spartali in 1871, he was a war correspondent and Rome correspondent for The Times from 1876 until his retirement in 1898. This is the first biography of Marie Spartali Stillman. Based on complete access to her family's archives, it fully examines her work as well as placing it in to social and personal context. This richly illustrated and comprehensive book catalogues more than 170 works by Marie Spartali Stillman, many previously unknown. As much of her work can only be found in private collections, many of the works illustrated here have not been seen by the public since her last exhibition in 1908. 71 colour & 22 b/w illustrations As occasional model for Dante Gabriel Rossetti and Edward Burne-Jones, Marie Spartali Stillman (1844-1927) remains a well-known face of the Pre-Raphaelite era. William James Stillman (1828-1901) founded and edited The Crayon, the first successful American fine art journal. Stillman painted with members of the Hudson River school and was a pioneering and creative photographer. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condizione: Very Good. No Jacket. 1st Edition. Volume One only of the three-volume edition, generally credited as the first edition in English (though that honor may actually belong to the four-volume Taylor-Hetherington edition of 1842-44, from the German third edition, translator not known.) This Chapman edition of 1846 translated (though the translator is not credited in the text) by Mary Ann Evans, and thus the first published work of the author who would later write as "George Eliot." Rebound in generic gray (or gray-green) boards with title and author stamped to spine, with new endpapers. Thumbnail-sized stain to top page edges, possibly blood. Aside from an unobtrusive Dewey decimal in pencil to blank verso of title page, the only remaining library marking is a "Hotchkiss School Library" blindstamp to title page, overstamped in red "Withdrawn." 423 pp., followed by a 16-page catalog of other works from the publisher. Two small holes have been torn in the last leaf of this catalog, with the loss of perhaps 20 words of catalog text. Strauss applied historical methods to determine that much found in the gospels cannot be literally true, for example the report by two of the evangelists that Joseph and Mary, residents of Nazareth, were required to travel to obscure and far-away Bethlehem in answer to the summons of a Roman census that all men go to the city where their family originated in order to be counted. Such a logistically absurd undertaking would have been foreign to Roman practice, and that's before we even consider that there is no ancient evidence that any such census was ordered or taken in Judea or Galilee at or near that time. The chroniclers' need, of course, was to explain how Jesus -- who everyone knew was from Nazareth -- might have come to be born in little Bethlehem, as supposedly required by certain earlier messianic prophesies. This copy now reduced from $370 to $64.…

Hardcover. Condizione: Fair. Eighth Edition 2017. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Hardcover. Condizione: Fair. Eighth Edition 2017. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Hardcover. Condizione: Very Good. Eighth Edition 2017. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condizione: New. As occasional model for no less than Dante Gabriel Rossetti and Edward Burne-Jones, Marie Spartali Stillman (1844-1927) remains a well-known face of the Pre-Raphealite era. Born into a well-to-do Anglo-Greek family in London, she was greatly admired as one of 'The Three Graces', alongside Aglaia Coronio and Maria Zambaco, and photographed several times by Julia Margaret Cameron. Her circle of close friends included, among others, William Michael Rossetti, Lucy Madox Brown Rossetti, Ford Madox Brown, George Frederick Watts, Jane Morris, the Ionides family, and James Abbott MacNeill Whistler. What few people now realise is that behind the enigmatic face lay talent and determination. A gifted artist in her own right, Marie persuaded her father to allow her to study under Ford Madox Brown. She was a prolific painter throughout her long career - a career that she was determined to have in a time when women of her status were actively discouraged from doing so, and that she maintained throughout her marriage. She exhibited regularly at the Dudley from 1870, the Grosvenor from 1877 and at the New Gallery from 1887 until 1908, in addition to numerous exhibitions in the United States between 1875 and 1908. Her husband, William James Stillman (1828-1901), a New Englander by birth, was an early and important figure in the development of American taste for a domestic school of painting. In 1855 he founded and edited The Crayon , the first successful American fine art journal, with John Ruskin's encouragement and with William Michael Rossetti as his London correspondent. Stillman painted with members of the Hudson River school and was a pioneering and creative photographer. In Europe, following his marriage to Marie Spartali in 1871, he was a war correspondent and Rome correspondent for The Times from 1876 until his retirement in 1898. This is the first biography of Marie Spartali Stillman. Based on complete access to her family's archives, it fully examines her work as well as placing it in to social and personal context. This richly illustrated and comprehensive book catalogues more than 170 works by Marie Spartali Stillman, many previously unknown. As much of her work can only be found in private collections, many of the works illustrated here have not been seen by the public since her last exhibition in 1908. 71 colour & 22 b/w illustrations.…